Ask the sax guru Steve Goodson your questions to share with others.
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Question: Hey Steve what can you tell me about key height.Does that mean repair tech is going to match the size to my personnel preference?I want to change the keys themselves so it can closer to my hand because I'm getting tired of the key-work on my omega sax.The left hand is just way too small even with the Runyon risers and right hand side keys are small as well.If any of this is possible.How much would it cost me?I'm assuming alot of money.
Also have you ever heard of a brand name called the new yorker.I've seen a Tenor saxophone with the name but i didn't play it because i don't own and play tenor,I'm an alto player.From the looks of it.It seems to be reliable horn and key-work seems great.
Thank you for taking the time to read this.
Answer: Am I correct that you are asking what having a set of custom keys installed would cost? If so, a very big number.....probably over $3000
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Question: Hi Steve,
I recently bought a SML Gold Medal Mark 1 tenor(lacquer finish) with about 98% original cover. However when it arrived it had 8 of the tone holes filed(one severely, and one basically completely gone. He asked $US2800 for it but I can return it if I want. It sounds great so I suppose my question is now these tone holes have been filed will its sound eventually deteriorate. I know they are extremely hard and expensive to fix.
Thanks
Glenn
Answer: I don't think there is any reason to believe that the tone will deteriorate in the future......that being said, if you paid $2800 for one with damaged tone holes, you paid WAAAAAAAAAY too much!
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Question: value on H .Couf I alto sax cica 1980 by keilworth in germany with orig. case ;mouthpiece rolled tone holes.professional quality horn. new present owner near mint.jim mayer mayer co.clothiers est 1838 225 2935180
Answer: You might get as much as $2000, although I would be surprised.....those are VERY nice horns
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Question: Hi Steve,
I am a sax player and I am interested to try your mute for Tenor saxophone.
I live in Italy but I am going to come in the US (Phoenix) for business, in the 3rd week of February.
Is there the possibility to ship a mute to Phoenix (AZ)?
If I will pay it in advance, how many days you believe are necessary for receiving the mute in Phoenix?
Last question, can you Please remember me what's the total price of the mute, including shipment fee?
Many thanks in advance,
Marco
Answer: Not a problem.....the shipping time is 3 business days....The cost for shipping to Phoenix is $10
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Question: Hi Steve
I need to replace the ring strap hook on my Bari as it it very worn. I have just seen your 3 ring strap hook on your web site and would like to buy one from you. I will be at the NAMM show in Anahiem next week with John Cook (Saxrax) if you are attending this year is it possible I can buy one from you there.
Kind Regards Mark
Answer: Unfortunately, My health prohibits me from attending the show this year. However, we ship worldwide, and you can order from this site.
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Question: What you have to say about the LA Sax series 700 soprano. I have one,and would like to find a MP that will help. I am pretty consistently flat up and down high and low octaves. How about your Sax Gourmet High baffle?Do you have a return policy? I'm in the past,a tenor and baritone guy,so I'm thinking my chop is a big slice of the intonation pie. A friend who was a soprano guy for some years,(tenor mostly now) told me the only way I'll tune that axe is with a hacksaw and hammer. I was hoping to find a less violent approach. Any help is welcome. Thank You,
Joe
Answer: Our soprano mouthpiece will work very well. See our term of service at the top of this page for our comply return policy.
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Question: Hi Steve-I have an old tenor sax Amati kraslice super classic. I have an issue finding a new neck to fit it. The old one had some major damage years ago and just doesn't deliver. Inside the neck it has the numbers 251 which I'm guessing is the diameter (in mm). Can you help me? Any thing is better than what I have.
Answer: I need to know the outside diameter in millimeters
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Question: Just got and played Steve's nodal neck. I like it!! I still need to do some minor fitting adjustments, but it fit right away. If anyone is interested, I noticed that it didn'treally change my tone, altissimo played a little better, the horn's tone is more even overall, and the G to Bb in the lower register played MUCH easier and blew a lot freer. Just an FYI. Thanks, Steve.
Answer: Glad you're happy, Ken!
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Question: Steve
Untill you make some sop sax key clamps is there any clamps for a straight sop you could recomend.
I like to include clamps with an overhaul but for sop I don't know of any good ones.
Thanks
Rod
Answer: I don't know of any that have my blessing
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Question: I have a 1958 Elkhardt Alto Sax 948844 - s4554 from my fathers estate that is in good conniption. What is it's approximate value to sell? Thanks.
Answer: I would say that the best one in the world is a $300 horn....deduct the full retail price of any needed repairs to make it perfect.....those were bad horns when they were new and I have not seen one which has improved with age
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Question: Hi Steve - I've been a fan of old Conn's since my 1st 10M about 30 years ago. Have just bought a 1935 26M Connqueror (advertised as a 6M so way underpriced!) but the neck has had the microtuner removed. Have searched high & low for a replacement....any thoughts where I might find one? all the very best from London, Jon
Answer: If you want to buy a micro tuner I've got one
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Question: Hey steve, you seem to make a great product form what i can tell! Ive played selmers, Yamaha's, and another brand i really liked called "chateau". from what I can tell,they remind me of your products somewhat, both well built and look absolutely gorgeous. What do you know about that brand?
Answer: Chateau is the "house brand" of Tenon, a large Asian musical manufacturing company. They are a good value for the money, quite well made.
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Question: Steve, I am in need of a King Zephyr Bari Sax neckpipe. Craig, from Allied, recommended I contact you to see if you had any. I could use 3, as I have three(3) of these Bari's without neckpipe. Please respond at your convenience. Thanks, Tim Toler(Retired Band Director, Livingston Parish Schools)
Answer: Sorry, I don't make a. neck for that horn
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Question: hi steve;;i have just purchased a schenkelaars tenor sax appears to be in very good condition new pads and bare brass very nice.are these saxes worth spending money on it does not sound the way i want it,,low and sweet like the old days a very attractive horn and built like a tank.i appreciate any help you can give me.regards bill
Answer: I am not familiar with that brand and have never heard of it
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Question: can you tell me were I can sell my mark VI henri selmer 1954 model it has just been serviced as it has been in its original case for over 30 years every thing on it is original.
I had a valuation for it but I thought that US is the land of jaz so that would be the best place to find buyers.
Kind Regards,
Ann Thomson,
0432257228 cell 07 34823174 home/ fax
Answer: eBay is really best.....it reaches a worldwide market and is inexpensive insofar as fees....be careful, look at lots of other listings.....you can't provide potential bidders with too much information
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Question: Steve,
Do you have a Saxgourmet neck recommendation for a Cannonball Tenor Big Bell Global? I believe they are a 28.5mm.
Answer: Yes....order any of the Keilwerth models
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Question: Hey Steve--I've been playing on a Dukoff D5 tenor mouthpiece for 20 years, but it's beginning to flake along the roof of the chamber. They say they make it from a non-toxic alloy (I forget their trademarked name for the substance), but I'm concerned about inhaling little chips of metal. Ever seen anything like that? and what about health issues?
Secondly, living here on Kauai, I can no longer bike to my local hip music store, but buying a mouthpiece on-line seems like such a crap-shoot. I'm fascinated by the Fat Boy and the Florida. Can you help? Many thanks----David
Answer: I know nothing about the health issues you refer to....I rather doubt it's anything real....we ship worldwide, so getting mouthpieces to Kauai is simply not a problem,. Just order right off this site.
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Question: Thanks Steve for the advice but sadly i cannot ship it my sax to you because i simple do not trust shipping especially my sax.I would have to go in person and see the repair myself,no offense I hope.I check out my sax today and it seems your right I do need to replace the spring.The right hand seems to stiff while the left is normal or light.The feel in both my hands are awkward knowing the fact that the keys are uneven and that left pinky table need to check.
What kind of springs do you suggest?From what I check online and as well from your site as well.It seems that blue spring is the way to go.I found that selmer,Yamaha,keilwerth,your horns as well and p.mauriat uses them.How much would the blue spring cost here in new york.I can to Jon and tell him to careful very careful when his putting them or I can go to Roberto romeo to get them though its going to be costly.For some reason roberto charges alot for his repair these day.
Ps I hate mechanical issues especially on the sax.also what kind of oil would you use to loosen the screw because mines are locked in place and they wont budge or do i need to replace them as well.
Answer: It sounds like your problem is the adjustment of the springs, not the springs themselves. Find someone who knows what they are doing to adjust them. Don't waste time and money with someone who does not know how to do this.
We generally use blued steel springs. PB Blaster is far and away the best penetrating oil I have tried.
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Question: Steve my repair jon accidentally made my low B um....stiff where it used to very soft.I went to jon with my silver omega to make my low c sharp less hard but in doing so he made the low b stiff and by that im lieing its freaking annoying.I mean it shouldn't hurt to play.I bought several palm riser for my left and right hand.I even bought an oleg low c extension so it can be under my finger.What oil should i get to loosen the spring and how i can adjust the spring myself despite having no experience in repair or anything of the sort.Any advice would be helpful.
PS.Apparently WD-40 oil doesnt not work on a saxophone spring let alone anything.It just a very bad smell which frustrate me and no steve i cant buy your products due to the fact it'll take forever to get here plus its simple problem that's common.
Answer: It sounds to me like you need to replace the springs....oil is not going to change the spring tension...get the springs replaced and properly adjusted by somebody who knows what they are doing...we ship via USPS priority mail, so USA customers get their orders in 3 business days
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Question: Steve I have a question about the care and feeding of the Jack Of Spade mouth piece.
I saw on the web that olive or vegetable oil can be used on grenadilla wood?
What do you use?
Answer: lemon oil
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Question: Steve it was good to see you and I'm glad you are starting to feel better!!!
Answer: Visits from good friends like you really help the healing
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Question: My father recently died, I have a 1957 Selmer Mark VI Tenor sax and Buffet R13 Clarinet both need re padding both in original cases. Can you advise me on how to sell these instruments as I do not play the. Oh and a big box of reeds.
Thanks
Doug
Answer: EBay reaches a worldwide market......quite a few vintage dealers will sell the horns for you on a consignment basis or buy them outright
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Question: Hi Steve - thanks for your reply in relation to my keilwerth new king alto and its intonation issues; can you recommend a specific replacement neck?
thanks again!
Answer: Get our brass neck with nodal weights
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Question: Hi Steve, I have an H Couf Superba 1 alto with intonation problems. I have tried the neck enhancer, and still have poor intonation. Am considering trying a different neck. Do you think it would help, and if so, which neck would you recommend?
Answer: Yes, you should find considerable improvement with any of our necks
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Question: Thanks Steve, I glad you overlooked the fact, that I said was a Goldberg, in stead of Goldbeck.......too early in the morning, it was, says I!
Answer: I figured that was your intent
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Question: I have a Goldberg "Superb" Alto MPC...It's been hanging around my studio for years, and I've decided to put it to work. Because of their obvious small size, I've had trouble locating a Lig. for it.
Do you make any that might work or know where I might scrounge up one?
Thanks...........j
Answer: I think an Eb clarinet ligature will work
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Question: Whats your phone number? Could I come to see you?
Answer: We see clients by prior appointment only....We are an Internet company and I am almost never available for incoming phone calls. We do business via email.
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Question: Hi Steve, I have a keilwerth new king alto (series 3 I think - the one with the lucite guard) I like its tone a lot but am having trouble finding the right mouthpiece to get good intonation across the full range of the instrument - have tried several with each giving very different results (i.e. problems in different places - most recently a Runyon custom no 5 which plays sharper in the higher octave). Any suggestion/s you might have would be appreciated - google told me someone else has asked you this question, I tried pretty hard to find your reply but there are too many questions!
Answer: Those horns are well known for very poor intonation. Replacing the neck will help significantly in most cases.
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Question: Steve, I have an old incandescent leak lite I use on occasion and someone (not me this time)steped on the bulb receiver. Do you or anyone out there know of a source for parts for this? I can be reached at repair@muncywinds.com.
Looking forward to seey you again at the Smackdown at Curt's
Answer: If anybody has parts or knows, it would be Ferree's
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Question: hello Steve
Is it possible to use a Hurri Cane tenor reed on a bass clarinet ?
If yes, are they the same stregth ?
Sorry for my bad english...
Answer: Yes....the tenor size works
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Question: I have a Yamaha YTS-61. Will the G1 Yamaha neck fit like the original M1 neck
Answer: You would have to ask Yamaha....Our Yamaha neck plays MUCH better, and, yes, it fits
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Question: Hi Steve - I currently play a Yamaha 82Z tenor for both big band with a link 7star and for rock/blues and a Ponzol M2 110.
What neck/mouthpiece combos would you suggest for a) getting a really solid easy-intonation section sound for big band and b) easier altissimo with a lot of edge for my rock work?
Answer: Get our Yamaha neck and Blues Blaster mouthpiece
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Question: Dear Steve, I have a selmer sba tenor sax that im trying to sell out of Arizona. know of any good dealers i can try? I have tried numerous so called vintage dealers and it seems no one can help.. all i need is a good place to sell it. i want to find a good home and need a good person to take care of this sax. thank you!!
Answer: The vintage market is in the tank....there are not a lot of actual sales (as opposed to a lot of talk) and prices are waaaaaay down.....send it to Saxquest or World Wide Sax
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Question: How did the Selmer Radio Improved models get their name?
Answer: I have no idea...
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Question: The title of this, is, OOPPPS I dropped my Blues Blaster and it hit my sax stand. Nice nick on the rail by the tip. So, I thought I would fix it? Wrong! Do you want it back to through it back in the pot? Or, should I get another one? Bummed! Tim
Answer: Send it to me and I will see if it can be fixed
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Question: Greetings Steve,
A customer has just brought in a zephyr Special tenor, #216085. I have seen many Zephyrs, However this one is all decked out with the pearl inlays for various keys, and extensive engraving on the bell keys, a la the king super 20. My question is this, could you get the fancy package as an option, or was this standard on Zephers of this time period? Thanks, Don LePage
Answer: The Zephyr Special was a step up model. The first series of Super 20's were Zephyr Specials with different engraving. There was no other difference.
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Question: Love your thumb rest !..it didn't go so well with the tenor enhancer.it moved around in the mouthpiece.maybe I should have put a bigger o ring on.I appreciate the refund.but more I would of liked it if it had worked for me.I tried one of your necks that a friend has.it has the enhancer built in and it screams ! And the enhancer on his neck fits my mouthpiece just fine snugg... I returned the enhancer to you,you said it was fine.I'm just a bit perplexed.I think I will give it one more try.or just buy one of your necks.thanks.Juan
Answer: I don't think you followed the instructions...did you watch the video about installing the enhancer we have on YouTube?
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Question: Steve, do you have a neck for a 1970 Conn artist model 12M Baritone sax? If so, can you tell how much that would be?
Thanks much
Bobby Van Rooy
musicalneeds@cox.net
602-684-0308 cell
480-827-1111 work
Answer: Sorry, but we do not manufacture a neck for that horn. I own several 12M horns which have no neck. I am not aware of a source that produces one at anything approaching a reasonable price.
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Question: Need a neck for a 1970 Conn Artist model (serial N204xxx) - measures.9645 inches (24.93 mm) inside the receiver - can you help ?
Jim in Arizona
623-824-2762
11/28/2011
Answer: This is an alto? You did not specify, and there is no way to tell from the serial number. What is the. MODEL number....that's what matters
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Question: How soon will you be making a duck bill for alto? I use an arb now and looking for same design
Answer: Maybe next summer
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Question: Hello!
I bought a solid copper neck from you for my Yamaha tenor. It will not fit its a little big. Earlier i bought another neck for the same tonor (not the copper) and thet one fitted perfect. Do you have any ideas about that! I will be able to use both of the necks.
Answer: Did you follow the instructions and have the individual necks fit to your individual hor? Any repair shop can easily do this. we are happy to do this for you at no charge if you will send us the horn.
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Question: Steve,
I was gifted an LA Sax 650 soprano from my friend/instructor. While playing my alto at church one sunday our bas play back into my soprano and knocked it over. In the process one of the pivot screw for the high F key post was lost. the post does not seem stripped so perhaps it wasalready backing out and the fall knocked it loose and into the carpet. The problem is is that I cannot find a vendor to get another screw. Do you happen to have any or can point me in the right driection. I asked LA Sax and they said they don't make my model anymore. I figured they would have parts but they never responded after that. Can you help me out?
Answer: I am not in the parts business for any brand except Saxgourmet. The 650 series was made by Foo Pin in Taiwan. The pivot screws are pretty common, and are used by many other brands. I think that Jupiter screws are the same, but might be wrong. Worst case scenario is that you have to re-thread the post to accept another screw....this is very easy to do, and is probably the most practical and easiest solution.
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Question: so, I wanted to try and fix the problem with my middle D being kind of stuffy and it sounds like your neck enhancer would do that.
my question is (now that the dent in my neck is totally 100% fixed), do I really need a new neck or will the neck enhancer do the job?
Dan
btw the tenor case is working out great, and my black mambo 90 mouthpiece is doing everything I hope it would.
Answer: The enhancer will help....a Saxgourmet neck would be even better
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Question: Steve, I have my father's saxophone and original case and am thinking of having it restored with the goal of finding it a good home where it will be played. It is a Conn M206733
(A,L) pat'd dec 8,1914 1119954. Is this worth restoring and what is the general price or this model?
Thanks, Jim
Answer: I really don't think you can get your money back from a perfect high end restoration....those horns have become slow sellers and prices have been declining.....unless you have a gold plated Artist model, I doubt it makes sense
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Question: Dear Steve, please i was wondering if you could advice me on how to achieve a sound and tone like that of kirk whalum
Answer: Uh, practice.....Seriously, what is your current set up?
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Question: What swabs do you recommend for altos?
Answer: The silk, pull through type....not the fuzzy swabs
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Question: Help- played a club last Friday- Fire Sprinkler went off- soaked my MKVI Bari/Yamaha CustomZ tenor/ Yamaha 875ES Sop--Dried them gently and played fair on Sat- as you & I know- they are suffering more every day- Short of repad- could I try your pad juice & key clamps- will they still fit in case w/ clamps in the Selmer/Walt Johnson type flight cases-
if possible give me your input
Regards,
Howard Smith
804-512-5392
Answer: I think what I would do (remember, I have NOT seen your horns in their current state) is to reseat all the pads, or at least those that need it...during the heating process, any excess moisture will cook out....be sure to check the corks and felts! Pad juice is NOT the answer, anybody who does not use key clamps is a fool...yes, clamps will work in a Walt Johnson case
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Question: Steve
Have you considered a Gospel Jazz Saxophonist from your hometown as an endorsement partner.
Answer: If they can demonstrate that they can sell horns, yes.....that's the only reason we have endorsing artists, and honestly, we've got plenty as it is....results are the only thing that would motivate me
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Question: Hi Mr. Goodson I have a question about Bari. I switched to bari recently from alto would you reccomend on of your baritones to a 7th grade player
Thank you for your time
Answer: Yes I would....our baritones are VERY easy to lay, which makes them ideal for students
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Question: I have an old Cretsch Sax The Great American. Cretsch is spelled with a c not a g. How do I find out how old this is. It is stamped low pitch spelled out. It also has a seriel number stamped on it 184 873. Any help with this would be great. Thank You Eric Judson
Answer: I have no idea where that information might be available
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Question: heyy im looking to buy a YTS62II tenor sax and want to know the advantages to owning a silver or gold lacquered sax?
Answer: get the color you like.....the only difference is in the appearance. There is absolutely no difference in the sound of any form or fashion. Why haven't you ntried one of our horns? they are MUCH better....
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Question: could you recomend a good case for a LOW B FLAT baritone sax?
Answer: I have a Walt Johnson for mine and am very happy with it.
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Question: Would there be any issue using your tenor saxophone mute with a big bell horn? Mine is a Conn 10M.
Answer: no problem at all with a 10M....we've sold lots of mutes to 10M owners....mutes are on sale right now
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Question: Sory about the blank; lousy typing.
RE:power pips; sorry also for neglecting to mention the model: Yamaha Custom 875 with standard neck (late 90's model horn)
Answer: Sorry, I don't think I got the entire message
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Question: I have a Buescher Aristocrat alto sax vintage 1963. When I press the octave key both the octave pad on the neck pipe and on the octave vent opens together. This also causes the g key to close. I'm a repairman in Missouri working on a customer horn. I'd appreciate any help you can give me!Thanks.
Answer: It's binding at the point of interaction between the body octave mechanism and the G key...Try loosening the pivot screws that support the G key and let me know if this makes any difference
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Question: Hello,
My husband has a chance to buy Kohler sax, unfortunaly, I have no other information. I do know that is 40, 45 years old and gold in colour.
Would like to know what is reasonable price to pay for it and how hard is to find the things needed for repair in needed. Thanks Wendy
Answer: please give me a break and give me a lot more details.....you say nothing about condition, or even if it
is an alto, tenor, soprano, or baritone.....let me know when you are serious
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Question: Will power pips help with clarity of altissimo and alternate fingerings (esp.G3)? Thanks.
Answer: Somewhat.....depends on the horn....a neck enhancer will provide good results
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Question: Hi, Steve! I have a university customer seeking a replacement for his LOST Selmer Mark VI bari sax NECK. I've called Ferree's and Allied...who have no such part. What can I tell my customer?
Thanks, Keith
Answer: Get a Jupiter neck....they are EXACTLY the same
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Question: I have a 1985 conn 16M djh modified tenor saxophone I am looking to sell. It has a few dings and dents. Do you have any idea how much you would sell it for? I want to get a new horn after I sell it. Any recommendations?
Thanks!
Stacy
Answer: Those are nice horns. I've owned several of them myself. A nice one in perfect (not good, but perfect) condition is probably a $2000 horn in the current market. Deduct the full retail cost of any needed repairs to get a reasonable selling price. Replace it with a Voodoo Rex if you like the big, full sound.
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Question: Hi Steve,
I'm trying to track down an obscure piece of Conn lore that I encountered a passing reference to a few months back. Searches for it have been fruitless. I figured you'd be a good person to ask, because you are apparently a serious Conn-head and it pertains to an area that you have been productive in: optimizing the mass distribution on saxophone necks for tonal qualities and response. The story is that the 6M double socket neck was a solution to evening out the timbre between G and A on the alto. My understanding is that it frees the neck vibration in a critical area around the neck tenon. Have you encountered any such information? If you have, would you know the source?
Answer: That story is TOTALLY untrue.....stop reading Sax on the Web!!! The double socket neck was designed to give a tighter and more consistent seal around the tenon, nothing more.
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Question: Hi Steve! I am a big fan of your designs. I have an orpheo with the black kangaroo pads, which I love! I just saw a horn on ebay, which I already bought, said to be a Steve Goodson Signature model. I got super excited so I bought it. Now I read on your forums that there are fakes out there. Could you set my mind at ease by looking at the link and letting me know? Thank you Steve!
http://www.ebay.com/itm/220874633505?ssPageName=STRK:MEWNX:IT&_trksid=p3984.m1439.l2649
Answer: That one looks genuine.......I think you got a very good deal
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Question: Hi Steve
Saw your youtube video on you neckstraps but can't find them. Do you sell your saxgourmet neckstraps? Where? How do I
get one? How much?
Thanks Bruce
Answer: we're sold out and waiting for more
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Question: I have a Selmer alto Mark VI, serial number 137...
Purchased new early in 1967 for $350 !!
Has been overhauled once, by Robert Roberto in NYC, in the year 1992.
Barely tarnished. Value?
Also have gold plated tenor vintage KING serial # 56844 (also says Low Pitch)--do not know its age-- the King name is within a flower type stencil on the bell-- looks like it also says HN WHITE-- can you determine its age?
Value? (all pads are good/ needs a little repair as to the middle D-- plays nicely)
Last but not least I have a Bundy selmer baritone sax/ serial # A 7858
The bell actually reads: Bundy
HA Selmer Inc. Elkhardt Ind.
Age?
Also: the lacquer is very tarnished, almost moldy looking, with green spots--- how can I remove them? And, it smells bad-- sorry to gross you out. How to get that smell to be gone?
thanks
Thanks
Answer: go here:
http://www.nationofmusic.com/index.cfm?action=products&catId=84&parentId=0&SiteCode=sgoods
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Question: Steve,
I have a Yamaha Custom Z Alto in the shop now. My client has it in a dent bag, that is why it in the shop. How well do your saxgourmet cases fit the Custom Z Yamaha. I had a client get your bari case and it is wonderful. I don't see him very often now!!!!
Thanks
Rod
Answer: They fit the Z horns perfectly.
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Question: i got my grandson a saxophone at an auction. it has a name CONN with stars under it. there is a number 762094. can you tell me something about this sax and what you think it maybe worth, if anything.. he's been playing since he was 9. thanks his grandmom
Answer: I'd have to see it to give you an accurate estimate, but realistically, a "Shooting Star" Conn in prime condition is not worth much.
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Question: Steve, I am very interested in a new horn. Perhaps a Voodoo-Rex or Voodoo-Master alto. You have so many cool add-ons though, I'm not sure what to get...I want a Voodoo child mpc for sure along with key clamps and a case, but what about additional necks, neck enhancers, power pips, nodal wieghts etc, etc? Are those primarily meant for upgrading an old horn, or are those items things I should consider when I get ready to purchase my new axe? I dont like to do anything half-way!
Answer: about half our buyers get additional necks and mouthpieces when they buy their new horns from us.
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Question: I have an old Buescher straifht Suprano sax. 1923 [138210] True tone
Not beat up,but pads are gone or bad,finish is very dull[Possibly Gold,looks like inside of bell finish,no mouthpiece.Nice original case.Is this worth rebuilding to sell and would you be interested
I have some photos and can do more.
Plmk,Thanks Glenn
Answer: I'm not in the used horn business, so I would have no interest. Buescher sopranos do have quite a following among the vintage horn crowd, so it's probably worth restoring.
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Question: Regarding the mutes, any plans to make one for bari? I guess you'd need two models, one for low A horns, and one for low Bb horns, right? As the bell diameters are narrower for the low A horns, I believe. I play a MK VI low A bari...
Thanks,
Al Carter
Answer: At this time, I am not convinced there is a big enough market to justify the tooling costs
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Question: Hey Steve
I am a student at Fredonia School of Music studying music education. I was wondering if there was any place in the New York City area where I could test your saxophones.I was also wondering if you had any advice on how I could get into saxophone maintenance and repair, like any books you could recommend would be really helpful.
Thank you for your help,
Michael Moxey
Answer: We don't sell our products through dealers, so nobody in New York has them....get our DVD on saxophone repair so you can actually SEE nit being done!
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Question: Steve i just bought your neck enchancer.My selmer super session mouthpiece and selmer omega never sounded better.Thank you for making them to aid us sax players.Also are you making the soprano enchancer by any means and if not why?How does the key design compare to olegs Sax key design?Thank you for taking time to read this.
Daniel T.
Answer: We're not currently manufacturing a soprano enhancer because there is such a variation in sopranos....we're working on it.....I think you'll find our keywork designs far more ergonomic than Oleg's or anyone elses on the market...it's almost always the first thing new owners mention that they like about their new horns.
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Question: Steve,
I've searched the your forums and can't find the answer so here goes. On you necks, what is the purpose of the nodal weights?
Thank you in advance for your reply.
P.S. Had a chance to play one of your super 400 tenors. Nice playing horn! I had my sound critic, my son, listen and he really liked the tone. We quickly had to leave or we would not have been able to return home ever again. Mom just wouldn't have understood.
Answer: the purpose is to increase the mass of the neck at specific nodal points.....this feature is exclusive to Saxgourmet necks
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Question: Hello, I was wondering if the neck enhancer for alto saxophones would fit my cannonball big bell series neck, i am very interested in it!
Answer: yes.....we've sold lots of them to Cannonball owners
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Question: Hello Steve, I was wondering if you had a neck that would fit the Yamaha YAS23 alto sax?
Answer: Yes....our alto necks work just fine
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Question: hi steve, harold in new haven,ct. here. I have an older model brass otto link stm 5* that I absolutely love. It just seems to fit my mouth perfectly. The 5* is on the body of the mouthpiece as opposed to the shank. The question I have is this steve: my emboucher is fairly well developed. I prefer using softer reeds 2 or 2 1/2 but the 5* closes up on me when I play loudly. Could my mouthpiece be refaced to possibly open it up to say 7*? And would you be able to do this? I would hate to shelf this mouthpiece. The newer Links seem to have different dimensions, they feel too big in my mouth.I defer once again to your unimpeachable expertise on these matters. Thanks Steve!!!
Answer: sure, I can do that.....I charge $100/hr and bill for the actual amount of time it takes
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Question: Hi Steve , When Hurricane Katrina came through where you were in New Orleans did you get everything out before it hit. I had stopped by years before and was amazed at your house and all those beautiful saxophones. I have a few bueschers from the early fifties.
you amazed me, so industrious.
Answer: We lost about $200,000 worth of inventory.....our house had about $500,000 worth of damage.......
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Question: SAXGOURMET GOLD LACQUER NECK W/NODAL WEIGHTS FOR BUESCHER TENORS
Steve would this neck work on a buescher trutone series 1 tenor?
Answer: yes it will.....
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Question: if i get a copper neck for my super action 80 alto sax,what type of sound would i get,cause my mouthpieces are bright . thanx steve
Answer: A copper neck will greatly broaden the range of overtones your horn produces, increasing the spectrum significantly.
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Question: I just saw an Orpheo Bari on Ebay that they call their "signature model." It has many of you touches on it. Triple loop strap ring, double key arms on the bell keys etc. . . Was this one of the companies you designed for? I can't remember. If so, how much do you think the quality of this horn would be? Would it be a worthwhile purchase for a "cash impaired" student of mine looking for his 1st horn? I'd have him buy yours if he could afford it. Sorry, had wrong brand on 1st version of this.
Answer: same horn as the Allegro you asked about....same crappy factory, same poor build quality
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Question: I just saw an Allegro Bari on Ebay that they call their "signature model." It has many of you touches on it. Triple loop strap ring, double key arms on the bell keys etc. . . Was this one of the companies you designed for? I can't remember. If so, how much do you think the quality of this horn would be? Would it be a worthwhile purchase for a "cash impaired" student of mine looking for his 1st horn? I'd have him buy yours if he could afford it.
Answer: I had nothing whatsoever to do with that ultra low quality horn!
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Question: hi steve, I've purchased your products in the past and I'm very happy with them. Here's my question: I have a Martin lion and crown tenor. Great sounding horn but not very ergonomically friendly. In your opinion, with much,much practice, do you think I would be able to play as quickly on my martin as I would be able to on one of your fine horns or a Selmer markVI? By "quickly" I mean playing with lightning finger speed. I know you've owned the type of sax I have in the past. What do you think of the Martin lion and crown model tenor and do you think it's possible to play it with lightning speed? Hope to hear from you soon. Thanks Steve!
Answer: As you may know, the old Martins are among my favorites. I love the sound, but hate the ergonomics. The keywork design just gets in the way of rapid, precise playing.
I've got two lion and crown engraved horns in my collection. Both have solid nickel keywork and art deco key guards, and very lush sounding lower registers.
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Question: I have one of you gold plated tenors. I like the horn but I think I am going to have to sell it. The sax is en perfect condition. I wonder how much could I sell it for and how do i figure out the model?
Answer: Send clear detailed pictures
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Question: tenor sba serial number 41000 no serial number onthe neck is it original ? please let me know thanks in advance
Answer: I would need a LOT more information, starting with plenty of clear pictures
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Question: Dear Steve, I have been playing alto for 2 years but I final got a lot saxophone of my very own (selmer bundy)and are in marching band,jazz band at the high school and I play for my church(victory outreach) the saxophone that I had bought whent to get restord but when it gets back what are some things that I should get when to make it last longer and have a geart sound and do you have eny help full tips for me to use?
Answer: Keep the mechanism oiled, keep the pads supple, get the best case you can find.
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Question: Thanks steve for answering my question.I believe that no one knows your work here in new york let alone your name.New york is a shadow when it comes to music.Not many big bang let alone a wind ensemble.Majority are just soloist.Which is sad on many levels.I have a few questions if you dont mind?When are you gonna do a video about the voodoo master and are you planning on doing more sound samples of your new mouthpieces.And last question the o ring on the neck enhancer.Do Jon have to buy different thickness of the rubber or they come with different thickness with the neck enhancer?
Answer: the standard O ring seems to work perfectly for the vast majority of alto mouthpieces.....you can easily obtain a different size at any hardware store.....we'll do some videos soon. My doctors have restricted what I can pick up due to my recent surgery.
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Question: Steve Finally i found your neck enhancers for alto and tenor in jon music store.One problem according to jeff one of the guys at the music shop says that the rubber is too thick for the alto mouthpieces and he tried all the one they have in stock and not one will fit.Also is the voodoo master an intermediate level sax?I want to be sure.
Answer: The O rings are designed to be fit to any mouthpiece....you can get O rings in any thickness you can imagine....sorry to hear that they are employing people too stupid to figure that out at the music store you mention....the Voodoo Master is a professional level instrument
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Question: Hi Steve: What do you use to glue the union between the bell and the body on saxes.Thanks
Answer: Beeswax...Heat it after you apply it and it will flow into an airtight seal
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Question: dear Steve i bought a 1914 conn sax and i was woundering how much would it be worth if i sold it.
Answer: How much does it weigh?
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Question: HEY STEVE,I HAVE A PERFACKTONE STENCIL on the bell. WITH NOTHING BUT serial 7018 A above that and low pitch above on the back it looks like martin beveled tone holes.silver with gold washed inner bell.plays well paid 165.cant tell much about it than that. any light would be much appreciated.an do have pics if needed thank you much
Answer: That's about the right price if it plays well and looks good......don't pay any more
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Question: how sucessful can a man of 68 years old be at learning to play alto sax?
Answer: very, if he is willing to practice
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Question: Any pricing on that new Powell "Silver Eagle"? I had to sell my soprano, alto and tenor (all Selmer SA80's). I want something similar but at a better price. thanks
Answer: I am not involved in that project at all.....you would have to ask them......
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Question: Steve I perform on alto, soprano, some tenor,baritone saxes and clarinet. I am using a selmer hard rubber S80 "D" .051 tIP Opening #3 java vandoren reed.I have a hard time getting the high E and F above staff.Please help me.I have been playing since 1950.Thank you Ralph
Answer: Is your mouthpiece table perfectly flat and the rails perfectly even? Rubber mouthpieces sometimes wear over time....
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Question: Does your bari case fit a B flat one, either Mark vi or conn?
Thanks
Mike
Answer: Not very well....it is designed for modern low A horns
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Question: Hi Steve,
I have a Conn 10M vintage 1967 with the underslung Octive. Do you make or have a neck for this horn. It has the Double sleeve tenon?
Thanks
Rich
Answer: sorry, we don't make any double socket necks....I am unaware of anyone who does
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Question: Hi Steve, My name is gail and I went to an auction and picked up sax that had on the front CONN and under that USA. Now my grandson has been playing the sax for over 5 years and loves it. Said its a Alto sax. He plans on having it tuned up and using it as a back up to the one he has. He also said that they don't make saxophones in the USA anymore. So I am wondering if you knew anything about the maker (CONN)and where they are located, and really anything you can tell me about the sax. I would really appreciated it very much/ thanks again. / gail
Answer: I need a LOT more information....serial number, pictures etc.
There's lots of historical information at my www.saxgourmet.com site
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Question: I have recently acquired a Kohler 57 alto sax that has been stored in its case and unplayed for 20 years. It appears to be in excellent shape. I understand that I am not qualified to understand the shape of the pads etc. What is a general range of its worth and how would I get it appraised. Regards, Jeff Kollmer
Answer: There's really no demand for those horns....they're really pretty terrible in many regards, and were not a success when they were new. Regrettably, I have yet to see one that has improved with age....you'll notice that none of the major vintage horn dealers want anything to do with them....I'd say the best one in the world, in perfect cosmetic and paying shape, is overpriced at $500.......
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Question: HY STEVE, FISRT OF ALL THANKS FOR SHARING YOUR SITE WITH THE WORLD, IT'S VERY ENJOYABLE TO SAY THE LEAST ( ESPECIALLY THE VIDEOS...I AM CURRENTLY LOOKING FOR A NEW HORN SOON AND I AM CONFUSED ABOUT THE STEVE GOODSON MODEL AND THE ORPHEO BRAND..? RAE THEY BOTH FROM SAXGOURMET OR WHAT?
CAN YOU CALRIFY IF POSSIBLE? THANKS A LOT, ALEX
keep your reed wet!
Answer: We haven't made any Steve Goodson Model horns in over six years.....the Orpheo designed by Steve Goodson stopped production about the same time....all the horns we manufacture are on this site...
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Question: Hi Steve:
I am an avid reader of the Saxophone Journal and a big fan of your column. I am very interested by your Saxgourmet Necks and I wanted to ask you if they would be appropriate for my saxes and mouthpieces:
- Soprano sax: Yanagisawa Model 992 SN 00299635, Vandoren V5 S25 mouthpiece, Vandoren V16, ZZ, and Java Red reeds
- Tenor sax Yamaha Model YTS-62 SN C79658, Vandoren V16 T6 mouthpiece, Vandoren V16, ZZ, and Java Red reeds
- Baritone sax Yamaha Model YBS-52 SN 031234, Vandoren V16 B5 mouthpiece, Vandoren V16, ZZ, and Java Red reeds
What do you think?
Thanks,
Regent
Cell: 858-729-8705
Answer: we don't currently manufacture necks for soprano or baritone saxes.....any of our Yamaha specific necks will improve your tenor.....
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Question: I have an Arnaldo flugelhorn borgani Macerata brand whose serial is 37 I want to know what year is your manufacturing
Answer: we are only in the saxophone business......you should contact Borgani directly
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Question: I have my uncle's old alto saxophone. I contacted an expert onine(Grant R. Koeller) and I was told that it was a Carl Fischer saxophone made by either Malerne or Evette in Italy. The only problems it has is that its missing the screw to tighten the neck on the body, one of the keyguards, and needs the pads replaced. I played it and at the time it was in better playing condition than my own saxophone! He said this sax, when fixed up, would be incredible, and he told me to contact a tech from NAPBIRT. I was wondering if the repairs needed are minor and if its value is high or low
Answer: I have never heard of your "expert"....where is he published?....based on the information you provide, I'd say he doesn't have a clue about the subject of saxophones.....watch out!...a repad is a major operation, and very expensive....more than that horn woud ever be worth......BTW, Marlene and EVette were both French companies, not Italian, and Conn manufactured the Carl Fischer horns, which aren't worth much and don't have anybody looking to buy them. NAPBIRT is an educational organization, and membership has nothing to do with the skills of the technician
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Question: Hey steve, I live in New Orleans and I'm interested in buying a metal mouthpiece from you, is there any way I can try some out before I buy them?
Answer: sure.....give me a daytime phone number and we'll set up an appointment for next week.....send number to saxgourmet@cox.net
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Question: CONFIRM AGE CONN CURVE SOP. SAX. 34705 S ON TOP L ON BELOW
Answer: There is a serial number chartbat www.saxgourmet.com
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Question: Hello...A dear friend lost her father a few years ago. His name was James London and played the french horn in symphony orchestras. She would like to sell his horn and feels it is worth more because of who it belonged to James R London. My friend said he was in the top 10 players in the world.
I am hoping you can maybe direct me which or what kind of places I should call. When she had called me she wanted me to maybe put it on Ebay for her, because I do Ebay. But, I don't know that this would be a good market place for it.
Any kind of help would be very much appreciated.
Thank you...Stephanie
Answer: first, I'm NOT in the French horn business......if a famous player's name increases value, it MUST be fully documented with serial number bearing repair tickets, insurance documents with the serial number etc.....nothing else will do
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Question: Steve, Thanks for the quick response about the copper necks. Do you know when you expect them to be available again? I'm excited to place my order!
Answer: We'll have a few next week
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Question: Hi Steve,
I own a 10M and a Chu. I prefer the Chu and i'd like to buy your Copper neck for Conn. But you don't mention the Chu. Doesn't it fit? Thank you and best regards, Matthias
Answer: Yes it does!
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Question: I have a dorfler@jorka rene dumont tenor.are they a good sax thanks.
Answer: No
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Question: Steve, I've finally gotten around to ordering a copper neck for my alto, but, I can not find it on your website?? Are you not producing them anymore?
Answer: Wevare temporarily sold out....more on the way
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Question: What is your opinion on the sonic differences (if any) between solid copper and brass necks?
Answer: Solid copper necks have a broader harmonic spectrum
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Question: Hi Steve. What ligature would suit my yanagisawa tenor metal mouthpiece ?
Many thanks Richard
Answer: I like the BG
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Question: Hey Steve, I just picked up a Martin Com. III alto without a neck. Have you got anything that will work. I am a repair tech. so I can do some fabrication if necessary (i.e. front tightening screw). Thanks for any help, Jack Furnari
Answer: If you can do the front screw, get our copper alto neck that's on sale through the end of the month
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Question: Hi Steve,
I purchased an SML silverplated Rev A alto about 8 months back. New nothing about them at the time and mainly got it because I liked the look of it. Nobody told me that it would be the best sounding sax I could possibly hope for. I've been playing a few mouthpieces on it such as Meyer G series, Vandoren a25, and even a Beechler metal 8. All sound good but The Vandoren really stands out. I also play a Keilwerth New King alto which has a nice tone but I just can't seem to find a suitable mouthpiece for it. I have tried all of the above as well as a Selmer c# and an old Goldbeck but nothon really shines.
Can you advise on a possible mouthpiece that will suit the Keilwerth?.
Also in your opinion is it worth the cost to get the Goldbeck opened up for use on the SML. Way too stuffy at its present size.
Look forward to hearing from you.
Kind regards Nick.
Answer: Get our Voodoo Child alto mouthpiece.....opening up the Goldbeck won't get rid of the stuffiness....mouthpiece work is $100/hr
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Question: I'm a young musician without the means to purchase a new horn but I'm starting to become frustrated with bad intonation in some parts of my Selmer La Voix Tenor. Also with slow reactions while changing octaves among other things. I just purchased the mpc (Sugal) of my dreams but the problems still exist. Do you think another neck is the next best way to go. I still want to get the best sound possible while working towards getting a new horn.
Answer: One of our copper necks with nodal weights (they're on sale this month) will go a long way toward solving the intonation and response problems of your horn.
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Question: When will your soprano sax cases be available?
Answer: We have been so far unable to finalize a design that is to our standards. There is a lot of variation in sopranos, and that's a problem.
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Question: I play sax and keys in church and switch a lot in the middle of songs. It's no problem when playing alto/tenor because they can hang on my neck while I use both hands. Do you think it would hurt to put a hook ring on my MVI soprano?
Answer: I have added them many times....we sell one with 3 rings that will work perfectly
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Question: What is a fair price for a Chicago Jazz Series in Pristine condition, serial #014989.
Answer: There's almost zero demand for those horns.....hardly anybody knows what they are.....they're a really tough sale....I'd say take any offer over $1000.....they're better horns than that, but I don't think you could ever persuade anyone to pay more....I know I wouldn't
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Question: I had played a lot of blues in the late 80's but just stopped playing as my family and career took all of my time. I am a harp player and played sax to add another dimension to our bands mix. I am a real hack but I good at the simple things I know. I recently joined a band, when I told them I played a little sax you guessed it I pulled it out again. Its' an old 10m Naked lady but not that real valuable rolled model. It just started falling apart! I called a real sax player and he told me to buy his Chicago Jazz series for $2000.00 and throw in the Conn. I have a berg mouthpiece 95 2 V. The band does not dig the tone of this sax, they like the old warm deep tone of the Conn. I am using a RICO Hemke 2.5. Check out "Blues that all' http://www.myspace.com/thenewcaliforniaoutcasts/music/playlists/the-new-california-outcasts-s-playlist-1098708 The G F that I repeat over and over is not the same on the Chicago horn.
Answer: Those are VERY different horns.....I'd say you've been had.....If you want to darken your sound a bit, switch reeds to one with a thicker tip, such as LaVoz or Gonzales.....
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Question: Good day Steve,
I recently purchased an Armstrong (elkhart) tenor sax with the B an Bb keys facing towards the player, kinda Buescher 400. Plays great. Would you happen to have any info on this horn ?
Thank you, Carlos
Answer: Sorry.....I don't think they made a lot of those....Armstrong was a well known and respected flute maker, and their saxophones never really caught on with buyers.....I rarely see them
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Question: Steve,
Hope your health issues are getting better ! There is a lot of bourbon still to be tasted !
I have an OLD Anderson & Forrester company, Denver Co bunson burner. It is 2 1/2 inches tall and is wonderful. They no longer produce this, citing cheaper made items and they cannot compete and maintain good quality, Do you know of anything similar to this that is reliable? I have purchased a few of the cheaper ones and they certainly are cheaper. I use it with a small flame on clarinets & oboes.
Thanks my Friend
Rod
Answer: I haven't used a burner for years.....I only use a Vortex air torch now....I do have a VERY old burner that is far superior to anything I know of....I don't know if it has a brand name on it, I'll have to look.....I've had it for at least 30 years and don't remember where I got it
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Question: I purchased an after market Saxgourmet solid copper tenor neck. I really like it, but the guy I bouhgt it from trimmed the octave key mechanism too far for my horn. Is there a way I can get a replacement octave key mechanism for this neck?
Answer: Sure.....I've got them....email me privately at saxgourmet@cox.net.......
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Question: we are looking for a sba for my son, leo. he wrote you earlier today. he is unclear if you actually have any sba in stock. can you tell me mr. goodson do you and if so what are the prizes. we can visit your shop when you are available. please let me know. thank you.
email me or call me. thank you.
marilyn rayon- 713-721-0657
Answer: we are not in the used horn business and have not been for many years....all the horns we have are listed on this site
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Question: Steve,
I have a Guardala Super King Gold Tenor Mouthpiece which I like but the ligature is awful. Do you have any suggestions for a ligature that will fit and perform?
Thanks
Answer: I'm very fond of the Brancher ligatures....they make several models which will fit your mouthpiece
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Question: Dear Steve,
I have great early 60's Buescher 400 tenor sax
that plays awesome. However it appears to tune flat all the way from the low notes to the upper stack.
I have to push in my mouthpiece all the way in as far as possible on the cork to be able to play in tune on the higher notes. But it still on the flat side in the middle register and the low notes. I tried several large chamber mouthpieces and I tried to change it with my embouchure, I do not think it is normal, is it? The neck looks original and the bend is OK as it seems. What could be done to make it better, you think?
Thanks, John
Answer: First, tune the horn to A=440. Then see how far apart the octaves are. If they're not close, your problem is almost certainly the neck. Replace it.
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Question: I recently acquired a Noblet bass sax (for free!) and the old wooden case looks like hell. Will your case fit this horn?
Answer: yes it will
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Question: I purchased a made in Austria Schagerl Amadaus Serie tenor s/n0072 w/high F#. Schagerl web page redirects you to other companies. These 3 or more companies are selling the same basic design with some minor cosmetic changes. Made in the far East. There seems to be a common link to these horns, the #66 is part of the name.
What I bought plays so great. I retired a Mark VI that I bought new in 1962.(97xxx) This Amadaus sax is the best tenor I ever played. Do you know its history. I would discribe it as a hybird balanced action/Mark VI.
Thank you
Answer: Sorry, I haven't a clue.....I never heard of that brand nor have I seen an example with that name on it
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Question: Steve, I have a VEGA solid brass C Melody Horn SN P2651. Any Idea on the year of Mfg and what it is stenciled after? Brass keys and cups. No dents or anything. Value? Thanks, Joel
Answer: No idea...Off brand C melodies make excellent lamps. That's all they're good for.
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Question: RE: Florida Tenor: What's the low end like? Good "Foo"?
Answer: It's very responsive and sub tones quite easily.
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Question: I have a 991 yanigasawa tenor sax that plays extremely sharp in the upper register. Is there a fix for this problem? I previously owned a 991 yani
alto and had no problem. Thanks!
Answer: Yes, replace the neck. I have seen this problem many times. We make necks for your horn.
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Question: Can I apply your facing procedure to my stainless steel berg? I noticed that the table is somewhat concave; not a lot, but enough to show light when passing a straight edge along it. Will emery paper be enough or does it need to be machined?
Thanks.
Ken
Answer: The process is exactly the same, regardless of the material. I use various grits of emery paper on stainless steel.
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Question: Steve: What replacement neck would you recommend for an SML alto? It is a Vedette stencil that seems to have all the 22 features. I have a Heimer neck (from one of their SML clones) that almost fits, but don't trust it's quality. The other issue with the horn is that the removable neck lock has been removed. Thanks, Al.
Answer: I have never seen a Vedette....there was usually significant variation in their stencils. You may have to replace the receiver. Please send me some clear detailed pictures so I can give you better advice.
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Question: Steve-
I just ordered a neck enhancer for my Conn 110M DJH Modified tenor and look forward to using it. I would love to get one of your tenors but I have a Martin Indiana that I have to sell before I can afford another. Ebay doesn't look good. Do you have any ideas as to how I should proceed?
Answer: Indianas are good sellers because they are a real value for the money. They are one of the few older student models for which there is demand. They are NOT professional quality horns.
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Question: Would you be willing to take Selmer Mark VII in trade for one of your horns. It is orginal lacquer with a bit of wear on the hornn, but this horns actually plays very good. Ron Halloway let me try the voodo rex at a shop in Maryland. He an i are old
friends. I would love to have one of these horns. Actually a tenor.
Answer: I am not in the used horn business, so I would have no use for any trade ins....
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Question: I recently purchased a Yamaha YTS-61 horn off ebay, Serial Number #011742. I was wondering if you knew how I can track what year it was made? If not a educated guess, Thank you.
Answer: the educated guess is 1976
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Question: How much will it cost to ship one of your tenor saxophone mutes to Thailand?
Answer: $35
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Question: I have a Buescher Aristocrat E-flat alto sax with s/n 111002 and S-33 stamped on it. The s/n would indicate a Buescher manufactured in 1922-1923 but I think it is a later model, possibly from the 1960's when Selmer acquired Buescher. I can't find a s/n chart to confirm. Can you please advise?
Thanks
Answer: That is a Selmer made horn
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Question: Read your info on Beuscher 400 Series Top Hat Sax. Became very interested since I have one purchased in the mid 1930's. Ser #296158 My sax appears to be in excellent condition although it has not been played recently. I may decide to sell it.
Answer: I am not aware of any of this series sold in the mid 1930's....
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Question: Hi Steve: I recently bought Forestone reeds for my Alto and Tenor saxs. I really like the Alto one but the tenor one, I find is very buzzy, thin and squeky in the mid range, especially. I use a 2.5 reed on an Early Babbitt 8* Stm on the tenor. Do you think the problem maybe reed stregth? I am looking for a reed to use in outdoor gigs where I am switching back and forth with instruments and don't have to worry about cane reeds drying out.
Thanks!
John
Answer: try our Hurri-Cane reeds
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Question: I have a Martin Tenor serial#171807
and a Buescher Alto serial #224074
My other horns I am using, I was wondering if you could tell me the value of these two. Can't wait to come back to New Orleans. I would love to come visit .
Answer: there's a value guide at www.saxgourmet.com.....be SURE to read the preface!
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Question: Steve... I am looking to p/up a decent/better alto sax for my 12yo daughter who has been playing for about 3 yrs. in basic elem. & jr high band. I would prefer not to spend over $400/500 (until I can determine her commitment long-term), and I am looking at the following (4) used alto sax's for sale (all priced at under $400):
LeBlanc Vito, Keilwerth ST90, Conn 24M & Evette Buffet Crampton
I've also seen quite a few yamaha YAS series available, but I would prefer to buy American-made, or at least the best quality I can get for under $500. Any thoughts that one might be a good buy that will get her through her young student career, or should I keep looking... ? Thx :-)
Answer: insofar as used horns go, I'd have to see and play the horns in question before giving an opinion. Condition is EVERYTHING........
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Question: First, I originally heard about you through your someone from your youth, Dewitt Self. I had a 30 year break from playing and when I started back, I played with his sight reading band on Thursday nights. I have been back playing for eight years now and play in the Birmingham Community Concert Band, Celebration Winds, and Ain't Misbehavin' (Big Band, Swing and 50s - 70s Rock). My question has to do with my 1957 Selmer Mark VI tenor. If I play anywhere it is a little hot, I barely have room on my neck to pull my mouthpiece out to keep from playing sharp. I had a 1973 Mark VI tenor and it was the same. I have a 1969 Mark VI Bari and I don't have this problem. I use Brilhart Tonalin Great Neck, NY mouthpiece for legit work and a Jody Jazz HR for the Big Band. I have thought about your neck enhancer for my tenor, but didn't if I would run into problems when the temp was hot. Also do you know of a good mellow mouthpiece that would play a little flat so I push in a little more? I know the Caravan mouthpieces play flat but they are only good for legit playing and are difficult to play. I had one for my Bari and unless I had my mouth just right on it nothing would come out. Thanks for letting me ramble on and I am looking forward to any suggestions that you might have. Doyle
Answer: send a daytime phone number to saxgourmet@cox.net and I'll call you to discuss some solutions
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Question: Dear steve, I need a right hand thumb rest for a yanigasawa sc 992 soprano sax.If you can locate this, please call me at 516-775-5627.thank you very much.
Answer: Our thumb rests will work and are much more comfortable
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Question: Limited funds at this point....which is a better purchase for my couf suberba one a pip or the neck enhancer
I want both but will have to wait on one of them
Answer: neck enhancer for sure!
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Question: Hi Steve
I really enjoyed watching your videos. Very informative. I am a tenor sax player and I am in the hunt for a blusey sounding mouthpiece.
I used to play alot in school and university and only recently picked it up again at the age of 46. (yipes).
What mouthpiece would you recommend?
It seems the bigger openings are a little more difficult to use. What do you think?
Thanks in advance for your suggestions. Have a good one!
Answer: get our Blues Blaster in a .090......the name says it all!
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Question: Hi Steve, I play a Jody Jazz hard rubber #7 on my alto. I don't play a lot of alto but I'm looking for more bite. I use your Yellow Moon on my tenor and I'm wondering would your Voodoo Child be a good option for the alto? If so what tip opening would you recommend? Thanks, Joe Whiting
Answer: The Voodoo Child will definitely increase the brightness and bite. It comes in one tip opening only, which is matched to the facing curve for optimum results.
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Question: I'm an advanced player that at one point went to University of Miami on a sax scholarship, so I'm no scrub. But I never did get into trying a lot of moutpieces. I think at one point I had a meyer 5* and S80 c* when I had my yamaha custom alto. Anyway, after having sold my horns in order to buy recording equipment as my main source of income was from engineering and production work, I decided I wanted to buy a horn so I picked up a Bundy tenor with a Bundy II mouthpiece from a local pawn shop. Well its three years later and I really needed a new sax but had very little money so I purchased a Unison 6003L for all of 500 bucks (seems the Unison sax's go for next to nothing but that they are in fact pretty decent horns). My question is what type of mouthpiece would provide me a versatile sound for jazz, blues, funk and that would project better without being too much of a change. I've played since I was very young so embouchure isn't totally weak and I believe I can get used to a number of different setups but just not sure as there are so many different options available. I've always played LaVoz mediums or Vandoren 3 or 3 1/2 reeds. Thanks in advance,
Ernesto
Answer: Get our Black Mambo in a .090 tip opening
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Question: Hi Steve,
I have a few questions to ask:
1.What can you tell about Phil Barone saxophones?
2.How magnahelic machine from MusicMedic works for sax?
Thank you,
Alex
Answer: I've played a few of Phils horns, and they're OK...well built, no real innovations
The magnahelic machine is great....it will verify the smallest leak!
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Question: Hi Steve ,I need help to purchase a right thumb hook to hold horn.this horn is a soprano cs992 Yanigasawi curved. It got loose and lost.thank you very much.
Answer: any of our thumb hooks will work
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Question: Hi Steve
I have a 1933 Conn Transitional Alto Sax and am looking for a good metal mouthpiece for this sax. Styles palyed are Blues, Funk and Jazz. Looking for a reasonably bright and warm sound
Do you have any suggestions for a good metal mouthpiece mouthpiece for this horn?
Thanks
Geoff
Answer: Try our Voodoo Child.....lots af reviews are available on our forum on this site.
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Question: Hi Steve
I hope you are feeling better!
Can you still drink Coffee? If you can I will try to pack a couple of lbs for you and Sharon when we return in July.
Take care of yourself!
Answer: Coffee and small batch Bourbon are the few vices I have left.....
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Question: Hello Steve,
I am having a hard time finding a better neck for my Yanagisawa T991 sax (the original one provides uneven sound around the low (written) G). Which model from your range would fit (if any) in terms of size ? Best regards.
Answer: Get our copper neck.....we make one for your horn
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Question: I forgot to mention on my previous post that the horn I have is that King Super 20 SilverSonic I mentioned a month back.
Thanks again.
Answer: It will work just fine
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Question: Steve,
I'm a beginner (7mo. of lessons - but haven't played in over a year) and I'm looking at getting a mouthpiece. What would you say about me getting the Yellow Moon tenor mouthpiece?.. or any other recommendations.
Answer: It is a good choice for a beginner. Get a 90
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Question: Hi Steve,
I have a Gretsch tenor sax and need a new neck for it.. bad bar gig wrecked it. Any ideas where I can get a new/used neck for it?? Sax is not my primary instrument so $$ is an issue.
Thanks
Dick
Answer: Our Conn neck will work
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Question: Hi Steve -
I watched your video on the standard alto hard rubber moutpiece - can you tell me the facing length and do you use the same length for all tip openings?
Thanks very much!
Answer: The facing length increases a half millimeter for each tip opening, and begins at 40 on a standard gauge
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Question: I have a Conn 10M Naked Lady Tenor sax and it blows very sharp. I can't pull the mouthpiece out far enough to get it in tune. Any suggestions. Thanks.
Answer: Replace the neck
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Question: Any necks for Low A baris going to be added to your arsenal?
Answer: yes, in the near future......we'll have them available for most modern brands
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Question: Which strength of hurri-cane reed would you recommend if you are using a #4 reed for a tenor sax?
Answer: hard
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Question: Hi Steve,
I am a veteran player that has yet to pick up a soprano, I have not played enough of them to really know what I am looking for (straight, curved) I am also on a bit of a budget. I found a LA Sax series 1 that I could afford, do you think that it is a decent horn or kind of crap? I am also unsure of what mouthpiece I should be looking for in a soprano (metal or plastic). A point in the right direction could help. Thank you!
Answer: The LA Sax is of very poor build quality....look at our curved soprano and our metal soprano mouthpiece
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Question: Hi Steve, I have a couple of tenors whose cases are both shot. One is an old beat up Renee Dumont horn that I keep around to play gigs on the beach. This horn says made in Germany and appears very similar to a Keilwerth Toneking. What do think the chances are this would fit into one of the new cases you sell? The other is a Conn from the early 20's [98,xxx serial#] with split bell keys, it's in mint condition and has a sweet tone, but the case is splitting at the seams. I still use this horn on gigs sometimes so I would like to find a case to fit it also. Let me know what you think. Thanks, Mike Pundock
Answer: Our cases will fit both horns just fine.
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Question: Do you plan to make a neck enhancer for soprano horns?
Thanks,
Michael
Answer: at this time, no.....there is far too much variation in sopranos....you would have to make quite a few different models, and the potential sales do not justify the tooling costs
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Question: Hi Steve, I'm a young 60, retired, and picking my horn up again. Tried a Cannonball Pro Vintage and loved it. Bought one and that horn was hard to blow and notes were 15 clicks off key. Ordered a Cannonball Brute Big Bell Sax. If I have the same problem, will your Saxophone repair DVD show me how to regulate the tone and get the low tones to come out easier. Whoever regulated the first horn I tried must have done it with a lot of TLC. The stores repair people couldn't do anything with the Vintage I bought and sent back. Would really like to know how to do it myself. Thanks for your time and consideration.
Answer: Those guys who are working on your horn are very obviously quite incompetent.....getting leaks out is not rocket science.....our video will show you exactly how to do it, plus a lot of other stuff you need to know....
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Question: I purchased a Neck enhancer for a series 2 Selmer 80 super action.. MY question is Does it fit on the loose side going into the neck as well as a little loose where the larger end goes inside the mouthpiece.My question is can I put alittle Teflon tape on the side going in the neck. I just thinking if I not careful, this piece can easily fall out.. I remove my mouthpiece daily. Thanks for any input..
Answer: It should fit somewhat tightly in the mouthpiece and loose at the neck
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Question: Hi. My model 6's LH Pinky table is extremely hard to move around. Particularly b to Bb. My pinky is pretty short but i can move around c#,b,Bb easily with other horns, but not with the model 6. My tech tried to level it down for easement but he told me he couldn't because it was constructed that way. How can i solve this problem? I've always been thinking that mine was a prototype because the bell came turned and the plating color was different at different place. Has the new models revised this? and where can i find saxgourmets in China or HK? Thank you.
Answer: We don't make the Model 6 any longer....it has been discontinued for over four years in favor of the Super 400 model.....there is NO reason the LH table cannot be adjusted to any reasonable way you want it.....try a different technician, obviously the one you are using doesn't know how to do it.....I have all of the prototype alto and tenor Model 6's in my possession, none were ever sold to the public
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Question: Hi Steve
Is your family in Alabama ok? It looked like many southern states got hammered!
Answer: Yes....they're all fine.....we did lose some family friends to the storm
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Question: I came up listening to Sam Butera and have always loved his big open sound. I noticed that he was playing Bueschers back when and the mpc looked like a Berg with a white bite plate. Do you know his equipment history? Which of your pieces be most likely to duplicate that sound. I am playing an early YTS 875 Custom (recently overhauled with roo pads and metal resonators by Gary Underwood) with a metal Link NY 9 refaced by the "Mouthpiece Guys" (Ohio) and Vandoren Java "Red" 1.5 reeds. The set up screams and "foos" but there is something missing; seems to be the big open resonance of the lower register. Could it be the heaviness of the horn?
Answer: Sam used Conn 30M's through the 50's and early 60's, and switched to a Mk VI....his Berg, if I recall correctly, was a 130/2.....If you want a BIG fat sound with some bite to it, get our Saxgourmet Handmade tenor mouthpiece and our solid copper neck with nodal weights.
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Question: I play both metal and hard rubber mouthpieces. (RPC, Sugal, Guardala, Selmer Jazz E, etc...)
After proper and thorough refacing the rubber ones don't chirp or squeak, however the metal ones do??
any suggestions or possible solutions?
Answer: There is NO reason that should be the case. Check your measurements on the ones that chirp.
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Question: Which is your darkest tenor mouthpiece?
Also, know of any jazz camps down there in NO?
Answer: The Handmade is the darkest for sure... ..there are quite a few camps held here.....do a Google search
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Question: steve :I bought the set list holder to fit the saxraxx stand from you but it doesn't seem to fit the saxello/flute/clarinet peg adapter(I usually have my flute peg on this ).It didn't come with an adapter to fit on the saxraxx stand- is there an atachment adapter I didn't get or does it come with its own attachment device? I must admit I didn't notice this when the setlist holderarrived because I was gigging with my flute & didn't need to use the adapter straight away.
Michael
Answer: How old is your stand? They have changed the adapters several times. We will get you the correct one. I had operated under the assumption that your current adapter would work.
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Question: My credit card bill goes to my post office box address, but I receive all FedEx & UPS shipments at my physical address. What method of shipping do you use and how would I order something if you do not ship via USPO?
Answer: If it's a small item, the PO box is fine....horns, cases, and other big items go UPS, so a physical address is needed.
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Question: Hey Steve I just want to start by saying I love the videos. But down to business, I am interested in your low rider bari mouthpieces, but I am not sure which tip opening would be the best. What is the difference between the two and which would be best for an intermediate-advanced high school sax player? Thanks for your time.
Answer: Get the 105
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Question: Steve thanks for the advice for the LaVoz reeds. Also thanks for the lesson. You changed the way I now listen and look at music.
Keep on keeping on man!!
Answer: It was my great pleasure, Tim. It's an honor to have you as a customer, student, and friend.
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Question: Sorry Steve I should have said - its a model six so same question as before with this in mind
thanks Steve and Co andy
Answer: Any of our alto necks will work
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Question: Hi Steve, I purchased Chuck White's Model 6 alto a few months back and the never stick G# is now sticking...any suggestions. I'm kinda handy. Thank you in advance for any suggestions.
Answer: Clean the top of the tone hole
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Question: Steve I have a Rose Brass Saxgourmet Alto and want to experiment with a new neck - any suggestions ?( I play in a rock band ) and also I couldn't find rose brass necks to match on Your website? cheers Steve and Co. Andy
Answer: Which model do you have? If it's a Model Six, we have lots of necks....if its a Super 400 with a high G, we don't.
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Question: I've been using a model 6 tenor for a year. I was thinking about upgrading it... Do you plan to make a new tenor model (with high g?) within the next couple years? The voodoo rex is keyed to F#(why?) and i heard the super 400 sounds similar to the model 6 (which'd be the back-up horn); and I can't afford the cat5. Thank you.
Answer: The Super 400 is VERY different from the Model Six and has a high G key and lots of other features.....The Voodoo Rex is keyed to F# because that is the standard range for a modern saxophone. If you want a high G, get a Super 400. We will have a new tenor model later this year, the Voodoo Master. It is an "intermediate" model, and will be keyed to high F#.
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Question: hi, i bought the copper neck for my yamaha 82 z tenor sax. i tried to put it on, but it is too big, let me know what i should do to fix this, im anxious to try it out. please email me with all info, and options i have.
thanks
David Eskind
phone--337 658 6867
Answer: We'll be glad to size it for you at no charge. You only pay the return shipping. Send the entire horn to us.
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Question: Steve,
Thanks for the call earlier, I really appreciate it. I got the neck smoothed out and didn't notice any improvement at all. I put on a junk neck from my marching horn and it makes it nasty and bright, but I can hit all the low notes with ease, so it looks like I'll need to get a new neck. Do you do any trials on your neck? I'd like to be able to try something out before I buy it so I was curious if you had some sort of deal like that. Thanks again,
Jimmy
Answer: See our Terms of Service for our clear policy on this matter, and let me know your questions
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Question: I have recently purchased a Reference 54 alto, and I discovered it has one of the gurgly necks on low C and resistant on C#/B/Bb. I was just curious if there was anything to do to this neck to fix it instead of purchasing another neck. I really like the feel of playing it and the tone I get with it so I don't necessarily want to go changing a lot of things around on it, but I don't want to throw the end plug in the horn to play resistant low notes either. Thanks, and I look forward to your reply.
Answer: make sure your neck is correctly adjusted to fit AIR TIGHT in the receiver...it's got to seal 360 degrees around....this assumes, of course, that the rest of the horn is tight and properly regulated
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Question: Hi there, I started learning to play the alto saxophone about 4 years ago. I now want a much better sax than the Elkhart Deluxe I have at the moment. I really enjoy play jazz, which alto saxophone and mouthpiece is good for a deep rich jazzy tone? Thanks
Answer: Get the Voodoo Rex.....the solid copper body gives it a very rich tone....the Saxgourmet Hard Rubber mouthpiece is a good choice
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Question: Good evening Steve,
My 15 year old son is really getting int the bari sax and he wants to upgrade to a better model than the one at his school. Unfortunately, I know nothing about saxaphones except what I have found online.
I have found a "Selmer NY" sax with serial number 68931. Based on the serial No. this should be a "Mark VI" sax, but it looks nothing like the ones online. In reality, it looks like a Conn Wonder possibly around 1926-27.
Did Conn produce a stensil sax for Selmer? Is this a good sounding sax worth purchasing? If so, what would the sax be worth?
The sax appears to be in relatively good shape, I just can't find anything to help me determine how much the sax is worth. Any help would be appreciated.
Thanks.
Answer: Selmer NY horns ARE NOT Selmer (Paris) horns!!!!!
They were bought by Selmer to sell at their retail store in NYC during the 1920's and were made by Conn....they are dogs with fleas
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Question: Was a Martin Imperial Sax ever made with split bell keys?
Answer: Yes
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Question: Hey Steve,
I've recently acquired a Selmer 'goldentone #3' mouthpiece to add to my arsenal of other mouthpieces. I think I'm ready for a metal mouthpiece, or yet another hard rubber mouthpiece. Which of your products (either hard rubber, metal, or both)do you recommend I try out?
Thanks.
Frank
Answer: Try the Voodoo Child.....it's very free blowing and has great response
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Question: Hi Steve.
Unison 5000L Low A Bari or Orpheo Signature Bari?
I've found both, with the Unison selling for about $400 more.
Do you think it's worth the difference?
They sound very similar with my Drake mouthpiece.
Thanks.
Answer: The build quality of the Unison is FAR superior
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Question: I had surgery and now play with dentures. I am always on the look out for that big blues, big band sound and play on a Yamaha 61 Tenor and a knockoff link 7 or the saxscape downtown 7. I've never been real good with tip openings but wanted to know what you suggested. I'm tossing the idea of your products around but hold fear as everyone claims to make or be the best in the market....any input and advice on openings etc..thanks...and that 15k horn is bad ass beyond belief
Answer: Get our Blues Blaster (it's currently on sale) in a .090
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Question: Steve. I'm stil confused on the price of the Solid Copper Neck with Nodal Weights. Regular price is 350, and your price is listed as 400. Is that right? seems backwards. Also, is there anything different you have to do to keep the neck from tarnishing because it is copper? Just wondering. Thanks so much for your help
Answer: It's a typo....I'll get it fixed....there's a clear coat over the copper to prevent tarnishing
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Question: You stated that youve been using stainless springs from Kraus for a while. How do you find them as replacements in vintage horns? Do they perform differently than the blue springs? I live in a coastal area and have been thinking of going to all stainless for my sax restorations, but was afraid the performance or feel of the horn would change.
Thanks
Answer: They work VERY well in all horns, and feel like good blued springs. They don't have pointed tips, so fitting them in the cradles on the keys is sometimes a problem.
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Question: Steve,
You make my heart flutter when Norbert plays that bari demo. I was wondering on what combination of mouthpiece and reed he ued to get that sound (other than your bari)?
Answer: I'll have to ask him....I don't remember what he was using that day. I've slept since then.
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Question: Steve, I am definitely interested in your Lowrider bari mouthpiece. Currently I have a Runyon 4 and Dukoff 7. I don't have a tip chart handy, but I want a piece that falls in between those two. What do you recommend?
Thanks for the great info over the years, too!
Answer: Order a .105
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Question: Is there anywhere besides New Orleans where I can try one of these awesome sounding/looking Super 400 tenors?
Answer: We're going to release them to a FEW selected dealers in the near future. Just hang on for the announcement. The ink is not yet dry on the deals.
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Question: Hi Steve,
It was almost a year ago that I visited your world headquaters and purchased an alto sax gourmet 400. I have enjoyed it very much.
I have two question.
1) The Bb palm key (the actual pad cup) rubs on a post or something slowing the action of the key. Can this be adjusted to eliminate the problem?
2) When I play the low Bb and B I often get a pulsing sound. This happens only on these two notes. I really have to slacken my embrochure to minimize this pulsing sound. I use a fibracell med soft with a Van Doren V16. I din't have this problem on my tenor. Does the horn need an adjustment or is it on me?
Thanks
Rob
Answer: Sure....find the point of contact and adjust the key.....something has merely become misaligned
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Question: In your opinion what is the best mouthpiece out there for rock playing in terms of power?
Of your mouthpieces, which is the most powerful?
Thanks,
Andy
Answer: The answer to both questions is the Saxgourmet Handmade
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Question: Thanks again for your honesty and answering all my questions as quick as you do. I do appreciate you sharing your vast knowledge with all of us. I look foward to seeing you soon and playing with the voodoo child mouthpiece.
Answer: that's what we do;, Tim......
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Question: Hi Steve,
I have a 1955 Conn 10M tenor, and a 1946 King Zephyr both with double socket necks. Do you have replacement necks for these instruments?
Answer: No, we do not currently manufacture any double socket style necks
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Question: Hello, i am joey dorwart
I have a nickel plated unison low A bari (#512010), and was interested if you have had any clients that have tried it with your LOW RIDER mouthpiece or have a better suggested mpc pairing. and what size you might suggest: currently using a (cracked) mono tone (conservatoire) bari mouthpiece (with a 3or4 vandoren reed), it really lit up the horn compared to stock mpc, but it is slightly lacking punch and equal volume throughout. I primarily play alto (nickel plated keilwerth sx90r) with a selmer c* / and an old silver buecher with a metal c** or vintage morgan protone rubber mpc (just to let you know my pressure tolerances all with 2.5/3 vandoren reeds) Also, i was wondering if you have come across a used keilwerth shadow alto or bari at a decent price?
i guess it wouldn't hurt to give a few of my influences and sound preferences alto: john zorn of masada/naked city bands. and Bari: Luca Mai from the band ZU/Angelo moore from fishbone/
i appreciate any help or suggestions,
thanks, joey
Answer: Quite a few Unison Bari players have bought our. Low Rider and they ALL love the results. It really brings out the best in an already good horn. We're NOT in the used horn business in any way, just manufacturing and selling our own designs.
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Question: Hi steve, harold from New Haven again. Thank you so much for responding so quickly to my previous question about a neck for my martin tenor with the lion engraved on the bell. The neck I have has a lot of green deposits inside the neck that I cannot remove no matter what I do. Two questions: do those deposits effect the sound in a negative way? and secondly, would it totally ruin the neck if I put a long flexible 1/2" cleaning brush plumber's use to clean copper fittings into a drill and scour the inside of the neck to remove those deposits? Thank you so much for your help steve and please let me know if and when you decide to produce necks for my Martin tenor.
Answer: CPR cleaner will remove the deposits, which is something you should do
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Question: Hi Steve, I just came across a mint Conn 16M serial # Cxxxxx with original pads. Should I replace them with Conn Reso-pads or is there a better option to get the most out of the horn? Thanks, Joe Whiting
Answer: Get Saxgourmet pads and oversized Maestro resonators
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Question: Steve I have a Martin Tenor. There is an engraving of a lion on the bell. The brace( I don't know the correct term) that connects the main body of the horn to the bell has a heart in the middle with Martin written inside the heart. My question is: will one of your saxophone necks fit my Martin Tenor? The neck I have seems o.k. I just wanted to experiment with different necks if possible.
Answer: Those are nice horns....I've owned several of them over the years...unfortunately, we don't make necks for Martins at this time, but we're working on them. Stay tuned!
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Question: I am a college musician in a Jazz Studies program. I also play in many rock bands. I wanted to know what you think is the most powerful mouthpiece for rock and roll playing? I was playing on a Guardala Super King for a while but that mouthpiece is giving me problems.
Thanks
Answer: Our Saxgourmet hand made is far and away the most powerful....there's nothing quite like it.....as you know, I'm a dedicated rock and roll player myself, and originally designed this mouthpiece for my personal use.
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Question: Do you sell a replacement neck for a Selmer USA TS100 Tenor Sax. My current neck measures a shade over 28MM.
If not, I found a used neck that looks just like it supposedly from Selmer USA that has a slighly too small (probably 1mm smaller) tenon. If i bought that and sent it to you, could you expand it to 28mm, would it screw up my intonation? Cost? thanks, al
Answer: We have the correct neck, and can fit it to your horn perfectly. If you purchase a neck from us, there is no charge for fitting.I really can't predict the results from a neck I haven't seen. If it's a "generic one size fits all" neck, don't expect good results. We manufacture more necks than anybody in the business, and they're all different. I decine to work on an incorrect neck.
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Question: Which mouthpiece would you suggest to work with a Conn 6 Alto? My sax-doc told me to use a mouthpiece with a large chamber because the lower tones are hard to control.
Also there is the aspect of producing an vintage and typical sound.
Thank you for your help and assistance!
Answer: Get our Saxgourmet Hard Rubber....it has a low baffle and a large chamber, and works especially well on Conns.
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Question: Uncle Steve, Greetings from ALABAMA!! Good news, my son is starting beginner band next year and I want to go ahead and get him what he wants...A SAXOPHONE! (Couldn't force him to play tuba hahaha) Anyway, I'm a brass player as you know, so I know absolutely jack about saxophones. Can you tell me what would be a good horn to get him that will carry him for a few years AND that you will work on? Love ya bunches, Jud
Answer: Jud
Get the Bon Fils
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Question: How do you attach a ring around a mouthpiece to prevent cracking? Where do purchase the rings?
Answer: You have to make the rings....I am not aware of any source. Once the ring is fabricated, cut an appropriate size groove in the shank,apply epoxy, and press fit the ring into place.
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Question: Greetings,in Jesus'name.I hope it is well with thee.I'am a gospel saxophone enthusiast.My primary focus is on two of your mouthpieces.The "Super Duck Bill"and the"Blues Blaster"for Tenor Saxophone.I Admire the "Boney James"Tenor Saxophone sound.I'am really fond of the "Super Duckbill" design.Which of the two models would you say plays closer to "Boney James"?Another situation I`ve confronted is tip opennings.I like tone as well as volume;but sometimes I have difficult time matching the reed strength with the mouthpiece.Please render your expert advice. Thanks Anthony Jefferson
Answer: Anthony: Get the Super Duck .105 and a medium soft LaVoz or 2 1/2 Gonzales reed
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Question: I just recently received a Hurri-Cane reed for my alto. Love it ! Have you considered making a Hurri-Cane for clarinet? Or could I use a soprano reed on my clarinet? Thanks.
Answer: We are just in thecsaxophone business. The soprano reed would be too short for clarinet.
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Question: Hello Steve,
We check in on the site almost daily. As I've said before, this is a great site for all kinds of good info. From time to time you mention a sax player, like Gato Barbieri or Lee Allen. We've heard their music but didn't really know who was playing the songs. Shame on us, but...would you mind taking the time to give us a list of say your twenty favorite saxophonist? The more the better. I guess one wouldn't classify Gato or Lee as "obscure" but any of that kind of info would be greatly appreciated.
Come to California sometime and drink some wine with us.
Thanks -
Answer: In no particular order:
Sal Nistico
King Curtis
Paul Gonsalves
Boots Randoph
Bobby Keys
Sam "the man" Taylor
Red Prysock
Lee Allen
Don Menza
Edgar Winter
Tom Scott
Hank Crawford
Ben Webster
Charles Neville
Stan Getz
Nick Brignola
Georgie Auld
Illinois Jacquet
Junior Walker
there are lots more that I really like and listen to regularly, but it's the day after Mardi Gras.....you understand....
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Question: just received from my deceased great uncle a Martin tenor sax. Says "handkraft Elkhart-Ind-USA.
on the back is the Serial number 139013 with "martin com II" "low pitch"
I am a guitarist who collects pre-CBS fenders so am a bit out of my depth. Used to play the sax a bit. seems in good order. Would appreicate any info on age? value? refubishing?
Thank you in advance. Kirk Wolden.
Answer: see my value guide at www.saxgourmet.com....BE SURE TO READ THE PREFACE and deduct the full retail cost of ALL needed repairs to make it perfect, not good, but perfect.
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Question: Steve, I will be placing an order for 2 alto sax necks. Which shipping method will be used for these (UPS, USPS, FEDEX)? Also, how quickly can I expect to receive these items? Thanks.
Answer: We ship necks via USPS priority mail the next day after we receive payment
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Question: Hi Steve, Great website. I'm a recreational player,blues,ballads,soft jazz.1955 10M mint shape and Selmer mouthpiece C* .072 opening.Love my soft Legere reeds 1.75-2.75. Like the sound clarity and minimal resonance of your demos. Considering your Black Mamba at .090, what do you think?
Thanks for all the info you provide.
Mike
Answer: That would be my choice....
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Question: I am looking at a conn sax that has a gold finish with gold rods. the serial number is 201095 with what looks like a small 'k' before the number. The scroll on the left side of the bell is flowery with 'CONN' written on it - nothing more. Any idea when it was made and what it is worth?
Thanks,
Mark
Answer: There is a serial number chart on my www.saxgourmet.com site. That horn has no significant value.
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Question: I am looking to purchase a tenor sax, although I played for about twelve years it has been about twenty years since then, I have been looking at the orpheo (brass/copper) and the Kessler custom; can you advise on your opinion of the quality of both instruments?
Thank you for your time,
Respectfully,
John
Answer: Why aren't you looking at our Voodoo Rex and Super 400? They offer MUCH more for the money with unique features found on no other horns.
The Kessler is made by Tenon in Viet Nam, and is a nice quality instrument. The current versions of the Orpheo leave much to be desired as far as quality goes.
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Question: Steve. I will be ordering one of your famous Alto Saxophone necks the end of this month. Please help me in deciding the finish I would like. I play a Yamaha Custom EX alto and have a dark classic tone. I don't know whether or not I want the solid copper neck or the silver plated one. I mainly play classical and contemporary rep. Not too much Jazz, but occasionally I do. Please help in the decision. Thanks
Scott
Answer: Get the copper one. It has the darkest sound, it's the material that matters, not the plating.
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Question: I spoke with you a few weeks ago about your Alto Saxophone necks. The end of this month I will be placing a order for either the Silver Plated one or the Solid Copper one. Im trying to decide which neck would be better for me. I play mainly classical music on my sax. A few jazz gigs here and there, but, the majority of my playing is Solo works and contemporary pieces for sax. I understand that the copper neck will provide a darker tone, but the silver neck will aid slightly in response? If I could just get your slightest opinions on this that would be great. Thanks for everything.
Scott Baker
Answer: The copper neck is far and away the best choice for your playing style. There is no response advantage to the silver plated neck.
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Question: Steve,
Horns look and sound great! Where are they made? I'm looking for a soprano, not real sure about the curvies yet and to upgrade my alto. What kind of warranty do you offer. Your prices on the soprano are similar to some of the other models I've been looking at.
I look forward to hearing from you and hope you have a great day.
God Bless you,
Wes
Answer: The horns contain components from seven different countries. All are warranted against defects in workmanship and materials for one year (excluding finish) to the original owner.
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Question: Steve, you probably don't remember but being in Louisiana I had been to your house a couple of times year ago and you overhauled my old high school alto mark 6 (a early 70's horn) for me over 10 years ago. Had it re-paded last year and it plays great. Anyway, a few years ago I bought a new Antigua Winds soprano that I really like. First used it to play clarinet parts on dixieland, but have lately been using it more with a church praise band playing new christian music. I have a morgan sop mouthpiece and it sound great but for some music I'd really like to darken the tone. Any suggestions of a mouthpiece and facing size/reed strength to again deepen or darken the tone for the Antigua Winds sop? Thanks!
Answer: Ronnie
Get a Runyon Custom mouthpiece
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Question: Hi Steve
I hope you are doing well. I have a question about the Forestone reeds you will be selling soon I hope. How do they stack up on the strength comparison chart?
Answer: I haven't figured that out yet because I don't have examples of all strengths yet
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Question: I may have missed it, but if i were to purchase your Saxgourmet Curved Soprano Saxophone what would come with it? (mouthpiece, neck strap, carrying case...) Does the horn come with any sort of warranty or guarantee? I read that the horns are made in Asia, which country are they made in? Lastly, since you don't have a show room to try the horn out before buying it, what kind of return policy do you offer if for some reason i don't like the horn?
Thanks in advance
Answer: All our horns come with case, mouthpiece, strap, and other accessories. We warrant our horns to the original owners for one year against defects in materials and workmanship (excluding finish). This particular model has components from seven different countries, with final assembly done at our office in New Orleans. The trial policy is very clearly and completely spelled out in our Terms of Service. There is a link at the bottom of this page.
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Question: I purchased a saxophone neck strap from you and love it - except for one thing. It's a bit too long and I can't bring the sax mouthpiece up to a comfortable level. Is there an effective way to shorten the strap? Thanks ! Ross Leeper
Answer: No, but it is very easy to move the ring on the horn
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Question: I have a 1951 Buescher Aristocrat with an unusual neck. In between the cork for the mouthpiece and the octave pip, there is an extra hole with a removable cap. I have no idea what it is and was wandering if you could help me figure it out. Is it original to the horn? Does it add/subtract value to it? Thanks.
Answer: It is the mount for an electronic pickup....they were once very popular.
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Question: Even though I'm not a forum member, I'd like to suggest a couple of names for the new mouthpieces:
Cajun Thunder
Cajun Ecstasy
Cajun Euphoria
Thanks for considering.
HPReeves
Abilene,TX
Answer: Why aren't you a forum member? Registration is quick and easy!
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Question: Just bought a neck enhancer device from you, but the instruction sheet was for saxgourmet neck adjusting. I believe that I know where it fits into the cork end of the neck, however it won't go in there. The nipple of the enhancer is about roughly 1/64" larger than the neck inside diameter. I'm afraid of putting it on a lathe to turn it down since the enhancer nipple is rather thin. Is it okay to carefully drill out a little of the inside of the neck? How tight is the fit supposed to be? When the mouthpiece is removed from the neck is the enhancer supposed to remain in the neck I presume?
Answer: There's a video on our YouTube site that will show you what you need to know. Let me know if I can help.
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Question: Hi Steve,
For the past three years, I have thoroughly exulted in the sound,power, and beauty of my Blues Blaster mpc, which you recommended for my new(new at the time)Buffet 400 tenor. However, I have also noticed a vertical surface in the "U"curve of the window where it meets the table. I know that you normally advocate that this little area be chamfered out to a somewhat sharp edge to avoid this verticle surface. PLEASE let me hasten to add that this observation is not intended to put you on the spot, or as a complaint in any way. As I said at the outset, the proof is in the pudding, and one could not ask for a more perfect match between mpc and horn (yes, I have tried and rejected, out of curiosity, many other fine, venerable mouthpieces)...., which finally brings me to my question: I have generally adhered to the philosophy,"don't mess with perfection," or, "if it ain't broke, don't fix it." Nevertheless, having said that, would there be any advantage to my chamfering out the "U"curve with a fine-tooth round file, or would you recommend leaving as is? If you should recommend leaving "as
is," would there be any sort of acoustical, engineering, or mathematical reason for doing so? BTW, I also have the exact same situation with my Ponzol M2"plus," which also works well with my horn, but my BluesBlaster is still, for countless reasons, hands down, my primary mpc. Any advice you could give on this matter, Steve, would be greatly appreciated. I'm not frustrated at all,... just enormously curious. Thanks much, and warmest regards as ever.
HPReeves, Abilene, TX
Answer: You can put a slope in the area under the window using a fine tooth half round file if you wish. A better alternative is to add one of our neck enhancers.
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Question: I have an old King Zephyr Alto sax (1938+/-). I'd like to get the case re-lined...any suggestions?
Answer: Any good luggage shop should be able to do that for you
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Question: Hi Steve,
I have a Selmer Reference 36. I have the reference 54 silver neck and Otto-link metal mouthpiece. Have you heard of any modifications to help get altisimo g? I'm trying to use the front forked f and the only way I can get high g is to close down the side f key and not use the octave key. I can get high g using different fingerings but they're slow and awkward. If I close the side f key too much, then the front forked f is very restricted and very stuffy. I heard somewhere that Selmer was modifying one of the octave holes, is this true and will it help? The horn plays extremely well on all other notes and all other altisimo notes. I've tried different mouthpieces and neck combinations and the Otto-link seems to be the best.
Thanks.
Andrew
Answer: well, this sort of problem is why we put a high G key on the Super 400.....G has always been a difficult note....try this: adjust the the front F mechanism by using the adjusting lug so that the F palm key only opens about 1/4 inch or so.....you'll need to do some trial and error experiments to find the optimum opening
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Question: Steve,
I receintly purchased a saxophone and I am not familar with the brand. It says its a Virtu model FE-310. Have you ever heard of that brand if so can you tell me a little more about them.
Thanks
Answer: Never heard of that one....
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Question: regarding the super 400 in need of a thumbrest screw, the #is 0801, 2308947
Answer: Email a daytime phone number to saxgourmet@cox.net and I'll get you fixed up
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Question: Steve, I have been a sax player since I was 10. I started off on a Bundy and moved on up to my still wonderful Selmer Paris Mark VII. So I have not taken the time to delve into all the new info out online about saxes and different brands now out there, etc. I am considering an Orpheo Silver Professional Soprano. I am a bit confused though. Did you design these horns? Do you still? Do you manufacture them? Or is this another brand entirely? I know its not a $3,000, $4,000 or $5,000 horn. Although I am not a pro, I did go to Berklee and I understand what a good horn is. I just don't know much about the Orpheo horns. I am just looking for a professional horn at a lower cost.
Anyway, I would be grateful for any info and answers you could send my way. I love the web site and will continue explore it.
Best regards,
Jim Kusler
Answer: Orpheo is a brand name, not a manufacturer....all the horns I designed for them (alto and tenor ONLY, there were never any sopranos or baritones) are engraved "designed by Steve Goodson" on the bell....I had NOTHING to do with anything they manufactured after 2008.......the altos and tenors I designed were manufactured at the Tenon factory, and were very nice horns.....the horns they currently manufacture are NOTHING like them and are of considerably lesser quality......
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Question: I am currently playing a Vandoren V16 T7 on my tenor. I have great difficulty hitting low notes (D and below) cleanly. Could you suggest other mouthpieces that might ease this problem?
Answer: Use a softer reed
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Question: bought my sax as sophmore in high school played in a 60's band and it fit the bill. My sax is a Crompton buffet 1996. Had it gone over 3/2010 replaced all pads by a local pro shop in Fresno but I have a problem in the G G sharp F F sharp E keys. Took it back several times and it still giving me a sour note in that key range. Might be me but if it is me why doesn't it do it all the time? I think it might be an alignment problem as I stated all pads were replaced. Music style I want to play Bill Dogget honky tonk, Junior Walker, Chicago blues.Is this sax ok for this type of music or should I look at different brand of sax? ie Selmer, yamaha,etc.
Answer: Something is wrong with your overhaul. Try a different technician. Those horns have a very full voice and can be made to play very well.
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Question: Eek! I need a replacement thumb rest screw for my Super 400 tenor
Answer: I need the serial number of your horn....there are three different versions, and they use different screws
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Question: Hi Steve Robin here again. I love my blues blaster tenor piece but I see your new hard rubber tenor piece only comes in one tip opening. I have a 105 with my blues blaster so I was wondering if this would be the same and a nice addition to the different sounds that I am often required to play as a tenor player
Answer: Robin
Get the Black Mamboi....available in .105
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Question: Steve, I have an early Selmer Mark VII tenor,I would like to have it fixed up, the finish is toast, and mechanically, it needs the low C/Eb key post repaired.(lots of wobble)
I wanted to have it restored to original condition(Bourbon Street Stripper? re-lacquer) and one of your nodal necks.
Are you in shape to take on a project like this at this time?
I know you need to talk on the phone, so if you can do this, I'll call you
Thanks, David
Answer: Sure, if you're not in a hurry.....our current backlog on this sort of things is around six months
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Question: Hi Steve, straight tone holes or rolled tone holes, is there really a difference in sound and response ? Are rolled tone holes a problem ? In a sax model that has the option of straight or rolled wich one you pick?
Answer: Rolled holes make NO difference in sound and response. NONE! They do make a difference in FEEL. I like the feel.
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Question: Hi Steve, do you consider the neck the part that produces the sound of a sax. If i change the neck will it make it dark or bright or with more response?
Thanks
David O.
Answer: Absolutely! The neck is critical in shaping the sound
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Question: The alternative Low A key for pinky finger is also automatic starting from low C as the regular thumb Key?
Answer: Yes
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Question: Sorry Steve in regard to my comment about Mike S. horn-I'm familiar with your work and it's fantastic based on those I've known who have played them. I'm retired from playing and Mike rekindled old North Texas memories. I only meant to compliment vs. compare. I have my quiver of old Selmers and Saxello I plan to sell all as I won't be returning to the stage. 26XXX BA Alto, 85XXX Tenor, 95XXX Low A Bari and some of Claude Humber and Doc Tenny mouthpieces (Link, Lawton, Strathon, Lakey, Beechler, etc.) I'll holler for an appt. as I would love to play one of your Big Horns--I've always really been a Bari player. P. Christlieb loved my axe back in the Disney days--it could use a tune-up. Oh well, I felt I needed to send a note as I felt terrible my comment sparked an error on my part--Respectfully--Eric
Local 80, 8, 257 AFM. Retired
Answer: I understand.....we manufacture totally UNIQUE horns available nowhere else.....they are all our original designs. I have a posse of Grammy winning players who all help me with product evaluation and development.
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Question: Even though you have nothing to do with the new orpheo saxes i would like to kno if the baritone saxes produced by them are worth buying for a student. They are very well priced and it would be very helpful if you could inform me on the topic. Thank you.
Answer: you pretty much get what you pay for.....
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Question: Hi Steve, is the Keilwerth sx90r Peter Ponzol model tenor sound is the same as the rest sx90r clear laquer and black anodyzed ?
Thanks
David Orozco
Answer: yes
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Question: Hi Steve, I have an E flat alto saxaphone I purchased in 1963 while in High school.I need to re cork the keys,but don't know whether to do it my self or trust some else to do it.If I could do it my self is it difficult and where could I buy the cork?
Answer: You should be able to do this yourself. Pay close attention to the correct thickness needed, and order cork from www.MusicMedic.com
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Question: Hello Steve, in your opinion which sax has better soundm, rich with caracter P.Mauriat 76 or 66r, thanks
Davd
Answer: Take a look at our Super 400 and Voodoo Rex
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Question: Hi Steve: how much it would be a neck for a Martin handcraft s/n 124xxx ?
I found the body for $200.00
Regards,
Salomon
Answer: We do not manufacture a neck for Martin saxophones
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Question: Orpheo Professional Alto Saxophone in Red Brass Copper on e-bay Silk products designed by you.Because I'm going to buy from eBay orpheo I ask to be sure.Because I'm going to buy from eBay orpheo I ask to be sure.very thank for your information.
Answer: that is NOT one of my designs!
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Question: Steve:
I have an asian horn that I like but I am not satisfied with the neck. What would you suggest I purchase?
Tony DeWitt
Answer: It depends on which Asian horn you have....we probably make a neck that will work.
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Question: Steve, Last year at the clinic at Music Medic, you mentioned that you used something other than contact cement for corks, felts and other uses. I don't remember what you said you used. I am frustrated with trying to find contact cement that will last.
Thanks
Rod
Answer: I use Permatex brand automotive weatherstrip adhesive, which you can buy at any auto parts store. When was the last time the weatherstrip fell off your car? It comes in black and yellow colors...I think the only difference is the color. I've used this product for many years with good results.
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Question: Have a Saxaphone w/serial number 197840
How can I find out the value of the instrument. Its gold color
Answer: There is a value guide at www.saxgourmet.com
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Question: i have an old Buescher alto sax. model is an aristocrat model with serial numbers 336940. and was supposedly used in the US marine Band.. on the bell it has the letters US stamped on it. would you have any clue where to find info on this sax, or maybe know its value?
thanks Brian
Answer: There is a value guide at www.saxgourmet.com
Be sure to read the preface and adjust the value accordingly
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Question: I have a naked lady alto in very nice condition and would like to know what it would sell for. I also have a B flat straight out selmer in nice cond. would like a price for that as well. Thanks Steve!
Answer: There is a value guide at www.saxgourmet.com.....be SURE to read the preface and deduct the full retail price of all repairs needed to make the horn PERFECT
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Question: Can the Voodoo Rex silver plated Tenor neck fit a Kiethworth SX90 Or and La Tenor sax Thanks
Answer: No on the Keilwerth....what is the model number of your LA Sax? There are MANY variations made by many different factories
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Question: First production Bon Fils on the street! Sorry for not putting this in the forum. I am having problems getting into it. Never the less, I want to thank you for taking your time explaining the key clamps and all of my other questions. It is really a great day when your first saxophone you buy turns out to be the first production Bon Fils to hit the street!
It's even greater if the saxophone is handed to you by Mr. Steve Goodson himself. Steve and his wife Sharon could not have been kinder to me. Steve if there is any thing I can do for you, please don't be afraid to ask.
Answer: Glad you're happy....your forum membership has been activated
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Question: Hello Steve, I hope you are well. I am buying a 2nd hand Sax for my son and came across one online. I was wondering if it was one of yours. The description below is verbatim from the advert. Please advise. Thanks, Gavin
REX SAXOPHONE WITH HARD CASE. I THINK IT IS A TENOR SAXOPHONE. THE DIMENSIONS ARE APPROXIMATELY 77CM IN LENGTH (NOT INCLUDING THE NECK) AND 25CM WIDE (FROM THE EDGE OF THE BODY TO THE FAR EDGE OF THE BELL). THE INSCRIPTION ON THE SAXOPHONE IS "REX" WITH A PICTURE OF A CROWN. THE BRAND ON THE NECK IS "HERMES USA"
Answer: Not one of mine
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Question: I'd love to know if your baritone saxophone case fits at my Buescher Big B baritone sax and at my SML low A baritone.
Very Thanks.
Luciano DeLuxe saxophone Museum
Answer: Bueschers, no
SML, yes
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Question: Hello Steve, I am new to the sax and would like to get a decent Tenor in the range of $1200-$1500. Do you have any recommendations?
Answer: At that price point, look for a used professional horn
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Question: Hi Steve I hope your holidays are going well.
Steve do you know when your production Bon Fils will be in? Today is Dec. 27 I will be at the shipping address I gave you until Jan 9. If I have to I would change my return ticket for Costa Rica to a later date. It will cost me to change the departure date for the family of four but I want to leave with the Bon Fils. I'm staying only 20 mins. away from your business. If they come in I would be happy to come by and pick it up, it could save shipping and time. I would not be a bother to you I know you are very busy. Whatever works?
I also want to thank Mr. Harry Oliver in your forum for the info on accuradio.com, the site is great!
Answer: Tim
I'll have one with your name on it next week...send a phone number where I can contact you to saxgourmet@cox.net
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Question: I use The Fatboy on my Monique Tenor Sax, w/a 2.5 reed. I starts out great, bottom tones are beautiful, but by the end of a song I squeak from hi A on up. do I need a stiffer reed? And how long should I use the same reed?
Answer: You need to relax your embrouchue
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Question: Steve, I've seen an earlier posting for this very same question but no public answer. I have the opportunity to purchase a tenor saxophone which has Marlboro stamped on the bell. It is brass with nickel keys (sort of like a student horn) but the owner says it is a pro horn, either a Vintage Keilwerth or a Weltklang. It also has rolled tone holes, serial number 5478. The bid ends Tuesday evening. I also have a pic of the horn to send you in a separate email. The price is right for I play a Vintage Keilwerth Alto and am looking for a good pro tenor for gig reasons. thank you, Christian
Answer: Keilwerth used to make horns for all sorts of people. The older Keilwerth horns are OK, but not great. They are NOTHING like the SX series, so don't think that they are.....you can buy an old Ford from the 1950's and it's nothing like a modern one....only the name is the same....unless it's really cheap, pass it up. Weltklang's look just like real saxophones...don't be fooled. If you're taking money for playing, get a modern, easy to play horn, not one with questionable ergonomics and sketchy intonation.
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Question: Steve: The tenor case is real good! Has to be the best for the money out there! Tim
Answer: We're having a hard time keeping them in stock....the word is getting around about what a great value these cases are.
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Question: Steve: I watched your presentation on Key Clamps. You said the cost for tenor was 55 dollars. On the site it shows 75. I will order in a few days. What is the price now. Thanks. Tim
Answer: The website reflects the current price. Our costs have gone up substantially.
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Question: Steve: Just got a Blues Blaster. Nice piece!!! You said that I may have to put my cork in water to swell it??? It leaves about 3/8ts on my Yamaha 62 and MK-6 necks. Now don't go calling me on this weekend. I will play my horns in the moring and see how they tune where they are tight. I'll let you know. Again, this is very nice. Oh, I did blow through the neck, WOW, this is going to be nice! Tim
Answer: Glad you like the Blues Blaster, Tim!
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Question: Dear Steve, I find myself lusting after a sax again after many years away. Back in the day, some thirty years ago, I was not half bad. Not great, but not bad. Anyway, recently my brother gifted me with a pawn shop refugee. An old Bundy II ser# 1070752 that looks like it's been through a minor war. The pads are shot, the corks are in bad shape and all the pads and felts have disappeared. It would need a major overhaul to be remotely playable. Do you think something like this is worth fixing, or would I be better off getting something else. My junior year in high school I bought an Armstrong 3000E and thought it was one of the sweetest things I'd ever held! I really liked the way it felt in my hand, and to me, it played like a dream! Anyway, what do you think?
Answer: That horn is definitely NOT worth fixing but may very possibly make an excellent lamp. For the price of an overhaul, you could buy our Bon FIls, and have a MUCH BETTER horn.
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Question: Are replacement pads with metal tone
boosters available for selmer mark six
alto saxophones?
Answer: We're NOT in the pad and resonator business. You can get what you need at www.musicmedic.com
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Question: Are Gaylord saxes made in Italy or France? Quality of ?
Answer: I am unfamiliar with that brand.
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Question: Hi Steve, I am looking to buy a used vintage Tenor saxophone and I have an opportunity to buy a vintage Hohner President Tenor Saxophone. According to the serial number it was built in 1963. It is in great condition and it's silver with gold tone keys. Is it a good horn? Is itconsidered a Pro level instrument? I can get it for $650 ~ Regards, Matthew
Answer: They're OK....be sure to check the intonation on the palm keys and the low B and Bb...it tends to be pretty sketchy
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Question: Steve:
Will you have some passes available for the NAMM show? I'd really like to attend and see all those horns!
Bill Siragusa
San Diego, Ca
Answer: In a word, no.....we had to order our credentials months ago, and only provide them for our staff and Endorsing Artists. We do not provide visitor badges to anyone.
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Question: i have recevtly e mailed you on a king zephyr sax and was wondering if you would be interested in purchasing this sax from me it is a 50 s ers king zephyr.......phone (315)334-0103 doug
Answer: I have no interest
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Question: What mouthpiece do you recommend I like a Dukoff Berg Larsen bright buzy mouthpiece with some edge I play also on 2.5 sometimes a 3 reeds.
Answer: Get a Fat Boy
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Question: Do you make a case for a Yahama soprano saxophone?
Answer: Unfortuneately, no
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Question: Steve,
I just rebuilt a Selmer Low A bari and had my client, Lewis Jones, contact you for clamps and a case. (he dropped it in the old Pro-Tec case, Bent the body and mangled the receiver)I understand that your bari clamps are still in the works. My question is do you sell to dealers so the store I work at can provide them to my clients? I am very unhappy with what is out there for clamps. I know from meeting you that your clamps will work!
Thanks
Rodney Berry
Answer: The clamps for Bari are still in development. We do not sell our products through dealers, but you can always buy them from this site.
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Question: Does the neck enhances assist with producing dark/sultry sounds
Thank you
Answer: Yes....it does not alter the tone, only the response and intonation
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Question: Do you have any alto sax mouthpieces that assist in the production of dark/sultry sounds, not bright and edgy. do you also sell "fat neck" neckpieces for alto saxophones.
Thanks
Answer: Get our Saxgourmet hard rubber mouthpiece and our solid copper neck with nodal weights.
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Question: Dear Steve;
I am curious about your LOWRIDER Bari Mouthpiece.
I am an experienced player, and I play a Yamaha 62.
I have, for rock and R & B been using a #12 Runyon
Quantum Delrin MPC (it has the bullet baffle) and I believe it measures about .115, with a Rovner Dark
lig, and HAHN or HARTMANN synthetics. Even with
Rico Orange box or similar cane reeds, it sounds a bit
"RATTY", especially when pushed. I have had the table checked as well as the tip, and they seem to be straight.
Do you think with this reed type (HAHNS) and a
.120 tip I would be fine, or should I consider
dropping down to your .105?
Many thanks,
Regards,
Jeffrey Beals
Answer: I think you would be better served with a .105....BTW, I'm a big fan of Hartman reeds...pricey, but they play nicely and LAST!
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Question: Hello I am a jazzer I love jazz it is all I do and I'm only 17 I have a otto link super tone master and I was looking at the yellow moon mouth piece but I would like to know how the sizes compare the otto link for example I have a 7* so If you could get back I would greatly appricate it thank you
Answer: Get a .090
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Question: Steve,
Will you be at Winter NAMM?
Answer: Yes we will! We will not be exhibiting, but Sharon and I will be attending the show, along with some of our staff and Endorsing Artists.
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Question: I have a Kessler Custom tenor sax, i dont know if you know of them but they are based out of Las Vegas, I love my horn but my upper register is a little fuzzy and i saw your saxgourmet tenor neck with tonal weights and there is a long list of different brands they work with i was wondering which one would best work with my horn if any at all please get back i appeciate your time thank you
Answer: Wm,e do not currently manufacture a neck for the Kessler horns.
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Question: Steve I am looking to re-pad a conn bass sax, do you know where I can get a complete set?
Answer: www.musicmedic.com has everything you need, including oversize resonators
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Question: Steve,
In regard to your Super 400 Alto, what is the current turn around time from time of order to shipping of the instrument?
Thanks,
Todd
Answer: we'll ship the day after we get payment....no delays....we have them in stock, set up, and ready to go
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Question: what is the process for making a hurri-cane reed stiffer?
Answer: Clip the tip and reprofile the entire reed
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Question: Steve: I got a set of key clamps a year ago. They are yours for tenor. I bought them from another source. Did you sell to dealers at that time? They work real well and since I bought a M-6 I will order from you for another set. Thanks. Tim
Answer: We were not selling key clamps a year ago, so they could not possibly be ours.
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Question: Steve: You redid your M-6, how much to do it? Key clamps. You mention them in some of your articles. Are they a big deal? 4 hours for long tones? How much bleeding do you want? Thanks. Tim
Answer: I own many MkVIs....which one?
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Question: Steve: Just bought your tenor case. I found Fibracell Premier reeds on the net at a good savings. You might want to let your customers know that. Long tones, I read an interview article with Lee Allen that is very interesting regarding tones. He basically said to hold as long as you can. This is different than what I have read. Many say, just 5 to 8 seconds. I started doing my tones as long as I could. Very interesting what takes place. I seem to smooth my tone much better doing it this way. Oh, the article is on the Pete Thomas site. Thanks. Tim
Answer: Lee Allen is my hero....nobody, but nobody, had a better sound and phrasing.
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Question: Have my Great Grandfathers old CONN would like to know the value and how rare this model is he was a great musician the model no# is 282238 it says 6m app for A and there is an L under the serial no# .It says made by C.G.CONN U>S>A ELKNARTINO If you can help me with any info that would be good ... Cheers Matt
Answer: There is a value guide at my www.saxgourmet.com site. BE SURE to read the preface and deduct the full retail price of all needed repairs to make it PERFECT.
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Question: hi steve thought you might be able 2 help me i have a conn usa alto sax serial number 726046 do you know the year thanks 4 your time
Answer: There is a serial number chart at www.saxgourmet.com
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Question: Hey Steve,
I play Selmer Horns both Alto and Tenor Mark Six Models My alto plays great, but I am trying to sweetin' the sound.I know that sweeter sound can be achieved but just am not sure what neck would do it.I am playing a metal Ruynon spoiler#9 mpc. Would you suggest a copper neck for that horn and if so any suggestions?
Thanks,
Paul
Answer: Get the copper neck with nodal weights. It has the broadest spectrum. You will find it improves intonation, evens out the timbre, and quickens the response.
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Question: Steve,
Thanks for the reply, I appear to have one of the Florida's that was coated with the Gold Lacquer, So I guess it's at least 2 years old then ... ?
Answer: At least
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Question: Hey Steve will the Mistress Sharons Tenor Saxophone Key Clamps fit my Cannonball Big Bell Series Raven Tenor
Answer: Yes they will!
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Question: Steve,
When the Saxgoumet Florida was made did it initially have a clear lacquer coat over the bare brass, or was it bare brass from the start .. ?
Thanks Dean'o
Answer: There was a small run with gold tinted lacquer....everything has been bare brass for the last couple of years now, and will continue to be....I also silver plated a few by customer request
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Question: Do you make a soprano sax case?
Answer: At this time, no.
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Question: I will be in New orleans thanksgiving week end. I was told you have a store there. What is the address?
I own Orpheo saxaphones. Alto and Tenor with designed by Steve Goodson on them. I've heard that you arent affiliated with the company anymore. Is this true?
Answer: We do not operate a store that is open to the public. We do see customers by prior appointment only.
Please email me at saxgourmet@cox.net if you wish to schedule an appointment.
Orpheus Music no longer exists. I left about three years ago, and they went under a year or so later.
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Question: I asked about the super 400 tenor serial# #2308947 because I now own it. I was told it's a prototype, the resonators are not copper, it has tan pads. I love the horn! First time I took it to rehearsal, the bass player commented on how good it sounded before he saw it and realized I was playing a different horn. My other tenor is a '58 Buffet SDA. I now call that horn my wife and the 400 my mistress.
Answer: that's the pre-production prototype...we made a few changes for the production version. I sold it to a dealer, who sold it to a college student who bent the body, which I later repaired. Those are Pisoni pads, which were used in that one because we hadn't tooled up for the specific Saxgourmet pads at the time.
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Question: I'm considering buying a 1947 Martin "The Martin" Tenor. Just had a complete rebuild. Orignial lacquer is nearly 50% gone. No dents or obvious repair work. Original case with wear evident. Plays and sounds beautiful. How much do you think it is worth?
Answer: I haven't seen or played it, of course, but if it was correctly repadded with original style pads and resonators, I'd say that's a $1000 horn at best in the current market
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Question: Steve:
I would like to purchase a neck from you for my Selmer Mark VI alto. When I was checking your prices, I saw the Silver Plated neck with nodal weights "regular" price of $250 crossed out and next to it "our price" is the same $250. Are you applying a discount to this neck or is this a typo?
Another problem is that the closest woodwind repair shop is over 60 miles away from me. Can you adjust the neck for me since you know it will be put on a Selmer Mark VI?
Thanks - Michael
PS. I received the Voodoo child mouthpiece yesterday and love it.
Answer: The correct list price is $400....we sell that neck for $250.....the original tenon diameter for a Mk VI alto is 24.5mm....unless I have your horn in my possession, I cannot adjust the neck for the ACTUAL dimensions of your particular instrument, which may be different due to wear or previous adjustment. I am glad to do so at no cost. You only pay the shipping.
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Question: need a tenor neck for a 1.122" opening- it is for a Dolnet Pro tenor from the early to mid 60's- I was able to carefully shim one of the silver plate selmerMk VI necks I have to try the horn and it is good sounding piece- can one of your selmer or yamaha necks w/ nodal weights ( on sale for $200) work or be made to work for this- the horn has never been played so I want a new neck to match the lacquer finish-ciao
Answer: Yes, with the sizing of the neck and adaption of the mechanism, which should be quite easy
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Question: Good evening, Steve. I bumped into a silver alto sax, a Steve Goodson model (I'm assuming that's one of yours), serial number 51550. Can you elaborate on it--beginner horn, intermediate, professional, etc? The asking price was 900 smackaronies. Is that a good price?
Answer: That's a good price for a first series horn, a great price for a second or third series horn. That is a top quality professional grade horn.
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Question: Hi Steve,
Will the Saxgourmet Alto case be a good fit for a Balanced Action Alto?
Answer: It will fit perfectly
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Question: Orpheo Bari: I have a chance to get a Company award and I may choose this Orpheo Baritone Sax to add to a music collection. Your opinion : Compare Orpheo to like" Selmer or LeBlanc? thanks, James
Answer: The Orpheo baritone saxes make EXCELLENT lamps! I had nothing to do with them, but have seen and played several. All of the Orpheo horns with which I was involved are engraved "designed by Steve Goodson" on the bell.
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Question: I was wondering how do I know what tip opening I would need
Answer: It's like buying shoes: you have to try some on
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Question: Steve hi,
I'm looking for a bari sax neck F.E. Old & sons.
Regards,
Alex
Answer: I don't think there are any necks available for that horn. We will soon introduce a line of Bari necks, but not for that one.
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Question: Can you tell me anything about The Gracen Alto? Thanks!
Answer: That's a new one on me. I never heard of that brand.
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Question: Hi Steve,
Thanks for your advice about the Bass Saxophone Case. Can you please contact me as soon as you have one in stock.
My phone number is I use this horn daily at the moment so I will be eagerly awaiting its arrival.
Thank You,
Jason
Answer: Will do.....we're beginning to develop quite a waiting list for bass cases
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Question: Where can I get mouthpiece shank rings for a cracked Brilhart? Leo
Answer: You will have to have them made. I am unaware of any that are commercially available. Everybody I know makes them for each individual job.
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Question: Hello, Steve. Looking for some feedback--what do you think about a Martin alto, Committee model, silver plated (98%+ intact)? Would you pay $2,000 for it? Would appreciate any insight you can provide; thanks! Ralph
Answer: That is FAR too much in the current market
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Question: I read at the forum a problem with the intonation of a Alto sax 400 Buescher, Top Hat & Cane, and here in Brazil I have the same problem; i bougth the Buescher 400 in NY, and since I feel the superior octave so high, almost one note up (with a tunner), we try to set up in tune, but not was possible, until the luthier observe that the NECK is 2 or 3 cm less than the normal length from Yamaha, Selmer and others,
Perhaps you know something about
thanks
Answer: replace the neck.....that's almost certainly your problem.....we sell necks that work well with that horn.
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Question: Hi Steve
I just found two great web-site. www.jazzomatic.com & www.thegoodoilforsaxophone.blogspot.com. Both of these site have tons of sax info.
Steve have you heard of the P.E.T.E, Personal Embouchure Training Exercier?
I figured if it was any good you would know about it.
Take care and have a great day.
Answer: I have seen one, but not used it for an extended period, so I cannot evaluate the results
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Question: I am a student at Bolton High school looking for a hard rubber Tenor mouthpiece. I had a friend recomend saxgourmet and the "Black Mambo" mouthpiece. I was curious if this mouthpiece can be used for concert band as well as jazz band.
Answer: yes it can. you will be very pleased with the results in both formats
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Question: i really would like to ask questions on the forums but i cant get my account set up. i filled in the margins and got the email but the link in the email took me to a useless page. there is now way for my to "verify your email adress" as it says in the email. i think im confused or i missed something
Answer: Your application must be approved by the administrator before it is activated. This will be done today. We do this to keep known trolls off the forum. Your application will be approved.
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Question: Hello, i just made an order for a hurri-cane reed. I dont know if i ordered a alto sax reed. How do i know i ordered the right reed?
Answer: just send me an email to saxgourmet@cox.net
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Question: where can i get the the screw for top where the mouth piece and stuff go
Answer: What type horn do you have?
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Question: Steve, My Uncle (you may know him) Hank Barraco passed and he left some beautiful Saxophone's 3 Selmer is the brand. They are Tenor Alto and Reg Sax. Also he played Clairinet and has 3 of those. 1 new Yamaha, and two that were made in France. We are trying get a worth on them, due to they are part of his Estate. So anything you can do to help me out would greatly be appreciated.
Thank You Jo Ann B. Roloff
Answer: Sure, I knew Hank, and I think I overhauled some of his horns in the pass. I'm sorry to learn of his passing.
We publish a value guide at our www.saxgourmet.com site which may help you. BE SURE to read the preface for necessary adjustments to the figures!
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Question: Dear Steve, What is a good tenor mouthpiece that give me a nice warm deep tone, but is also within a reasonable price range. Any info would be appreciated, Thanks Gage Rhoades
Answer: Get our Blues Blaster
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Question: Hi Steve
I know you are very busy but if you get a chance, could you make a small video with your Hurri-cane Reeds. You have video with almost every other product on your web-site. I think your customers would really be interested in the video.
Take care and have a great day!
Answer: I'll put that on my "to do" list.......we've been super busy, plus my mother is hospitalized and Sharon's brother is fighting cancer right now, so my plate is very full with both business and family matters
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Question: I have a vintage 1950 buescher alto saxophone and a vintage borgani tenor saxophone. I was just wondering would it be difficult to take the lacquer off myself. And if so how much do you charge for both.thanks so much i love work
Answer: It's possible to do it yourself if you have the equipment and the knowledge of working with dangerous chemicals...you'll need a lot nof safety gear as well
we charge $350 per horn + overhaul costs
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Question: Tenor neck that will fit a 'The Martin'
I am the owner of a The Martin from about 1960, missing its neck.
Do any of the new tenor necks that you sell fit the tenon of this Martin model?
Best regards
Harald Jarning
Answer: At this time, we do not make any necks for Martin saxophones. We may address this in the future if I can be convinced there is enough demand to justify the initial tooling costs.
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Question: Ok sir heres the deal. I am 41 and haven't played my Alto for approx 15 years, My daughters(who are in middle school orchestra), Are encourging me (along with my wife) to join the local concert band here MAAAN I'm a little nervous, It is a pretty open concert band and I think there are a few dudes like me in it. ANY ADVICE on how to prepare or encouragment to get my big butt up therewould be great. Thanks mongo
Answer: Well, there is that practice thing.....I would suggest taking a general study book such as Deville's Universal Method for Saxophone and spend a couple of hours a day getting into shape. A series of lessons with a competent teacher might not be a bad idea or investment either. A good teacher can most likely get you on track quicker than you could manage on your own.
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Question: Hello Steve. hope ur doing good. ok I have A connonball alto sax with a berg larsen mothpiece the type of music I play is called Norteno music I play side by sidewith the accordion will that enhancer make my horn sound brighter? or what else do you recomend? Thanks Jesse
Answer: I'm very familiar with Norteno, and am a big fan of the style.....you're going to need plenty of projection, and yes, our neck enhancer will give you lots of help in that area, as well as a lot of other benefits
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Question: Hi Steve
I hope this e-mail finds you doing well. While I wait for my Bon Fils alto to come in. I have seen in your forum you recomend The Universal Method for Saxophone. I have The Art of Saxophone Playing now. I will be practicing now on my own until we move back to the World. I have seen www.saxlessons.com which seems good also. Any other suggestions would be helpful. Take care and if you see Mr. George Cortello at Franky & Jonny's tell him Tim Smith and Carol Roshto-Smith from Costa Rica said hi!
Answer: They're on the way...we've only got about a half dozen left out of the first shipment....the rest (like yours) are pre-sold.
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Question: Hi Steve: I use your thumb rest/hook and love it. I'm interested in the neck enhancer. I'm confused as to where/how it fits. Does it go on the cork of the neck, the end of the neck that goes into the body of the saxophone ???
do you use a neck enhancer? What are the benefits?
Thanks ! Ross Leeper
Answer: Ross:
We've got a video on our saxgourmetproducts site (one word) on YouTube that will answer all your questions and allow you to see how it works.
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Question: hi mr steve i want to ask about the best pads for SML soprano sax the serial is 24xxx i will be very pleased if u anser me mr steve
Answer: Get Saxgourmet pads from www.musicmedic.com.
They are the correct thickness and nice and firm. The kangaroo leather is soft, strong, and does not stick.
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Question: Steve, I just picked up a SML alto with a 9000 series serial number. 40% laquer, no dings or dents, pads even look decent. It has been played by a jr high/high schooler for the last 6 yrs so it isn't real clean inside. Any tips on cleaning the gunk? (I haven't even played it yet, I bought it for a song! I read a few opinions that say these are fantastic horns.)
Answer: Those are great horns.....take the keys off, shoot the inside with a generous amount of Kaboom bathroom cleaner, agitate with a stiff brush, rinse with lots of water, blow dry it, put it back together and enjoy!
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Question: Hi Steve,
Is the black thumb rest plastic or metal?
Answer: The black one is high impact plastic. The metal one is gold plated brass.
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Question: Steve, I purchased one of your alto neck enhancers. It is everything you have described it to be. Thank you sir, I look forward to future purchases from you.
Answer: Thank you!
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Question: Back on March 6, 2010 I purchased a bass saxophone and a baritone saxophone case. the screws retaining the upper end on the upper grab handle on the baritone saxophone case backed out and the upper end of the upper handle is now not attached to the case (the bottom end of the upper handle is still in place. Is there any way to get at the heads of the screws to reattach the handle? Is that a home or a shop operation? If that cannot be handled locally, is there any warranty support for the case?
The case has had pretty easy treatment. Back and forth to rehearsals once a week and two gigs. The baritone case is used by my wife and gets good treatment.
Thanks,
Bill Harwood
Answer: Bill:
I've never had to make such a repair on one of our cases, but I would think it would be strictly a no brainer......I would think you could pull back the lining and replace the seats for the screws with plastic liners readily available at any hardware store. Let me know if I can help you in any way.....
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Question: Hi Steve, I'm about to order a FatBoy alto mouthpiece, but I cannot find where to specify what facing i want. So i guess my question is how do i specify what facing I would like to order?
Answer: Just send us an email
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Question: Dear Sir,
what is the difference between these two necks (despite the nodal weights) :
1. http://www.nationofmusic.com/index.cfm?action=product_info&item=125&SiteCode=sgoods
and this :
2. http://www.nationofmusic.com/index.cfm?action=product_info&item=143&SiteCode=sgoods
If i'd like to pay via paypal for the neck and enhancer is it possible you send me the paypal invoice ?
Can you also send the package with value of 50 dollars ? The tax is fxxxxx rip of for us musicians in Poland. Its pathetic but we are poor as you can imagine.
Kind regards
Mat
www.mateuszwalerian.com
Answer: The taper is significantly different The necks have VERY DIFFERENT playing characteristics. We use PayPal to clear all our credit cards, and you can use your PayPal account as well....we do not alter invoices, as this would make US subject to criminal penalties
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Question: I am interested in your thumbrest for two of my horns. Both soprano's S800 and a SC9930 both are YANI. Do you know if your thumbrest will work with these two horns?
Thanks,
Gary
Answer: Yes it will
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Question: I play the alto and bari saxes in my high school concert and marching bands. I just wanted to know if you have any tips or suggestions for someone like me? playing tips or product tips, either why it would be appreciated.
Answer: Your question covers a lot of ground! The first thing you should do is gain complete mastery of the instrument from a technique point of view. I would suggest study of Deville's Universal Method for Saxophone and the Ferling Etudes to accomplish the required technique study. This means being able to play it ALL correctly, not just parts of these books. Listen to recordings of as many different saxophonists as possible to get a good concept of tone and phrasing. There is something to be learned from just about everyone. Record yourself playing, and learn to be your own strongest critic. You must be honest with yourself about what is good and bad about your playing. Equipment is secondary to all of the above!
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Question: Steve this is a Big thank you !!!
I recived my soprano(how ever you spell it) mouth peace to day wed. 10/13/10 its Just as you said the notation is awesome!!! its got the drive ive ben looking for, the shrel( how ever you spell that HA!) its not there!! i was playing with a vandoren absolutly no conparson, got the fat boy for my tenor! now i will be getting the fat boy for my Alto,im hooked!! what more can i say, you got the numbers right no dought at all!!! thank you steve YOU MADE MY DAY!!!!
The Rock...........
Answer: Glad you're happy!
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Question: Steve,
Do you know of, or have a listings of saxophone mouthpieces and the corresponding ligatures that fit them? I am constantally bombarded by phone calls asking what ligature will fit a customers mouthpiece. With all the size variations if there was a chart with this on it it would make my life a lot simpler.
Thanks
Rod
Answer: Such a chart is needed, but I don't think it exists.....
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Question: I have a CG Conn Sax that I do not know much about except it is OLD. It is in its original case and looks pretty good. on the back it has PatDec.8 1914
1119954
C
140795
L.
I would like to find out what it might be worth and if there is an intrest in buying this Sax since I do not play it . I was given the insterment in 1983 from a old friend.Thank YOU.
Answer: You have a C melody from the early 1920's. Generally, old C melody saxophones are valued strictly by their weight. Weigh the horn, find out the going rate for scrap brass, multiply, and there's your value. Almost nobody wants them, and they are not worth the cost of repair.
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Question: Steve, I seem to have a chronic problem playing low notes, particularly on my tenor. I recently purchase a 1948 Martin Committee II tenor which is in really great shape. I am having great difficulty with low E and below. I currently use a Vandoren V16 T7 hard rubber mouthpiece with a Lavoz medium soft reed. I practice long tones but so far these have not helped. Is it possible that there is some mis-alignment or bad pad (I have not found any but then I am not an expert)? Would a different mouthpiece possibly help? I also play an old Holton C Melody sax, and had difficulty with low notes until I obtained a Bill Street 6+ hard rubber C Mel mouthpiece. This has made the old Holton sound great and the low notes (usually) pop out.
Answer: If you have an old Martin, the tone holes are soldered onto the body, not drawn from the tube as they are today. Over time, those tone holes begin to leak as the solder lets go. Check them with a light in a totally dark room. These leaks are very difficult to find, and tricky to fix. If repairs do prove necessary, take the horn to someone familiar with Martins, not a school band shop.
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Question: Hello, What kind of neck do you recommend me to use with my Yamaha YAS-62? Will I need further modifications on my horn to use it?
Answer: Get the solid copper neck with nodal weights. Your horn should need no modifications.
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Question: I own a Vito is that a good sax?
Are celcilio saxophones good saxophones
Answer: It depends on which Vito you have....some are good, some not so good.
The Celcilio I have seen were VERY low quality....hence the low price
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Question: Hey Steve,
Would you be interested in making a soprano sax neck enhancer? The Selmer Series III horns, as you probably already know, have a gurgling issue in the lower register and I think it may fix this problem. Will you ever consider doing this?
Thanks for your time!
Joe D.
Answer: Yes, we're considering it. I have to be convinced the demand justifies the tooling costs.
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Question: Steve, I have a 1971 Vito Leblanc Alto.
Will your solid copper neck fit this horn.
Answer: Yes....as with all aftermarket necks, slight adjustments may be nee.ssary
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Question: Hi, I own a Schenkelaars tenor saxophone and I want to know what you to say about this saxophone. I know it was made in Holland and the number 21 is stamp on the body, on the neck and all keys.
Answer: I am unfamiliar with that brand
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Question: Steve: I need a replacement neck for a Selmer Signet tenor sax.
Being recently added to the unemployment rolls I don't have much to spend on one but I do need to replace it. If it's used, refurbished, scratched, discolored or otherwise cosmetically challenged that's not a problem. Any thoughts or recommendations about what/how to replace the neck?
Answer: Get our lacquered tenor neck with nodal weights...it will significantly improve the performance of your horn, and the price is right. It's our lowest cost tenor neck.
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Question: I recently had a vintage Buescher tt sop overhauled & repadded with white Roopads $900. Intonation is worse than it was before work was done. Tech who did the work left the shop. Need a tech experienced with vintage buescher tt curved sops specificly accomplished in the area of intonation issues.
Love "this" horn. Any advice appreciated.
Answer: Send it to MusicMedic. They do a great job on Bueschers.
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Question: saludo me gustan su saxphones tengo un alto muy bueno gracias.case de saxophone saxgormet vale para keilwerht
Answer: I'm sorry, but my Spanish is limited.....if the question is does our Saxgourmet case fit Keilwerth, yes, all models except the SX series
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Question: Hi Steve, I'm looking for Bari Saxes. I'm a brass instrument player and never even played a woodwind instrument. Can you tell me which Bari would be best for a beginner and what type mouthpieces, reeds, etc. I should use? It would really help me out. Thanks, Chris
Answer: Get our Saxgourmet Bari. A great horn at a great price. Everything you need comes with it.
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Question: I just saw the Hurri-cane cane reeds and I have been playing with 3.5 fibracells, so I was just wondering which strength of reed I should get.
Answer: Get a medium
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Question: Steve, I have a stuffed raccoon the is four feet tall, positioned to look like Michelangelo's David. What type of sax would look best for it to play?
Answer: I would suggest our Category Five....
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Question: Steve, I am expecting Chuck White's Saxgourmet Model 6 alto in the mail in a couple of days. I was wondering if the solid copper neck you have on sale would fit, and be a good upgrade for an already good design?
Answer: yes, it would....I use that same neck on my Model 6
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Question: I have a customer who recently acquired a Voodoo Rex Alto, and so I figured I would ask about this now before I need anything. If I need parts, Do I get them from you, or someone else? I think I might need a pivot, adjustment, or guard screw (both sizes)on hand for the future. As for pads, I know to get them from musicmedic.com .
Thanks,
Brent
Answer: Since our horns are of our unique design and available nowhere else, we are the source for parts. We try to stock most parts at our office in New Orleans, and can obtain any part which may prove necessary.
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Question: what do you know about a super 400 tenor serial# #2308947
Answer: What do you want to know? Your question is rather vague....why do you want to know?
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Question: Hello Steve,
You have a very nice site!
I play tenor sax and bari sax in a novice band.
I'm 49 years old and started to play six years ago, (a dream come true!).
I need your help, I'm looking for a neck of a Parisian F.E. Olds & Son bari.
I just found this bari for a very low price here in Israel.
Looking for your prompt answer,
Alex
Answer: The reason you got the Bari at a low price is because no necks are available. The cost of having one custom made is more than the horn is worth.
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Question: I have a Vito Alto Saxophone serial#1655
A Kenosha, Wis. I played this sax in elementary school in the early 60's. I Had it checked & cleaned, and now my 9 year old grandson will begin playing. I would like to know the year this sax was made.
Thank you for your time
Alex
Answer: I do not have any serial number information for Vito.
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Question: Hi ladys and gentle men,do you have this item:(Yanagisawa A-902 (A902) alto sax)?do you deliver internationaly?and what about your paymnet method?you accept international credit card?let me know if its possible
MD
Answer: All the horns we have for sale can be viewed by clicking the saxophones tab above. We ship worldwide via UPS. Payment for all transactions exceeding $500 by bank wire ONLY, no credit cards or PayPal.
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Question: I have a CG Conn Saxophone that I would like to know the value of it . It was given to me when I was in High school in 1983 . It has a patened date of Dec. 8,1914. pat #1119954. It is silver on outside and gold on inside with a design and Made by CG CONN, Elkhart Ind USA etched in it? I have the original case and some finger chart and music.Can You help me?
Answer: The number you reference is the patent number, not the serial number. It refers to a patent that Conn licensed from William Haynes for a method of drawing tone holes from the body.
There is a value guide to vintage saxophones located on my site www.saxgourmet.com. BE SURE TO READ THE PREFACE and adjust the value accordingly.
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Question: Greetings,How do you ship neck enhancers to Canada. Are there any "fitting" situations with a Selmer 80 S.A.(1980 approx. Cheers, Derek.
Answer: There are NO fitting issues with your Super 80.....we ship to Canada via USPS priority mail
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Question: Hi-
The necks ssound impressive. Do you have any trial offer? I play a tenor VI #157xxx
thanks, Bill
Answer: See our terms of service. Our policy is stated very clearly there so there cannot be any surprises for you.
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Question: I'm quite interested in getting a neck enhancer for my tenor sax. However, your demo. video for the enhancer quotes the price at $50., the product list shows it to be $55.,...moreover, under your current fall sale, virtually everything seems to be discounted except the tenor neck enhancer. Is this item not on sale? And if not, is the actual price $50. or $55.? Please let it be on sale!
Very Cordially,
Your friend and fan,
H.P.Reeves D.Mus.
Adjunct Prof. of Music
Cisco College
Abilene, TX
Answer: The tenor enhancer is $55....the alto is $50....the new baritone enhancer is on sale for $60, which is $20 off.
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Question: I play on a fairly new Jupiter Tenor and I find the intonation to be good in general, however, recently having to play in a warm and humid restaurant I needed to pull the neck out almost a centimeter in order to play in tune (or 1/2 an inch for Americans). My question is can I get a neck that will miraculously solve my pitch issue or do I have to resort to extending the thumb key rod? I would rather not have to do this option because it might prove to be an issue when playing at typical room temperature.
Thank you,
Jay
Answer: Jay:
You should NEVER have to pull the neck out! This throws off the math of the entire instrument! I think one of our necks will improve the intonation and response of your Jupiter. We've sold quite a few to owners of that brand.
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Question: i have recently been researching for a bari sax forquite a while for the best prices. i have found many bari saxes that are under $1300 and they say they are pro quality but the seller is from china? should i trust the quality from china even if there is no BRAND NAME?? also i have found orpheo sax black nickel for $348.00!!!!but i dont know if it is legit or not because its from a chinese ebay basically called DHgate.com can u check it out for me and tell me if i should buy it from there or not?? just eneter bari sax. Thnx help a future sax pro cough cough..:)
Answer: Are you looking for the BEST price or the LOWEST price? They aren't necessarily the same thing, you know. A low price for a bad instrument is no bargain. I don't know the company you asked about, and am really not in the investigative business. I am afraid you are going to have to do that yourself. There is no reason to reject an instrument due to its country of origin. The Chinese make some great horn, and some absolutely terrible horns. Each stands on its own merit, and you have to play and examine them and judge for yourself.
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Question: Hi Steve, I play a '62'Conn 16M with one of your necks and a Guardala Super King. All 3 are a great combo for R&B and blues but I'm always looking for even more! would you recommend your Super Duck or Yellow Moon? The Guardala has a tip of about .115 I think and with a Fibercell #2 works great. With one of your pieces should I drop back to .105 or jump up to .120? I must admit .120 scares me a bit. Thanks, Joe Whiting
Answer: Get a Yellow Moon 105
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Question: Dear Steve, I would like to get a Conn 28 M alto sax for many reasons. Unfortunately there is very little info about this horn. How do you think it compares sound wise to other vintage horns like Conn 26 M, Selmer Super balanced, King Zephyr Special, and is it true that it was made of poor quality (thin) brass? If so, is it mechanically well built? Thank you so much for your time!! Ara.
Answer: The 28M is my VERY FAVORITE vintage horn. I own several of them. It was designed by my old teacher and mentor, Santy Runyon, and was very much more advanced in design than any saxophone of its era. I had many discussions with Santy about his thoughts on the design of this model, and it has greatly influenced my thinking about what is possible in saxophone design.
The 28M had quite a few unique features, including two octave pips on the body, a reverse geometry keywork mechanism for both main stacks, a very different left hand pinky table, and of course the ill conceived plastic key guard on the bell keys. The touch is very light, the tone sweet, and the intonation almost flawless. Once you play one, you will wonder why more manufacturers did not learn more from this model.
The brass is no different from that used on other Conn horns of the era. The build quality is excellent, remember this was the top of the line horn from the largest maker of instruments in the world at the time.
I asked Santy why they used the plastic key guard, and he explained that at the time, plastics were a new material and they wanted to be state of the art.
The double octave vent system on the body is genius. There is no other way to put it. The reverse geometry of the main stacks gives a very light touch, and I have considered adopting it to some of my designs. The ergonomics of the horn appear strange when you look at it, but when you pick it up and play it it makes a lot of sense.
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Question: Hi Steve: I don't know if you got my last e-mail, explaining how I re-corked the neck of my new solid copper,nodal weighted,neck enhanced saxophone neck right to the end.I've done two live shows with it so far, and it works great(I think it gives a better seal at the mp-neck joint).My new Roo pads and Maestro resonators arrived,and they'll be installed next week(can't wait to hear the difference this will make).I've gotten several compliments on my sound just with the new neck alone! Also I wanted to know a little bit more about your soprano sax mouthpiece. I currently use a Rovner one, which is a nice focused,direct sound.BUT, does yours deliver a fuller bottom end sound? Mine lacks depth and richness down low and hiccups a bit on fast octave jumps.As well,my straight neck Yamaha soprano has a few pitch problems above high "G".Can you recommend anything ??- I trust your advice explicitly.I don't use this horn as much as my tenor,but when I do I'd like it to play a little easier.Looking forward to your help? Thanks again...Bill Pendray
Answer: I think you'll like our soprano mouthpiece....it combines a fairly high baffle with a large chamber and a duckbill style beak....it is very responsive and has a complex tone, not at all thin. It's quite responsive.
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Question: Hi Steve,
I have a 1935 Conn Conquerer Tenor which, according to the serial number charts, is one of the first 500 of the 30Ms to have been manufactured. It has original lacquer about 80% intact; all the keys and adjusters etc are intact and it plays beautifully. However, the octave arm on the crook, which matches the distinctive, high copper content patina of the rest of the instrument, is in the typical 'M series' style rather than the 'Buck Rogers' style usually associated with the Conquerer model. I am convinced that the crook is original because of the fit and appearance with the body of the sax and i wonder whether Conn's used existing crooks on the first manufacturing run of the 30M? I would appreciate your opinion please as I'd like to sell the horn. I imagine the answer to my next question will be 'No', but I'll ask anyway - are original 30M crooks in the 'Buck Rogers' style ever available for sale?
Thanks and best wishes, Mark.
Answer: I have never seen a 30M with anything but the Buck Rogers style mechanism, nor have I EVER seen a neck for sale without a 30M included in the deal!
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Question: Hi Steve, I play a Cannonball Hotspur with a Theo Wanne Kali (size 7) and one of your solid copper necks. I was wondering if hypothetically I were to switch to a super400 alto what would you say would be the biggest differences in the two horns, in all senses technical, sound etc.? Also what would you say is the best way to go about selling a saxophone?
Answer: You'll find the Super 400 to be a tremendous improvement over your Cannonball. Here's why:
(1) the tonal spectrum of the Super 400 is MUCH bigger and more complex due to the metal used (2) the keywork is much more precise in feel, the Cannonball is too soft (3) the intonation, particularly on the upper end, is much better due to better tone hole placement and design (4) the dynamic range of the Super 400 is significantly larger, louder louds, softer softs (5) the Super 400 speaks much better on the upper end due to our exclusive speaker key, which the Cannonball lacks (6) the two necks on the Super 400 offer two different sounds which are quite different, and both are threaded for low note stability (7) the Super 400 has keywork to high G, the Cannonball only to F# (8) the Super 400 has our never stick G# mechanism (9) the Super 400 has MANY other features, such as kangaroo leather pads, solid copper airtight Maestro resonators, abalone pearls etc.......It's really a no-brainer of a decsion.....I think eBay is the best place to sell used horns, you reach a huge market and it's very cost efficient
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Question: If I were to order a silver plated neck for my 10M tenor and was not satisfied, could I return it for a restocking fee?
And if so what would that fee be?
Answer: please see our terms of service, which completely outline our return policy. You have to agree that you have read, understand, and agree with the terms of service before our system allows you to complete your order. All our terms are disclosed in full, right up front, so there is no confusion or misunderstanding. There is a link to the terms of service at the bottom of the main page of nation of music.
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Question: I HAVE A CONN 6M ALTO E341413L,
CONN TENOR(CHU BERRY?) M207082L
SUPER PENNSYLVANIA
BRILHART TENOR METAL MOUTHPIECE
CAN YOU GIVE ME THE APPROXIMATE SECOND-HAND VALUES (STERLING)?
MANY THANKS
Answer: there is a value guide on our information site www.saxgourmet.com BE SURE to read the preface and adjust the values accordingly!
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Question: Hi Steve: I had my tech remove the cork on my new solid copper tenor mouthpiece and replace it and taper a new cork even with the end of the built in enhancer and almost 1/2 inch down from my tuning mark on the other end.(keeping the cork length as short as possible so as not to interfere with the resonance of the neck) This gives a good inch of mouthpiece support( before was 5/8 ths of an inch).Also it makes a tighter air seal around the neck enhancer opening.No hiccups on sudden bursts and no drag at all.Played a big public show last weekend and it performed well!I couldn't believe the difference in the sound coming out of my stage moniter, it was richer and the real high notes and altissimos didn't sound shrilly or tinny at all.I thought you would want to know how these changes would work as we had discussed this on the phone.My saxgourmet pads & maestro star airseal resonators came in today,and will have those installed over 6- 10 days next week (while I'm on holidays). Waiting to hear how these will affect the sound of my horn.I'll let you know for sure! My last item is,I would like to order one of your Soprano mouthpieces. Looking at your facing sizes is your largest .075 about even with a 7* or 8 ? I'm looking for this range of power. I have a straight Soprano horn and need good projection to cut through other electronic instruments.I'm currently using a Rovner metal 7.It's super easy blowing, good for volume and a very bright, direct,focused sound due to the long high baffle.(not as easy however to get a good rich tone on low notes). HOWEVER ,articulating from low notes to higher notes (octave jumps,etc.) can be frustrating.Can this mouthpiece of yours yours help me, or do you have any suggestions?? As always I trust your advice explicitly!I was looking at a Jody mouthpiece ( which is $432.00 Can.)and I don't think looking at the design that it would be a whole lot better than what I have.Thanks for all your help and I'm waiting to hear from you.Also remember to practice long tones everyday and keep your reed wet. Cheers...... Bill Pendray
Answer: Bill:
There is no reason not to extend the cork over the built in enhancer if it helps with your personal mouthpiece positioning. Our soprano mouthpiece will give you quicker response and more projection. Thanks for all your kind remarks!
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Question: I posted a question on your forum about the best mouthpiece for playing the blues on tenor and I have been advised the Fat Duck 120 could be the one. I need a mouthpiece that will give me a fat, emotional sound close to Dexter Gordon, with good sub tone. I am amplified when playing so power is not such an issue - its blues tone I'm after. I know blues tone comes mainly from the person but I would like a mouthpiece that would more easily let me express that emotion. I currently use an Otto Link New York Super Tone 8*. My sax is 1932 Transitional Conn. I only play in blues bands so the mouthpiece is only needed for blues. The Otto Link is good and there are times when the sax sounds great, but I'm looking for that bit extra.
Am I just another sax player looking for the Holy Grail or is there a mouthpiece that will allow me to make my sax more emotional?
Answer: True, the sound comes from the player, but proper equipment will help you get the sound out
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Question: i was looking at your saxgormet tenor sax case it is a monster however you didn'y mention and i couldn't tell if it could be locked for safekeeping i've spoken with you on the phone and bought a few things from you you are a super guy and felt it a priviledge you really know what's happening thank you you for your time and info vic
Answer: You can connect the zippers with a padlock to secure the interior. The two zippers have a hole for just this purpose.
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Question: I've been wanting to play soprano saxophone for about two years now, I a small budget tho, do you by any chance know were I can find a good soprano saxophone for a good price?
Answer: Take a look at our curved soprano.
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Question: I am an older person who is beginning to pick up my sax again, now that I have retired from the regular workforce. In my younger days, I was into a nice, driving, gritty R&R sound,(utilized the growl technique while playing etc.) as well as a nasty,gritty blues sound.
I developed a unique style by practicing and developing a number of the note distortions & styles Jimi Hendrix & Eric Clapton brought out on their guitars, with the ringing overtones/distortions etc. by developing various air passage/blowing/growling techniques, as well as I had an electric pick up installed into the horns neck, which allowed for plug in to Wah Wah pedals flangers & the like. I then combined & mixed that all in with some Jon Klemmer * I ws before him!!!) & Coltrane stylings & Tranes 12 tone usage etc, (think "My Favorite Things) for my style & sound development, although I wasn't a master by any stretch, but I was pretty good, if I do say so myself, definitely unique & different.
I still have that particular sound in my mind, as well as for performing/practicing. I know it is where I want to go in this new stage of my development & performance aspirations, although I am not so sure of the electronic aspect of it. I know I want to use some electronic layered sounds live, like I used to be able to get on stage with the old Echo Rec units, transferred from my horns pick up directly into that unit. I will not be using an electronic pick up anymore.
I have reviewed a number of your accessory videos & I was wondering if there is a particular mouthpiece, as well as neck combination, you would recommend for this type of sound. I am looking for something with great, quick response, as well as a clear, bright sound, with an ease of usage when sliding into the overtone series. I know my own development will be of paramount importance but thought there may be something to enhance this type of sound.
I am currently using (I know-groan) a Selmar Bundy , student model, but will be upgrading when I know I am ready. I am kind of intrigued by the"bluesblaster" mouthpiece . as per your video introduction to this product & am wondering, also, if their is a neck combination for this type of sound which may enhance what I am developing.
Perhaps, you may have another type of mouthpiece or neck combination which would be more in line for this type of sound/performance material.
I am using an Otto Link, 7 Star, Super Tone Master w/Selmar Bundy neck, and the sound I am producing is full, clean & good sounding but it doesn't seem to have that "bite" I am looking for. Any ideas I may take a look at before I make a decision.
thanks...Ross
Answer: Get our solid copper neck with nodal weights and either a Super Duck or Yellow Moon mouthpiece
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Question: Hi Steve: My previous e-mail might have been a bit premature in some of my thinking. The ridge on the inside of my copper neck is probably the seam from when it was made right?(hand hammered and hand formed). Neither me or my sax tech have ever seen or felt inside a hand made neck. And it probably doesn't affect the air flow that much-or does it? When I first tried it out, I didn't have that great a reed on, which might of accounted for some of my preliminary observations.Also a new neck is like a new mouthpiece and you have to get used to blowing a little differently in different ranges.It's getting much better now.Some awesome sounds are coming out like never before. One thing I did notice was my super-king guardala and my brecker II mouthpieces when positioned on the cork and set to a tuner had only 5/8ths of an inch gripping the actual mouthpiece.(My stock selmer was 1 inch)Can an "o" ring be put in the neck enhancer groove which might support 3/4 rs of an inch? Or could it be re-corked(here at home) to almost the tip of the enhancer,which would be a full inch of support? Has this ever been done and would it affect anything? They fit fairly tight right now,but with wear I can see it might cause some unwanted flexability down the road.Need your expert opinion on this one? Thanks for your time,and look forward to your reply.Bye for now....Bill Pendray
Answer: Bill:
Sure, you can add an O ring if you think it's necessary. That's why the groove is there. Once you get used to the neck, I think you will be amazed at the new great sounds coming out of your horn.
Thanks for your business, and keep me posted.
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Question: Steve,
I'm sure you're extremely busy and thank you for your prompt answer to my question about upper end thiness on my Yamaha Bari. Since I've most recently used Berg-Larsen 110/2 and Runyon 7 Custom Spoiler mouthpieces can you tell me if your .105 and .120 tips are equivalent to what tips sizes on these? Also, I can't seem to find info. on your site about your mouthpiece trial policy, not in FAQS, to possibly try both sizes of your Low Rider Bari piece. Thank you!
Answer: .105 and .120 ARE the tip sizes in 1/1000ths of an inch....
Here's our complete Terms of Service, which is on our www.nationofmusic.com site:
Terms of Service
Through the execution of your order through Nation of Music, you agree to the following terms and conditions as a condition of sale:
All Sales are final. Any returns must be pre-authorized by us, and any refunds will be in the form of store credit only. Any allowed refunds will be less any fees and expenses incurred by us on the transaction. Any allowed returns must be received by us within five business days of delivery to you. We do not send out merchandise "on trial" or "on approval". Any and all merchandise returned with our prior approval will be charged a $30 cleaning and restocking fee in addition to all other expenses incurred by us on the transaction.
Customs duties, taxes, and international shipping expenses are the responsibility of the buyer. We will not alter prices on invoices to facilitate lower customs duties.
All warranty work is performed by us in our shop in New Orleans, nowhere else
Warranty applies to the original purchaser only, and proof of purchase is required for any claims
We reserve the right to refuse service to anyone for any reason
We reserve the right to require payment via bank wire for any transaction exceeding $500
Any claims of shipping damage must be made immediately to the carrier by the purchaser, and the carriers full requirements for claims abided by.
We make every reasonable effort to maintain all items in stock, but cannot be held responsible for delays caused by our vendors
Prices and specifications are subject to change without notice
Our preferred method of communication is email. We are rarely available to the telephone.
Some merchandise, such as necks, may require fitting to your individual instrument by a local technician.
All sales and warranties are made by Steve Goodson Woodwinds LLC or Nation of Music LLC, not by any individual or other company
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Question: I'm an advanced amateur woodwinds player, Clarinet and some sax since I was 10 (I'm 63), currently the Baritone Sax player for a local band. Have a Yamaha 52 Intermediate Bari that I started out renting 12 months ago and decided to keep though I was not satisfied with the thin upper range sound, has been fine on the low range, was using a Berg-Larsen hard rubber mouthpiece model 110/2 for a while which did not improve the depth of the upper ranges, moved to a Runyon Custom Spoiler 7 on a recommendation. It seems to be OK, keeping the spoiler in has improved the sound, adds brightness and loudness which helps when I need to be bigger for big band jazz situations. Gets me closer to the sound I like. But, I wonder how long that spoiler will last. I'm Looking for a permanent solution and bet you have mouthpiece, neck and/or other suggetions for improving the sound of this Bari. Appreciate any suggestions you might have.
Thanks!
Answer: You'll find that our Low Rider bari mouthpiece will give you much better projection and intonation, and a far more complex sound with considerably richer lows. The design has a high baffle and very large chamber, and is available in .105 and .120 tips.
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Question: Steve,
I would like to order both a tenor and soprano mute. I tried using the cart but I don't see where to specify which size mute I want. My wife will be eternally grateful for your help in placing my order!
Scott
Answer: just drop me an email.....I've already made a note of it
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Question: I have a 1938 or 1939 conn alto naked lady plays outstanding looking to sell it for a fair price sax need's nothing has a case jody jazz mouthpiece,reeds.
Thanks Bill
Answer: Feel free to list it for sale on our forum
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Question: I have a c g conn conqueror cornet. It is in excellemt shape in original case with 2 mouth pieces , cleaning brush,and other original pieces. I was wondering what it is worth
Answer: I only deal with saxophones
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Question: There's a Steve Goodson tenor sax case for sale on ebay presently (Item # 130421750365). My question is: Do you have a tenor sax case that would be suitable for a Martin Tenor sax from the mid-1950's?
Answer: Yes....our Saxgourmet case will fit it well
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Question: Hi Steve: I just received a tenor sax mute from you which works great as far as my wife is concerned.Also I installed my new saxgourmet thumb rest and used it for a 2 hr.stand up show. It also worked well,but might suggest tapering the edges under the hook a bit more.The 3rd item I tried was the tenor neck enhancer.It worked pretty good on my selmer neck,just some very minute resistence but my friend tried it on his Yamaha 62 with a silver plated neck and he experienced a little more back pressure. I could only presume that his silver plated neck had chipped edges of silver on the end of the neck and wasn't planed flush 90 degrees to the mouthpiece like mine.Am I right in thinking these two conditions might hinder the enhancer from seating properly,and affect the performance? Need to know as he liked how it evened out the tone in his horn and might want to get one.Also it took some of the shrillness out of my high altissimo notes.I'm still convinced however that the enhancer would work better affixed to the neck,( so it can't slide at all and don't have to worry about a loose "O" ring).Like your saxgourmet neck with nodal weights.I'm very interested in either your silver plated,or solid copper model with nodal weights and built in enhancer. Do these 2 models have a rifled tenon like the plain solid copper neck? I assume this does the same thing as the selmer " booster" neck which is also rifled? Here's my situation. I'm primarily a hard hitting R&B player in 8 piece bands, and need a big sound to stand our over other electronic instruments and vocals.I'm probably what you call a semi- professional(20-30 big shows a year). My present set-up is a Selmer(paris) series III tenor (original neck),Guardala LT super-king MP.Rovner ligature(the good one) and Van Doren ZZ #3 reeds. This works quite well, but I want a bigger,richer,fuller sound with more harmonics and edginess in the horn,especially through the middle, cleaner low stomp bell notes, and screaming loud altisimo notes that don't sound tinny or shrill. Much like Richard Elliot,Sax Gordon and Ed Calle to name a few.Now, would the solid copper neck be too dark,or would the silver plated one be better ? They both look georgeous!Also I don't want it to choke when I really wail and lean into it. I trust your judgement explicitly -after all- you help some of the best players in the world.I also use a Guardala LT Michael Brecker MP for softer smooth jazz and quieter, unmiked gigs (small trios etc.).I hope you can figure out what my sound is like now and where I want to be.I research everything as best I can before I try it.I'm thinking of getting my sax mechanic here to put nodal resonators in my horn.(I have the regular metal ones now). His are just the regular silver colored ones.Will they help to put out a bigger sound? And or would the gold plated ones be significantly better? I also know now that the neck of a horn can change the sound and playability as much or more than a mouthpiece.Waiting for your advice,and am real anxious to try whatever you recomend.Do you have like a one week trial period where you just pay the return shipping if its not the sound I want? Also,it was a real pleasure to deal with Sharon on my recent purchases. She was very prompt and courteous with my orders.Sorry for the long e- mail,but we don't have anyone in Canada as respected and knowledgable as you to consult,and I'm very interested in sax gear,it's becoming a hobby.I'm all ears when it comes to improving the sound as new technology emerges. Thanks for listening Steve. God Bless...Bill Pendray
Answer: Bill:
That's a lot of questions, and I'm happy to answer them all. Please send me a daytime phone number so I can call you. Send it to saxgourmet@cox.net
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Question: Hi Steve,
First, I love your site and the excellent videos. I have a couple questions. First, I've been playing a Mk VI tenor with a Berg-Larson metal mouthpiece (95 2M) for about 100 years. I've always loved the sound, but I'd like to try one of your mps for a different sound. I play both jazz (mainly jam session for fun) and R&R/Motown (for fun and profit). I'd like a fatter sound than I get with the B-L, but with enough projection so I don't get a brain anureism blowing against my Strat-playing guitar buddies. No problem if you have two different suggestions for the two different types of music. Thanks.
Scott
Answer: Get a Blues Blaster for jazz and a Super Duck for R&B...it's not the Strats....it's the Marshall stacks they plug them into......
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Question: Hi Steve,I have 2 Selmer Mark VII altos. Whenever I practice overtones, my Eb key vibrates and creates a gurgle in the tone when I play the 2nd Harmonic (Bb). I have had repair men look at it over the years, changing pads and springs with no luck. If I keep the key shut with a finger or cork no problem. Any thoughts? Thanks, Keith
Answer: The Eb key on a VII is held in place by two pivot screws, one at each end. Without having seen it, would suspect that one of the screws is not seating well in the key rod. Countersink the holes of both screws, check for improvement. If that doesn't do it, we'll have to come up with another scenario.
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Question: Dear Steve what is a good way to clean up ones altissimo notes
Answer: Practice throat exercises and overtone exercises...
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Question: I purchased a Selmer Hummingbird Alto Sax for my daughter 2 years ago. It has been played probably 2 times. I am looking to sell it but don't know where to start. Can you help me?
Answer: The used horn market is very depressed right now, and prices are pretty low and buyers are few. I would say eBay is your best bet, as it reaches a large number of potential buyers worldwide.
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Question: Good evening/morning Mr. Goodson,
I recently bought a used Selmer Bundy 2 Alto Sax for $350, and one of my questions is if that is a reasonable price for a Bundy 2?? and I would like to buy some good accessories for my semi-new alto, And i would like to know what are some immediate accessories i should get?? and Which one of your products can be very helpful to it?? I was thinking about getting Your Fat Boy Alto Mouthpiece, A SaxGourmet Neck Brass Lacquered for alto, and Maybe even your SaxGourmet Alto Case (Are these products good choices)??... BUT on the case i also think Protec case because it is About Half the price, but what differences are there between the SaxGourmet Case and a Protec Pro Pac case?? If u could please answer these questions I'd STRONGLY appreciate that and it would really help. Thank you for your time and help. Your hopefully Potential Buyer Ernesto Rojas =]
Answer: That is a very good price for a Bundy II if it plays. Get our Saxgourmet neck and a Voodoo Child mouthpiece and it will really play great, with much better intonation and quicker response.
Our case is much stronger than a ProTec and has an accessory compartment under the horn. It also gives much more protection on the upper end, where most of the damage occurs.
Remember, Wayne Shorter used a Bundy II when he was playing with Miles Davis!
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Question: Hello Steve
I have been playing a Sugal Series IV Silver plated/black nickel Tenor sax sax 4 years. This has the High G mechanism. This is very cnnvenient and am trying to find an LA Sax in an animal print....not the Zebra print like Richard Elliot, but a different one. Haven't been able to find any web site that will help me with this. The Series 1 tenors have the high G key I believe and the double arms on the Bell notes. Thought I might ask you, since you are an authority in the sax industry. Really want to take my sax playing to a new level and be unique in doing it, for appearance and originality Thanks for you re insight Steve...I know you're a busy guy!!
All the best
Craig Savino
London, England
Answer: None of those horns have been made since the 1990's.....I don't know of any for sale
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Question: Mr. Goodson,
I am thinking of maybe buying your Low Rider Baritone Sax Mouthpiece to replace my Berg Larsen but i would also like to know what Rovner ligs fit your Mouthpiece??? I was wanting to know if your Low Rider Mouthpiece is really worth the $165 because i got my Berg for only $80 so what could your Low Rider do that my Berg cannot? Thank you for your time. Sincerely A HUGE Steeve Goodson Fan and fellow Bari enthusiast,
Ernesto Rojas
Answer: I am not fully familiar with the Rovner sizing system and can no specify their model. Our Low Rider comes with a very unique single screw ligature which works very well.Our Low Rider is much easier blowing, has quicker response, and more projection.
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Question: Hello,
What can you tell me about a Bundy Selmer alto saxophone with serial
number 592995? I'm interested in where and when it was built. Also, is
it a beginner/student saxophone? What is the approximate value?
Thank you for your time
Answer: The Bundy's were built in Elkhart, Indiana for the beginner/student model. I don't have any serial number information available which would help me determine the date of manufacture.
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Question: Dear Steve, I've been playing my baritone for a while but i've noticed the low A burbles a lot. I think it has to do with the 5C mouthpiece it came with and/or the Rico Royal strength 2 reeds i'm using.
What mouthpiece should I get to fix this problem? and should I switch from Rico Royal to Vandoren ZZ reeds?
Answer: Get our Low Rider mouthpiece, and use LaVoz medium softs.....let me know if can help you ion any way
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Question: Conn 10M - 1953
I have been playing for 5 years-Yamaha tenor 875. I wanted to try the old Conns. So I got one.
For my surprice, It hasnt been easy, I think my embochoure its too tight. No matter how much I try notes get stopped (reed closes).
I know you played Conn for long time. What do you think? what should I do?
Answer: The Yamaha is one of the easiest playing horns out there. That being said, the Conn should not be too much work. Get the horn checked out by SOMEONE FAMILIAR WITH OLD CONNS, not a school band shop. If you want to decrease the blowing resistance and improve the intonation, get one of our Saxgourmet Conn necks. The solid copper one is my personal favorite.
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Question: Hey Steve, Was wondering if you could help me with any info about this sax, when it was made, value and so on.... The details that are engraved on the sax are as follows:
1RE GRAND PRIX
1RE
LA FACTURE INSRTIMEATLE
MEDIALE D'OR 1900
ADOLPHE SAX
84.RUE MYRHA
PARIS
NO. 595
10203
Thank you Jenny
Answer: That was made by Adolphe Sax's SONS, not by the man himself, probably around 1907. There's really no significant demand or value for those horns.
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Question: Hi Steve-
>
> I have a King Zephyr Tenor Sax, SN 265409. Based on the SN range, I believe it is a 1940 - 1945 model. It would need an overhaul, was my Mom's and she is 70, so has been in the family quite some time. I am curious, what the value might be for this item if one was to sell it. I understand I would not get retail price, so if I was to sell it to someone in the business of fixing it up, putting on new pads and what every else they do to overhaul, what would a fair price pre-overhaulded for this instrument? It comes in the original case, which the case is in a bit of rough shape on the outside, worn on the inside but in good shape inside.
>
Thanks
Craig
Answer: Vintage prices are in the tank. An old horn that is not up and playing is a very tough sale these days. If it is cosmetically perfect (look up the definition of "perfect" if you are in any way unsure), you might get $400 for it. If less than perfect cosmetically, considerably less.
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Question: I bought a tenor Plastic mouthpiece with your name on it from ebay. There's no size on it but the box has a number 9 on it. It is great, up to now I played a meyer 5 but this is so much more open I thought it would be hard to play. It plays all registers easily and in tune. Do you have any stats on it and have you discontinued it? Thanks, vince
Answer: I suspect what you have is one of the Steve Goodson Model mouthpieces we sold when I was at Orpheus Music.....the last of those were made in 2006....we have replaced them with the mouthpieces you see on this site, which are much better. If it's a 9, it is .120 open
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Question: I was interested in purchasing your neckstrap but shipping cost of $35.00 makes it an expensive proposition. Are there other options to get one here. The time taken for delivery is not a concern.
Steve
Answer: I'll assume you are an international buyer. Wen use flat rate priority mail ONLY, since we get a tracking number, which is required by our payment system
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Question: I have registered for your forum. Trying to log in, it says either the password doesn't match the username, or the application isn't complete.
So I requested the password. It came, it's what I thought it was, it still gives the same message.
I'd like to participate in your forum... :) Is there anything you or your webmaster can do?
Thanks,
Steve Keller
forum username Steve_Keller
Answer: please send a DAYTIME phone number to saxgourmet@cox.net and we'll figure out the problem....I can't find a record of your registration....you might try to re-register....it doesn't look like your registration "took" for some reason....we would very much like to have you participate in our forum!
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Question: Hi Steve
I have a nice Keilworth SX90R Nickle plate with gold laquered keywork..its about 2 1/2 years old...very nice horn. Unfortunatly arthritus has set into my hands and I can no longer play..so as you can imagine this ones been slightly played. I payed about 3800 for it new. Do you have a rough idea what this horn would bring in todays market? Thanks in advance for your time.
DanO
Answer: Used instrument prices are in the tank due to current economic conditions, and Keilwerth prices are particularly bad since the company recently filed for bankruptcy, leaving a very uncertain future. They're nice horns, but I doubt you could get more than $1500 if you can even find a buyer.
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Question: I HAVE A STEVE GOODSON UNISON SERIAL 00005. IS THAT I GOOD HORN. THE ONE THE BELL HAS STEVE GOODSON HAS INGRAVING ON IT AN UNISON ONE THE BOTH NECKS. PLAYS GREAT. WHAT PRICE? DOES VALUE. THANK YOU.
Answer: That's one of the very first ones. Please send clear detailed pictures to me privately.
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Question: Steve,
Are wall mount racks available/advised for musicians? My son has a bari,a tenor, two altos, a flute, an ewi and an amplifier all crammed into a small bedroom. It would be great to get the saxes out of the floor stands and onto the wall. I see wall stands in use in stores but not on the market for players.
Rick
Answer: I am not aware of anyone who makes a wall mounted rack
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Question: Hi Steve, Why doesn't your Saxgourmet Alto Necks come with a built in Neck Enhancer?
Answer: Because there is too much variation among alto mouth[piece chamber sizes
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Question: hi Steve. I have a question. I recently cane into posession of an Antigua Model BS3220LQ Eb Baritone saxophone. my question is: did I pick a good horn?
Answer: The Antigua is one of the best student lines out there.
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Question: Hi,
I have been looking at your curved soprano which my old instructor has and he loves his. I'm in the Navy and am going to be moving a fair bit in the next couple of years and like he idea of a smaller horn. I saw the 20% off and it looked like it applies to this horn? Are there any other promotions that are going to be happening this summer. Thank you
Answer: Catlin:
The 20% discount applies to EVERYTHING we sell except the Category Five tenor saxophones. If you are on active duty with the US Navy (or any other USA armed forces), contact me PRIVATELY at saxgourmet@cox.net for special military prices. Sharon and I are strong supporters of our military.
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Question: Hi Steve,
I'm curious about the power pips that you have, I am already using your solid copper alto neck and I just want to know if those (neck) are already equipped with a power pip and if not do you suggest me getting one and would there be an improvement whatsoever. I love the neck so much already as it is but then again I was just curious.
I am also planning to get a tenor neck from you in the future, I have a Kessler tenor, and I just want to ask if I can get the Saxgourmet tenor neck with nodal weights for selmer for that and just have it adjusted from my local repair guy here in NY, and again do you think I need the power pip for that?
And lastly I love the thumbrest that you have, still haven't tried one but when I saw the picture and the video I am sold.
Thanks again so much, and have a great day
Answer: Anthony:
The pips in your Saxgourmet neck are quite similar, but are designed specifically for that neck. Since we could do it all at one time, the performance is even better than retrofitting an existing neck with new pips.
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Question: I recently purchased your alto cooper neck for my Conn and La Sax. I found the octave lever to be almost 1/2 in short of reaching my horns lever is this by design? I'm going to take it to my local sax shop and have it modified to work on my horn. Do you have any suggestions on what they should do?
Answer: All you have to do is extend the contact bar on the octave key with a small length of hollow brass tubing. Cover with shrink tubing to provide silencing. It's about a five minute operation.
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Question: Hi Steve. greetings from San Francisco, one of multiple birthplaces of jazz. I'm planning on getting a Steve goodson Bari but my question is: when you purchase a Steve goodson Bari does it come delivered with a case or is it sold separately from the horn?
Answer: The Saxgourmet baritone comes with the Saxgourmet contour case that we sell on this site.
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Question: I have gotten my son who is 15 a mid- level selmer sax not sure of model but it does have the high f, and he has gotten into jazz music and has asked for one of your mouthpieces the problem is that you offer 3 models how do I know which one to purchase? He is currently using a yanagisawa 5 borrowed from a sax teacher. Any help and insite would be greatly appreciated.
Jim
Answer: If your son is playing an alto and likes jazz, get the Voodoo Child. It's our best seller for jazzers.
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Question: Steve,
What would you say is the life of a typical reed? Seems like I get ten hours of practice out of some and twenty-five out of others. What would your favorite reed be for the Florida tenor mp I bought from Saxgourmet? I realize you are not really in the reed business but your site is the best source on the net for reliable info.
Thanks - A Happy Customer
Answer: I never saw a reed that I thought was truly museum quality. When I was playing gigs, I used a new reed for every set.
If you're using cane reeds, try Gonzales reeds from Argentina. I am really impressed with them. If you like synthetic reeds, try our Hurri-Cane reed.
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Question: Greetings Steve. My question is, how do you choose the option of the either silver plate, gold plate, black nickle or gold lacquer for the Steve goodson model Eb Baritone sax?
Answer: It's going to be pretty hard to do since that is a discontinued model. NONE have been manufactured since early 2007. Take a look at our Saxgourmet baritone on this site. It's a MUCH better horn. Let me know your questions!
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Question: Hi Steve,
I recently came into possession of what i believe to be a Conn New Wonder Tenor. It is silver with a gold colored inner bell and rolled tone holes. The sound on this horn was very impressive when at first sight I thought it to be a student line marching band horn. My research shows the horn to have been made in 1922. My question is A) does the horn have any significant retail value? (Not sure I want to sell it though I like it a lot) B) what are your thoughts on the New Wonder - pre "Chu Berry" tenors. Thanks Steve!!!!
Answer: Those horns are money burners. Intonation is sketchy and ergonomics are terrible. Old does not necessarily mean valuable. They are very common, and really don't have much of a following among players.
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Question: I tried to order a key clamp using my debit card. The card was rejected by saying that PayPal couldn't use the card. Must I have PayPal to order from you? Do you have a phone # where I can call you to order items?
Thanks.
David Butler
Answer: We use PayPal to clear our credit cards. You DO NOT have to have a PayPal account.
Email a daytime phone number to saxgourmet@cox.net....I'm rarely available to the phone and will call you when I'm free.
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Question: Hello Mr. Goodson,
My name is Ernesto and I have been the only a Bari Player for 2 years in Middle school and a saxophonist for 3 years so now in High school I am in the Jazz Band, and looking for a good metal mouthpiece. So, i would like to know what kind of differences the the tip opening and baffle size will do to my sound. Like what do people mean by a brighter or darker sound? and what type of sound would be good for a Jazz Band? I have been looking at a Berg Larsen 110/2 Metal Mouthpiece and also at your new Low Rider Bari Sax Mouthpiece. I would like to know what type of differences would there be in the sound of the mouthpieces?
A Fellow Bari Saxophonist,
Ernesto Rojas
Answer: Ernesto:
Ou Low Rider had a higher baffle and a bigger chamber than the Berg Larsen you are considering, so it will give you greater projection and cut on the high end and a much fatter and richer sound on the low end of the horn. This will be perfect for our jazz band. It is also much easier to play.
Brighter and darker refer to the mix of overtones. The more high overtones, the brighter. The more low overtones, the darker.
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Question: I have a saxgourmet alto model 6 that i got of ebay. Had it adjusted at the local shop and they love it, said it is a wounderful insturment. They made one comment - they dont have any roo pads and recommend that I get some replacements to have on hand should I ever need the work done. I contacted music medic and they told me they dont have the specks on hand for the model 6 pad replacement. Could you help me by giveing them that info so that i could buy a set of roo pads. Thanks
Answer: Glad to do so.........
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Question: Hey Steve,
I bought my self a Selmer Ref 54 recently that was a second. I guess they gave up on it, cause it does not have a serial number. I fixed all the things that were not correct, which was a lot, but I can not seem to get my A in tune with all the others. I have checked for leaks with my light and can't find any. Do you have any idea how I could fix it?
By the way, I bought your Florida mouth piece a couple weeks ago and I love it. It is the best mouthpiece I have ever had and I have been playing sax for as long as I can remember. I'm hoping to get another one from you soon or a new neck from ya whenever I can afford it. Wouldn't mind getting one of your saxes either cause they sound awesome.
Keep cool,
Tuck
Answer: In all probability, it has a bad neck. Try our solid copper Saxgourmet neck with nodal weights. All the Ref 54 owners who have bought one love it.
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Question: I currently use a D-7 Dukoff on my VI. I went that way to cut through loud electric guitars and such, but the tone is just a little too bright. Would the blues blaster with it's fatter tone still offer the same projection of the Dukoff? Don't want to get buried again.
Answer: Yes, but an even better choice would be a Super Duck or a Yellow Moon. You will never need to fear a guitar slinger with a Strat and Marshall stack again!
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Question: After 40 years of playing the alto and tenor I realized I was missing out on all the fun. Seriously, I'd like to start on the bari. Not surprisingly, entry level Bari's are going for nearly as much as pro-level altos and tenors. Not being a pro, money is an object. What bari's should I be looking at (or not looking at). I am also concerned about resale value - just in case it was not meant to be.
Thanks,
Mark
Answer: Take a look at our Saxgourmet bari........we've got lots of video up so you can see and hear all the features........it's a bargain when compared to the price of the competition......we've sold lots of them!
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Question: Hi Steve,
Always a loyal and a happy client to you, I am just wondering if you are looking into saxophone enhancers of your version. Maybe like the Bis key perhaps. Thanks again and have a great day
Answer: Actually, yes.....we have quite a few new products in development right now. We believe we are almost where we want to be with our saxophone, neck, and mouthpiece offerings, and will begin expanding our accessory line in the near future. I am spread pretty thin these days, and product design and development takes a lot of time. Some of the projects we have currently underway are really exciting, and I promise to keep you posted!
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Question: Hey Steve. I'm also a bari player and I have a question about the "Steve Goodson" model baritone: what key is it tuned in.
im only wonderin because im looking to switch to a goodson from a selmar 77a Eb baritone and my friend told me youre the best in the buisness
Answer: All baritone saxes are in Eb.....you can see our latest model on this site.
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Question: Dear Steve, i was wondering what is your opinion on LA sax's instruments, any info is greatly appreciated
Thanks, Gage
Answer: The only ones I had any involvement with were the 650/750/850 series, which are really nice horns for the price, with upper stack speaker keys and keywork to high G. Before that, the horns were generally pretty poor quality. The current production horns I have seen are nothing special, just average quality Chinese horns with no unique features.
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Question: Steve, I think I am in the market for a Fat Boy tenor mouthpiece, with a .90 tip opening. Am getting our old band back together, after 40 years; playing beach tunes and Mowtown. When I went to order a Fat Boy, nothing indicated how I would ensure a mouthpiece with a .90 tip opening. Do I put a note in the "special instructions to merchant"? Does this appear to be a good mouthpiece for me to get? Thanks, Bill
Answer: Bill:
The Fat Boy will be perfect for Motown tunes! Just put a note in the special instructions or send me a private email. We have them in stock and ship the next day after we get your order.
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Question: Hi Steve..I own an early Mark 6 alto which I like a lot...I have thought of buying a late 200xxx silver mark 6 , thinking the sound might be a bit darker..I know there are a lot of generalizations about early versus late Sixes, and maybe only trying out the horns is the answer to what kind of sound I can get..I'd appreciate any opinions you have..Thanks, Rob
Answer: Actually playing the specific horns is the ONLY way to be sure. Saxophones, like people, have individual personalities!
There were changes in the Mk VI series, particularly the altos, during the production run. There are several different bows found on the altos, for example. The horns improved over time, and the later examples are MUCH more in tune. The "five digit myth" is just that, a myth.
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Question: My wife and I are planning a trip to New Orleans and would like to visit with you so that I can say that I've been to the Mecca of Saxophone and lived to tell the tell. What works better for you, weekend or weekday? We are looking at June 25-29. Please let me know so my wife can her vacation days off.
Thanks, Steve West
Answer: Sharon and I are ALWAYS pleased and honored to be able to meet our customers and fans. We see clients STRICTLY by prior appointment on weekdays only between 10AM and 3PM weekdays. Email me privately at saxgourmet@cox.net and we will set up a time for you.
Let us know if we can help you make your visit to New Orleans more fun. Don't forget to bring your mouthpieces!
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Question: Question: RICO reed: Vintage Rico Reeds B Flat Tenor Type V ~? What does that say about these reeds type V~?
I can get 16 for 21.85 from a fellow that bought out new old stock from music store. He checked to be sure none are cracked. your opinion. thank you. 10 RICO = 24.95 ($2.50 each) Most places so this would be a good price = $1.37 each,almost 50% off.
Answer: If they are older Ricos, ALL were "V" type, I have no idea why they used this arbitrary designation
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Question: Dear Steve, I was wondering in your opinion which alto would be better a 1956 Buffet Crampton Dynaction or an H. Couf Royalist any info would be appreciated i'm currently looking for a nice vintage alto that won't cost me an arm and a leg. Thanks Gage
Answer: No question about it: get the Buffet
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Question: Hi Steve,
I Love your site!!! I am a pro saxophonist from Pittsburgh. I recently came into possession of an old Conn Tenor someone was throwing away and wanted to know if you could help me with my research to identify it. First of all this horn sounds phenomenal, in fact it sounds better and is freer blowing than my Mark VI tenor. It is silver with brass coloring inside of the bell. The SN# is 89808 and has the marking Pat 1914 above the SN and a small letter T. On the bell it is nicely engraved and the lettering is C.G. Conn LTD Elkhart Ind. USA. My research points to this being a 1922 Conn New Wonder? Do you have any insights? Your opinions are most appreciated.
Thanks Steve!!
Answer: That's what it is.........those horns have a following because they sound great.......the ergonomics lead something to be desired and the intonation can be sketchy
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Question: Hello Steve.
I saw an old post in the SOTW forum, you manufactured a "tone booster" that
fits in the mouthpiece (in the mouthpiece, not in the neck).
I think that its name was "Mach 6", right?
You still makes it?
Answer: See the neck and neck accessories section of this site
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Question: Steve, you were right on the money in recommending the Blues Blaster .105 for my new Buffet Series 400 tenor. I've had it about a year now, and it is still astounding. However, now I need a recommendation for a jazz mpc for my alto,.. also a Buffet, but a more vintage Super Dynaction from 1973. Do you make one, or know of a mpc, where the math is as perfect a match as the Blues Blaster is with my tenor? I'm having to start from scratch with my alto, as I have played only classical on the alto. My current alto mpc is a hard rubber Selmer C*, which does OK for jazz, but not ideal,... seems to lack flexibility. Thanks in advance for your help and advice. HPR
Answer: If you like the Blues Blaster sound, get the Saxgourmet Hard Rubber. If you want even brighter, get a Voodoo Child
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Question: dear Steve, what is your opinion on the H. Couf superba 1 alto sax. is it a good horn or not worth buying
Answer: The Superba I is one of my all time favorite horns! I love them!
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Question: Hey Steve,
Attended the Wilmington NC regional and met you there. Very interesting!. I have a Martin tenor Imperial missing it's neck......serial#314672. Any ideas?
Jon,
Thanks!
Answer: Yes, we have a neck that can be adapted. Email me a daytime phone number to saxgourmet@cox.net and I will call you so we can discuss this
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Question: I have 2 alto's a L.A.Sax and Conn, I bought an enhancer and I love it. I want to get one of your alto necks and I want to know If It will fix my horns? I really like the look of the silver plated neck but the copper one you were playing sounds great. What would you recommend
Thanks,
Gene
Answer: The copper neck with nodal weights will fit your horns, and will give far and away the richest, most complex tone.
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Question: Greetings. I own a late Super20 Silversonic [1975] it has a silver-plated brass SML style neck-pipe. Is there a sterling pipe that can replace it. Cheers, Derek.
Answer: At present we do not manufacture such a neck, although we DO currently have one under development. I will keep you posted.
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Question: Greetings again Steve! I have a Selmer Mark VI Tenor Saxophone serial number 111xxx. It is a relacquer. I was wondering what quirks your Saxgourmet neck corrects on vintage Mark VI's. Thanks, Drew
Answer: It will decrease blowing resistance, greatly improve intonation, increase the dynamic range, make the altissimo easier, and even out the timbre difference between octaves. See the videos we put up for demonstrations.
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Question: Hi Steve,
I've recently decided to move on from my Selmer Series III Soprano so I'm hunting for its replacement while I have it for sale. I always felt like it was a lemon and very thin sounding so I had the body stripped and brushed finish and it freed up a lot of resonance but the low end response is still crappy even with everything in regulation. Anyhow, I'm kind of a hardware junky and the sound of the saxellos are pretty intoxicating and lots of wow factor visually. I'm debating about going with a vintage King Saxello or some of the modern ones (your design being the primary contender next to R&C). My other considerations would be a vintage curved Conn or Martin (gotta have high F)... I noticed you had that New Wonder on your list. Any input you could provide I appreciate! Thanks!
Answer: We got out of the vintage horn business eight years ago, and have NO vintage horns listed for sale anywhere..all the horns we have for sale are on this site..........vintage horns, PARTICULARLY sopranos, just lack the ergonomics and intonation necessary for good performance. They were good in their day, but technology has moved on.....
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Question: Hi Steve! I am interested in getting a Yamaha 62 tenor. I am wondering what is your overview of a 1st generation model 62 and the new Yamaha 62 mark II. Differences? Improvements? Thanks, Drew.
Answer: I think the only differences are the neck and the springs. I'll stand for correction if I am wrong. Why not a Super 400? It's a MUCH better horn.
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Question: Dear Mr. Goodson,
You are my saxophone hero! I very much enjoy your websites and the videos you post. Thank you so much! I have been a clarinet player since I was a young man, and have played in college and amateur orchestras, and community groups... And countless "solo" performances in whichever room I could practice in! I've always LOVED jazz and the saxophone! After so many years of desire, and to the discontent of orchestra conductors and friends (I can't figure out why!) I began playing sax on my own... And I LOVE this instrument! Perhaps I was just plucked into some kind of harsh environment for saxophone love to grow...
I am very accomplished musically on clarinet... But I seem to get "snubbed" by sax players because I do not own a Mark VI... (How I would love to try one of those!) I really would like to purchase one of your Saxgourmet altos and tenors in the future! I do however have a Beuscher true-tone alto and Martin Handcraft alto that I came by second-hand, and they sound great to me, especially the Martin. It seems nice and rich to me. Do you have any advice for those horns as far as necks, and / or mouthpieces go? What kind of horn might you recommend for me as I continue to play and progress?
Thank you for your time!
Answer: First, thank you so much for your kind remarks! If you want to add cut and projection to those somewhat dark sounding horns, get a Voodoo Child mouthpiece. If you want sweetness, get the hard rubber. Both of those horns have pretty good necks. The solid copper with nodal weights would improve the Buescher.
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Question: Steve:
Is it possible to get some of your mouthpieces and necks circulating in a "pass around" so more of us could try them and review them?
Charles Maske, Chicagoland
Answer: I think there are plenty of reviews posted on our forum, just have a look.
I have no objections to a pass around if you guys want to do that. Go right ahead.
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Question: Hi Steve, I recently found a east star tenor saxophone. i have never heard of this brand and was wondering if you knew anything about it. the guy who is selling it said that east star was originally in china and moved to france and germany, he says this particular sax was made between the transition from china to france. so the metal is from china but was assembled in france. and it has a smooth black finish as well, but ive heard that this is sometimes used to cover up bad metal. if you could help me in any way it would be greatly appreciated.
Answer: I have never heard of that brand, and the story makes no sense whatsoever.
I never heard of a finish being used to cover up "bad metal".........this makes no sense
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Question: Hi Steve.I am hoping to repad a Cousenon 1928 Soprano. It is in silver plate, I think it would look great with White pads and silver reso's Which keys would I fit the reso.s to. John
Answer: You should install resonators of the maximum size anywhere they will clear the tone holes. Most of the time, this will be on pads larger than 18mm in diameter. Remember, bigger is better!
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Question: dear Steve, do you take trade ins. if i traded my two altos' would it be able to take down the price at all or would it be better just to sell them to buy a super 400
Answer: Unfortunately, trade ins are not an option, as we are no longer in the used horn business
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Question: Steve I have a C.G Conn 30m conquerer that my grandfather gave me and I was wondering what it was worth. It is in excellent shape and I also Have the original cases with it.
Answer: I would say that a PERFECT one (and I mean PERFECT, needing nothing whatsoever) is at least a $4000 horn. Condition is everything! Deduct the full retail price of anything and everything needed to bring your horn to perfection.
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Question: Hello Steve,
I have been looking for a Baritone Saxophone for some time now, and no matter where I go it always seems to lead me back to the nation of music site. I was looking at the Steve Goodson models for sometime, but was waiting for some money to come in. Then when I came back to nationofmusic.com there was only the Saxgourmet gold Baritone Saxophone. There is nothing wrong with this saxophone in my opinion, but I need something that'll stand out a little bit more in a Jazz Band, maybe in silver? Thanks again for taking some time out of your busy schedule to read this.
Sincerely,
Chandler
Answer: I'm sorry, but we do not offer the Saxgourmet bari in silver. It's a MUCH better horn than the discontinued Steve Goodson Model (none of those have been manufactured since early 2007), and you could always have it silver plated if you wish.
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Question: I need a neck for a Conn (mexiconn)Bari. How much it will cost? Do you think you can deliver it to Miami?Thanks
Answer: I've got THREE Conn 12M baritones in storage right now with no necks. None are available. You will have to get a neck custom made, which will be VERY expensive.
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Question: dear Steve, do you consider Selmer Paris a good saxophone brand, and do you think the super action 80 is a good sax
Answer: I played Selmers for many years. They build good horns.
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Question: Hey Steve.. Our school owns a Jupiter Bari sax with the low A key... Im a freshman and i am looking for something new.. I am thinking about buying one of Ur model saxophones but i am concerned about the price.. I like how it sounds like one horn through all octaves. I also need it to play in concert band and jazz band. Will it work.. thanks for taking your time to help us sax players in search for the perfect saxophone
Answer: We just posted a couple of new videos on the bari listing....check them out and I think your questions will be answered.........
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Question: Steve, I play bari in a horn rock band, needless to say it's loud and I have to cut three trumpets along with drums, bass and guitar; with that said, I'm looking for a bari mouthpiece that's directional as well as big (I currently honk on a Runyon and it's loud but I'm looking for something that can focus the sound in more of a directional way, if that makes any sense?). Does the Low Rider Baritone Mouthpiece you play have these attributes? I appreciate your thoughts. Thanks Joe.
Answer: I'm a bari player by profession, as you may know, and I feel your pain....I played a Runyon Quantum for years, and it just wasn't enough to compete with Marshall stacks and Stratocasters and not sound thin when pushed.....that's how our Low Rider came to be....I know you will like it. It combines a high cliff baffle with a big chamber, and focuses very well.
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Question: I see today you lowered the price of the copper alto neck to 150. WOW. I have the lacqured one on the way due to budget contraints. You strongly rec. the copper one. Can I pay the difference and send this one back for the copper?
Question: Main horn is a M6 alto 1962. I played it with a G1 neck and it was brighter and more centered. Maybe skewed intonation a little. But I liked it. Someone sent me here. What do you reccomend for a neck replacement for the 6. I play in a swing "big band" and double on clarinet. Secondly I have a nickel sx90r and would like to give it as much soul as the M6 has. Thanks for your advice. Ben
Answer: Get our solid copper neck with nodal weights for the VI, and the silver plated neck with nodal weights for your Keilwerth. You will be simply amazed at the difference!
Answer: the Copper neck was on sale through May 1, and has now returned to its regular price.
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Question: Dear Steve, I'm a freshman in highschool and I am wondering if you know of any good schools for saxophone technicians,any information would be greatly appreciated
Answer: There are several. A directory is avaialable at www.napbirt.org, the repair organization.
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Question: Steve, I am getting back into playing a tenor, after having been away from it (Conn) for 40 years (Rock 'n roll). Just bought an almost new Keilwerth ST90, with standard mouthpiece. Am interested in a metal mouthpiece. There are more details available to me than there were in 1969. Regarding the tip opening on your Fat Boy (and others) of .90, .105, & .120; is the .90 the easiest of the 3 to play, and still maintain good quality sound? Also, I'm attempting to get my old band back together. Thanks for your help!! Bill
Answer: The smaller .090 tip opening will be easier to control, and is what I would suggest as you get your chops back together.
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Question: I have a Dolnet Bel Air alto sax, SN #41569, that my parents bought me circa 1950. I've been playing it ever since and love the way it plays and I'm wondering how much it's worth?
Answer: Not too much. Condition is everything when it comes to used horn prices, and Dolnet's have not shown themselves to have much demand.
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Question: Hi Steve,
Do you make a tenor saxophone mouthpiece that will approximate the tone of Michael Brecker? I think my tone is not focused/bright enough. I tried the Guardala model that Brecker endorsed but I did not like the tone it produced and it was also hard to control.
Answer: I think the Super Duck will get you pretty close. As you know, Michael was a friend and client of mine for many years, and I am a huge fan of his playing. He was also a real gentleman!
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Question: Steve you recommended the copper neck for my 1962 M6 alto. With budget considerations, how well would the laquered neck work? It sells for 125 instead of 350.
Answer: The copper neck will give you a much more complex tone with a considerably broader spectrum of overtones. BTW, the sale on the lacquer neck ends May first!
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Question: Dear Steve, I wanted to know how much a Jupiter JAS-767 would sell for. I'm currently trying to sell one of my altos to buy a voodoo rex,any help would be much appreciated
Answer: It's very difficult to say without seeing the horn, of course. The market for used student horns is erratic, because there are so many for sale. Prices are all over the place.
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Question: Dear Steve, what would be the best mouthpiece size for the fat boy alto mouthpiece if i currently play a selmer s80 c*,any info would be much appreciated
Answer: get a .070
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Question: Steve
Since you don't sell your horns through dealers it is difficult for most of us to try them out. Would you consider a "pass around" so different people could try them out and post reviews?
John
Answer: I wish I could, but I can't. We're selling our horns at just about the full extent of our production capacity, and I really can't afford to tie up the inventory.
If you want to try out horns, it's a great excuse to visit us in New Orleans.
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Question: Steve,I have a 1966 refurbished Bushcher 400 that play well except for the low notes from c on down.Would your mouthpiece help me to hit these bottom notes or do you think it could be the horn? I like a size 2 reed. Is that to light? Your thoughts.....Thanks..
Answer: assuming the horn has no leaks, try our Blues Blaster. It works GREAT on Bueschers!
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Question: Hi Steve, i recently inherited a C.G.Conn-ltd 10M serial number 291328. Its in very good condition. I personally do not know anything about saxophones, so what do i have here?
Answer: Potentially a VERY nice and valuable horn.....condition is everything, of course......those are among my very favorite vintage tenors
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Question: Hi Steve, i recently inherited a C.G.Conn-ltd 10M serial number 291328. Its in very good condition. I personally do not know anything about saxophones, so what do i have here?
Answer: Maybe a very nice horn, those are among my favorites. Of course, condition is everything when determining value. You will find lots of information at www.saxgourmet.com
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Question: Looking for when a C.G. Conn. Ltd. "Naked Lady" Barisax serial #873839 was made and value of there of.
Answer: See www.saxgourmet.com for serial number lists and a value guide. BE SURE TO READ THE PREFACE TO THE VALUE GUIDE FIRST!
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Question: Steve, What do you think of the Conn 6 m naked lady horn series 298xxxx think its around 1923 or so
Thanks
Answer: They're OK if you buy them cheap and in excellent condition. The ergonomics are not too good, but they have a nice sound. There are PLENTY of them available, so only buy a nice original finish example and don't over pay!
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Question: Main horn is a M6 alto 1962. I played it with a G1 neck and it was brighter and more centered. Maybe skewed intonation a little. But I liked it. Someone sent me here. What do you reccomend for a neck replacement for the 6. I play in a swing "big band" and double on clarinet.
Secondly I have a nickel sx90r and would like to give it as much soul as the M6 has. Thanks for your advice.
Ben
Answer: Get our solid copper neck with nodal weights for the VI, and the silver plated neck with nodal weights for your Keilwerth. You will be simply amazed at the difference!
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Question: Steve my dad played the sax before he passed away,I have a 1913 or 1914 C G Conn alto sax,Just wondering if these are of any value,Thanks John
Answer: generally, no......possibly, yes. Please send clear detailed pictures to me privately.
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Question: Steve:
Can you explain in 25 words or less (just kidding!) the difference that metal makes in necks? What is the advantage or difference in copper vs. silver vs. rose brass vs. gold brass?
Carl Mc
Answer: 25 words or less I can't do....BUT, here's a quick overview of a very complicated topic:
Copper necks tend to be darker and have more low overtones, giving a very rich and complex tone.
Rose brass necks tend to be a little brighter than copper, but give the same results to a lesser degree
Silver necks are brighter and are very responsive. They speak quickly, and although they tend to be brighter in sound, they don't sound thin. They have a complicated sound which can't be duplicated by any other material.
Gold brass (or regular brass) necks are what is used on the vast majority of saxophones. It is the same material used on most saxophone bodies.
You can mix and match the neck and body materials (a copper neck on a brass horn body, for example) and tailor your sound to your liking.
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Question: Dear Mr Goodson:
I play a Keilwerth ST model Bari,and I own a Berg Larsen Duckbill 105/2 sms facing Bari Mouthpiece and was wondering how your .105 compares to mine. I'm pretty pleased with the Berg, but am on my way to a boxful of mouthpieces.(I already have a Berg 100/0 that is so disappointing on the low end, TOO MUCH BAFFLE!)So here goes:
How does the chamber compare to the Berg I have? Is the facing most similar to an "M" facing or and "SMS"? Also, how would the Brass vs Stainless steel construction weigh in? Seems weird that I have a stainless mpc on a brass horn. I know that Berg is now casting Bronze mouthpiecs as well as steel and ebonite, but have yet to see one avail a a decent price.
So, my newly found Bari Guru. that's a lot of questions, but when you have a few I would be interested in reading your response.
Thanks,
Cole in MO
Answer: Our chamber is bigger, our facing curve is longer (even longer than the M), both of which will help the low end. I don't have a Berg like yours here to weigh, so I can't compare the two. I played Bergs on my bari (and I'm a bari player by profession) for many years. You will find our mouthpiece to be a great improvement.
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Question: Steve
If I wanted to order a Blues Blaster in a tip opening of .130 would this be possible? TIA!
Answer: Anything is possible.....custom facings are available. The rate for this type work is $100 per hour, as long as it takes (usually a couple of hours), plus the purchase price of the mouthpiece. We do a couple of these a month.
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Question: dear steve , would your hr mouthpiece be good for classical music
Answer: very much so........it has a low baffle and a big chamber
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Question: Dear Steve , i have a 1969 Martin Yanagisawa as880 and wanted to know if it was a fairly good horn
Answer: Those are pretty good horns, nothing fancy, but solid players.
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Question: dear steve, i have problems with the altissimo notes and was wondering if the problem is me or the horn
Answer: Nobody said altissimo was easy....I can't tell if there is a problem with the horn unless I see it and play it. That's not the sort of diagnosis you can do long distance!
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Question: dear steve, i have a 1923 York and Sons silver plated C melody and was wondering if it's a good sax any info would be greatly appreciated
Answer: One of the worst horns ever made.........they make excellent lamps
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Question: Steve,
Just to confirm it, is it the same for the LA Sax Series 1 and 209 model? That is, you are not associated with them. I just wanted to eliminate them from consideration.
thanks
Answer: The ONLY models I had anything to do with are the 650/750/850 series. The alto and tenor versions all have speaker keys on the upper stack and they all have a high G key. These horns were all built by Foo Pin, who did a great job on them. There was a one time only run of LA-USA horns which were built by Tenon (my favorite Asian factory) which are basically the same and very nice players. I don't think there were more than 150 of those made. The 209 was before my time, and I seem to recall those were built by Charlie Tai. Far from my favorites. I don't remember the linage of the Series I and Series II horns, I'll have to check my files. I recall that they were made in China (the rest of the horns were all Taiwanese) by Dyong. I remember them being pretty good players, but didn't keep one for myself so I must not have been too impressed at the time. Dyong was the first mainland Chinese factory I had dealings with that I thought did a pretty good job. They built the first run of Steve Goodson Model altos and tenors, but not subsequent runs. I moved production over to Tenon, who are great builders and understand the importance of staying on schedule! The horns (Dyong vs. Tenon) are virtually identical (it was my design) although the later models had a few minor tweaks. The keywork looks the same, but the parts are not interchangeable due to different rod sizes and revised tone hole placement. You learn as you go along. The Tenon made horns can be easily identified by the upper stack clothing guard. I've got examples from both makers in my stash of horns, and the Tenon ones play a bit better.
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Question: Steve:
I have a friend who owns a Unison Steve Goodson Model tenor. What are the main differences between his horn and the horns you make now?
Carl Mc.
Answer: Carl:
Nice to hear from you! It's been a while!
I'd like to think that I've learned something in the over ten years it has been since the days of the Unison Steve Goodson Model. In their day, they were state of the art. We would have sold a lot more of them had the distributor not been a total idiot!
There are many significant differences, really too many to enumerate here. I've learned a lot about the sound of different metals, about how to improve necks, and some of the dark secrets of bore design.
The Unison company is still very much in business and is still owned by my good friend Mr. Lai. I am in regular contact with him, and they still build EXCELLENT saxophones!
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Question: I am thinking about buying the bari you sell the saxgourmet . How does it compare to the selmer super action two, yang.... and the yamaha thank you
Answer: The intonation and response are much better; it has many features (LH low A, F# helper, kagaroo leather pads etc.) that all other baris lack. It is fully engraved. The case is far superior. Did I mention that it is less expensive?
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Question: I can't decide which tenor mouthpiece would work best for me even after watching the videos. Could you send me three to try so I can make up my mind? I promise to buy one and send the other two back.
Answer: Give me DAYTIME phone number and I'll call you and answer your questions. We don't send out product "on trial" or "on approval".
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Question: When will the Voodoo Rex tenor and bari be ready? I start college in the fall and need to upgrade my equipment.
Jeff
Answer: I am expecting the pre-production Voodoo Rex tenor next week. If it is as it should be, we'll have 50 of them in the early summer.
The bari is still in the design phase. I am cooperating with my good friend Rheuben Allen on the design.
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Question: Steve:
Is the Super 400 tenor available in any finish other than copper? Can I order one without the high G and high F# key? Could I add the altissimo key from the ?Category Five? Thanks in advance for your repy!
Carl McMain
Answer: Carl,
You can get it in copper or copper, whichever you prefer. We don't offer the option of deleting or adding keywork. We are very happy with the design as it is, and don't want any horns floating around that are not to my original design specifications. Sorry!
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Question: Dear steve:I have been playing alto sax 3 years, yamaha 23 and looking to up grade but its confusing,I really like the yamaha whats the best sax you think i need I really like boney james steve cole sound.lately I have been looking at older yamaha 62s 23xx-88xx model.I play jazz,contemp christian.please help !!!thanks saxman64..
Answer: Take a look at our Voodoo Rex. There are lots of videos on this site.
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Question: I am going to buy a new Tenor sax and I am down a Yamaha 62ii or a Custom 82Z (which is the tone I want). How does the 62ii tone compare to the 82Z. I can buy a 62ii for 1990.00 and a 82Z for 2780.00. Is the Tone worth the difference in cost??
Answer: They are very different horns. The 62 is brighter sounding. Why aren't you considering a Super 400? It's a far better horn with MANY more features.
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Question: Hai steve when can we expect the nec enhancer for soprano, i hope in 2010
Answer: You guys always want more! We just (this week) introduced the bari neck enhancer, and yes we are working on a soprano version to complete the family. The soprano has some problems in that there are many different chamber sizes used on soprano saxes, and we're trying to find a size that works for most of them. It's not as easy as you think!
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Question: Steve,
Is the LA Sax Big Lip one of your models? I'd like a good instrument but I'd like to keep a purchase under $1K. A friend of mine who has played sax since the 1930s tells me LA Sax is the best value for the money because of manufacturing techniques from a lot of really good brands has been incorporated in the LA Sax.
Answer: no, absolutely not!!!!!!!!! I was responsible for the 650/750/850 series.....these are easily identified because they have high G keys and a speaker key on the upper stack
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Question: Hi Steve
I am looking for info on a selmer 'sterling' alto.
I can't seem to find any information on them anywhere. I am told it's from around the mid 1970's.
Any idea where I might find a value for such a sax??
Cheers
Edd
Answer: Those are very rare, with almost no reported sales to establish a realistic value. I would say that a PERFECT example is a $7000 horn. Deduct the full retail cost of any needed repairs to make it PERFECT to establish a value. Those horns, few as they are, don't seem to have much of a following or much demand for them.
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Question: Dear Steve
I occasionally play Baritone Sax, have arthritis in my left pinky & many of the charts are written very low expecting great facility lowA to E.Has anyone looked at putting extra keys below the low c on the right hand side,(say C# or B or both) or on the right thumb (say B or Bb or A) ,a little like bass clarinet to facilitate fast passages.I know you have the left pinky A & another brand has a right thumb low A but thought that having options for the left pinky stack keys would be a good idea
Answer: We're actually working on that VERY problem! I don't think the solution is to add keys on the right side, but rather to use the right thumb. This type mechanism will most likely appear on the Voodoo Rex baritone, which is being co-designed by me and Rheuben Allen. We're building prototypes NOW! I'll keep you posted as we figure this out.
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Question: Hi Steve I have just purchased new one of your great Orpheo Black nickle alto saxaphones, it has the 2 necks but both are stamped No 1 as you know should be 1 & 2 one brass as the body and one rose brass for that darker sound. the dealer I purchased it from in plymouth did a promo night with Mr Nash and I purchased the only one he had, could there have been a mix up at your factory being two No 1 necks put into the case. how can I get a No 2 neck in exchance.
your Number one fan
Adrian Harvey
Answer: I have no explanation, since I wasn't there.........the Orpheo designed by Steve Goodson horns have not been manufactured since 2007. I could get you a neck on a special order basis. The actual manufacturer of the horns was Orpheus Music, so any warranty or exchange issues must go to them. My company manufactures ONLY the Saxgourmet series. We do not stock parts for or honor warranty for horns manufactured by others. That being said, I will be happy to help you, as I am in regular contact with the builder of that series.
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Question: Hi Steve...it's me again. I just ordered your sopranino mouthpiece but I'm not sure about whether it is available in different facings. If so, I would like the closest thing to the gold one (see email photo) that I got for 50 bucks on Ebay. How could I resist? It turned out to be well worth the money because it gives me another dimension in playing. My workhorse is a Selmer (Super Action I think)a 2-1/2 reed and Van Doren ligature and for soft stuff I like that Super Session. But the China Gold gives me a sense of power, not unlike what I think you were referring to in your video. What do you think?
Answer: Done..........I know the people well who made the mouthpiece you are talking about. It's a good product.
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Question: Hey Steve, I have a Tenor Selmer Mark 6, serial number 217667. It is in mint condition. I bought it brand new in 73' when I was playing in the band. I played the alto but for some reason I bought both saxes at the same time.
I have played the tenor only about 20 or 30 times in all that time. When I say mint, I mean mint. I really like the alto much better, that is why I rarely play the tenor. What would you say the sax is worth? I am thinking about selling it.
thanks for your help,
Steve
Answer: I would think a perfect one would bring $10,000+ to the right buyer
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Question: The .075 is about what opening in number?
Answer: 75/1000th of an inch between the tip rail and reed
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Question: Thanks for the answer about JF10-Mid-Monday (April 26th). So, can I make an appointment? How about 1:30pm? Bring you lunch from the Quarter? Big Favor...I know you guys are in the weeds during JF but can I bring my Keilwerth Soprano along? All it needs is a little screw that sticks out to play from low to lower? My plan would be to buy at least one sopranino sax mouthpiece (byo reedss) and maybe a Soprano mouthpiece, although I have three that I love. Okay?
Answer: Rob:
The ONLY slot I have left on the Monday after the first weekend of the fest is between 4:30 and 5:30....I'm booked solid all the other times, including well into the evening.....appointments go on a first come/first served basis, so if you want this time, let me know via email to saxgourmet@cox.net ASAP before somebody else grabs tbat slot.....thanks for the offer to bring me lunch! Look forward to seeing you. Remember, let me know ASAP.....
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Question: What is the best year for the Conn 10m The naked lady? I'm love tyhe sound of the old conn's and I'm looking for one. I was wonbdering what are the years to avoid? Tenor of course
Answer: Anything after 1947 and before 1954....they changed the tooling at those years
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Question: Steve -- I'm coming to JF10 for (about) my 11th or 12th JazzFest. It will be on a long layover from Las Vegas, for one only day, the 25th. Monday, the 26th I will be scroungng around NOLA proper for stuff and I want to visit your shop with my Venta Sopranino to get another mouthpiece and maybe some reeds. I would like to try the different ones you have. Sound good? You'll be open and you have a variety, right? tks, rob kunkel
Answer: Yes, we make sopranino mouthpieces. No, we don't sell sopranino reeds. We do see clients STRICTLY by prior appointment ONLY. Jazz Fest is far and away our busiest time of the year, so book your appointent early. We typically do 30% of our annual business during Jazz Fest, so we are incredibly busy!
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Question: What are your terms of sale(e.g. warranty information and so forth)for your Saxgourmet Super 400 alto saxophones?
Do you have discount pricing for sales of multiple saxophones purchases (for example 5 or 10 Super 400 altos or tenors).
Thanks
Answer: We do not ordinarily sell to dealers OTHER than our show demo horns (there's one on Saxquest right now that we used at NAMM and several other shows), and these are sold one at a time.
All our horns, except the Category Five, have a one year parts and labor warranty to the original purchaser against defects in workmanship and material. The Category Five has a 25 year warranty.
Terms of sale are cash via bank wire with order.
If you are serious about buying in large quantity at one time, call me. You have the number.
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Question: I have a 1969 Martin Yanigasawa as880 would the solid copper alto neck fit my saxophone
Answer: yes
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Question: Hello Steve, I have been studying your different tenor mpcs. I was not able to see a video of the Super duckbill or the handmade yet. I am looking for a mpc that will be the easiest for the altissimo notes and easy to control. I am a big fan of Gato Barbieri's sound. Which one of your pieces do you suggest ? Thanks.
EricM
Answer: If you are a Gato fan (so am I), get the Fat Boy
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Question: good evening mr steve iam not rude like othersthat call you steve please i need an alto saxophone to play well like you thank you
Answer: Get a Voodoo Rex........that's what I am currently playing while I wait for my Category Five alto
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Question: Will your case for a tenor sax fit my 1946 " The Martin " tenor. I have heard since the bell keys are on the opposite side from newer horns most cases won't fit.
Answer: yes
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Question: Dear Mr. Goodson:
I'm an spanish saxplayer and a sincere admirer of Tom Scott. His solo on "Horse to the Water", from the Concert for George (2002), changed my sound conception. I think he was using your Saxgourmet model 6 during this concert, but do you know which mouthpiece was he using this time? It wasn't his current JodyJazz DV yet. Thank you very much, kind regards,
Answer: He was using a Guardala, but I am not sure of the model
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Question: Hi Steve,
I have recently aquired an Armstrong Tenor Sax with serial N170212. It bears no external marking except for "Armstrong, Elkhart - IND, USA" and the serial. Are you able to identify what model it is, and when it was made?
Thanks
Answer: not from just the serial number. Send some clear detaiied pictures and I'll have a look and see what I can tell you.
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Question: Steve, I am currently playing on a YAS 62, and love it. I am sing the standard g1 neck. I have a Rousseau nc5, with a robber dark, and blue box 2.5 reeds for traditional playing. Do you have any suggestions to alter this setup? Also, what setup would you use for jazz playing with this horn? Thanks!
Answer: Get our solid copper neck with nodal weights and a Saxgourmet Hard Rubber mouthpiece .080. Switch to V-16 reeds if you like Vandoren
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Question: My son has asked for a jazz mouth piece and I am wondering how do you determine the size to use. I found on your site that they come in three sizes. I would like to get him one for his birthday and need some help please.
Answer: It's really a matter of personal preference. If he is used to a somewhat closed (tenor) tip, order a .090, if he likes a more open tip, a .105, or a very open tip order a .120
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Question: my tech has a steve goodson orpheo tenor. black nickle with a high G. i'm thinking about buying it. what can you tell me about this horn?
Answer: Those were intermediate level horns made by Tenon Industrial in Viet Nam. They are really a great bargain for the money. They have many of the features of some of my other designs (double bell key arms, speaker key etc.) and two different necks. Production stopped in 2007. Watch out for rusting around the resonators, which proved to be a long term problem. They are QUITE different in bore, tone hole placement etc. from the Steve Goodson Model, which was manufactured at a different factory in a different country at the same time.
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Question: Do you make baritone necks? I notice on your website that you offer several different necks for altos and tenors but none for the bari. Whats up with that?
Answer: We've got a few prototypes, but here's the problem: there is a TREMENDOUS variation in baritones, primarily due to the different pigtail configurations used. It looks to us like the tooling costs for making the many different models which would be necessary cannot be justified by the potential sales.
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Question: Hi Steve - I have a Yamaha YTS-62 MK I. What is your opinion on the MK II G1 neck? Is it much of an improvement on the MK I neck?
Also, the sax was knocked over by some careless dork and the octave mechanism has dented the neck - in your opinion is this sort of dent repairable or should the neck be replaced?
Many thanks for your great service and very informative web site and videos. Paul
Answer: We make a neck that will play circles around the G1. Our neck has less resistance and a much more even timbre.
I haven't actually seen the dent in question, so it is difficult to speculate about repairs. Any dent removal tends to work harden the brass, so you can expect a loss of response to your neck.
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Question: Hey Steve, will that copper tenor neck w/o the nodules work on my late model Super 20 tenor(695###)? Mine has a Mark vi style octave mechanism on the neck. I'm worried if the neck mechanism would go down far enough to make contact with the bodies octave key mechanism in order to open the vent on the neck. I see that the black rubber extension on your neck pic would probably do the trick but I'm not sure. Thanks!
Answer: Yes, it will. The mechanism is brass. The black material you see is a silencing material OVER the brass!
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Question: Hello steve,
Thanks for your quick response.
I've been playing mostly on a rubber Link 7*on tenor, and with a Brillhart Ebolin 5 on alto or a NY Meyer Bross 8 on alto(althought I try different set ups from time to time). I recently switched to Wilkerson Ultimate traditional on alto with good results.
Do you think I should use large or small chambers with those Super 20 horns? Also is the tip opening affecting the pitch a lot?
Thanks for your advices
André
Answer: A larger chamber will allow you to take advantage of the Super 20's inherently rich sound.......the ti[p opening has almost nothing to do with pitch
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Question: Hi Steve,
I play sax for more than 40 years, and after playing on Buescher and Selmer instruments, I've switch to King Super 20's alto and tenor. I really love the tone and response of those horns, but after 2 years playing it, I'm sometime still strugelling with the pitch on certain notes (high C on tenor and medium G on alto are more "bendable"). Is it something that can be done to improve the eveness of the pitch?
Thanks
André
Answer: what type mouthpiece are you using?
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Question: hi,steve i want to know is cannonball, jupital & amati. make some good saxophones. jas.
Answer: The Jupiter XO series is pretty good. I am not a big fan of Amati, and am don't think much of Cannonball.
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Question: Hi Steve, I play a 1940 10M with one of your necks. Trying to decide between your Florida or Blues Blaster with 0.090 and fibracell. Whats your advice.
Answer: I think the Blues Blaster works best with a 10M
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Question: I just acquired a 1955 Buescher Aristocrat tenor sax. I've never played much tenor, but I've played bari for over 30 years. I play a Berg Larsen 100 over 0 hard rubber bari mpc. I've never owned a tenor mpc. Which tenor mpc. and tip opening would you recommend and which tip opening would you recommend for your Low Rider bari mpc. Any advice would be appreciated.
Thanks, Steve West
Answer: I like the Black Mambo .105 for Buescher tenors, and the .120 nLow Rider
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Question: Can I pre-order a baritone neck enhancer? When do you think they will be available?
Answer: We should have them around the first of April. I'll have them on the site as soon as we have the delivery date firmed up.
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Question: I would like to learn to repair saxophones. When are you classes?
Thanks
Answer: We give them as institutions book us. I am tryting to do less of this as it takes a tremendous amount of my time, which is in short supply these days. A good place to start is with our instructional DVD's, which are available on this site.
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Question: I finally bought a 1924 Conn Tenor. I would like to try your neck for Conn. What about price? any room in 400. James
Answer: The firm price is on the site.
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Question: Hi Steve,
i AM PLAYING A SERIES 111 TENOR.Can you fix me up a copper neck for it? Are all sales final?
Regards, Mikole Kaar
Answer: Yes, we have copper neck on sale for your horn, and yes, all neck sales are final.
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Question: I have a few old otto links and have played most vintage and new mouthpieces over the years - I play an ols tone master 6 on a 1916 silver conn U.S. navy tenor - I am playing the piece to death - I know the new links (super tone masters) are junk - but what about this new vintage series - for the money the design sound right - and experience with them
Answer: I've played a couple, and thought they were nothing special
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Question: Hi Steve
I wonder if you can identify a selmer Eflat alto I have.
ON the bell is stamped Henri Selmer..4 Place Dancourt Paris France..Selmer logo..modele 26 No 7476. there is no other embelishment on the bell.
Now as far as I can make out the key work is that of modele 28 ie...G# trill, an altissimo D# trill key...Eflat vent (an extra key on top of the low D key)..and a front altissmo F. I believe the 28 mod. didn't have a lyre holder, my sax does. The other major difference is my alto has a microtuner neck. I have not been able to identify any Selemer with the above key work/microtuner configuration. I can supply photo's if nec.
Many thanks
Bernie Walsh
Answer: That sounds like a most unusual horn. Please send clear, detailed pictures of all the features to saxgurmet@cox.net so I can help you
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Question: Hello,
Does your yamaha tenor neck come in a silver color, as id like to try it and read some good things, however my YTS-62II is silver so id like a match if possible
Answer: We've got 'em.....we are running very low on silver plated ones, so I took them off the site so we didn't oversell.
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Question: I have a Blessing tenor (made in Taiwan)
It may be a freak, but it is a great horn. I would like to upgrade the neck, but it has really strange dimensions, not like Selmer or Yamaha or ?. It seems longer,etc. Do you have any necks for this horn or any suggestions? Thank you
Answer: Since you brought it up, what are the "strange" dimensions?
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Question: i have a Mirage Alto sax and i only paid 100 bucks for it but it has a bent neck my question is how much will it cost for a new neck and where can i get one? thanks
brittany
Answer: I am not familiar with that brand. In all proabability, our alto necks will work. You can order right off this site.
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Question: im new to the sax world. I have been whanting to play for years.I dont whant to start on a sax you'll find in most high schools... I would like a sax just a bit better thin that but nothing major and I seen this one and was whanting to know your thoughts on it? And what shud I get for a mouthpiece im a swing dancer and would like to sound good with that hoppen music http://www.wwbw.com/Barrington-Model-301-Student-Alto-Saxophone-463758-i1413080.wwbw
Answer: The Barrington horns are very cheaply made and not durable in my experience, a very poor choice
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Question: I have an old selmer bari #17352 and I think the neck has been shortened. How can I tell if it has been...i don't know how long it should be, and why do people shorten necks in the first place.
Answer: They shorten necks in an effort to improve intonation. This is a fool's game! It almost never works!
I have no idea what the original specification for your neck should be. Those old Selmer baris have questionable intonation at best.
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Question: Which of your neck and/or accessories will be the best for this YAS 61 I just picked up?
Steve
Answer: You'll get the best results with the solid copper neck with nodal weights
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Question: I have an opportunity to buy locally a Rampone baritone saxophone in reasonable playing condition. It looks to be around the age or perhaps even older than my 1948 Conn 10M Baritone which I foolishly sold back in the 1980s.
My question is, of course, what is such a saxophone worth? and how good were Ramponies before Cazanne came into the picture?
Having the right price gives honest people an opportunity to really give a fair deal both ways.
I appreciate your help on the question of YTS-61s, and I was able to get hold of one in London, and gave me a chance to really appreciate how good my decision was to put it aside to give my brand new King Super 20 Silversonic (serial number 719736)a fair chance, which I ordered in mid to late 1978, with the body and bow bright silver plated to match the solid sterling silver neck and bell, and I had the wash of gold plating on th inside of the bell. I have twice had an opportunity to swap it for one of the best Selmer Paris MKVIs I have seen, but could not bring myself to, since although the MkVI was a very much less temperamental sax, it did not have the larger than life deep rich tone of my Silversonic, which still reigns supreme of all saxes that I have put it up against, in my taste that is.
What you could also tell me, is how would my sax measure up to a good SML Gold Medal or a good Conn 10M Naked Lady (Lady Face?)and which order would you put these three and how would that order be upset if we added a good Buescher Top Hat and Cane, all tenors of course. I ask because these are the saxes that interest me, when I have not the opportunity to play them in far off NZ?
Regards
John Bayne
johnbayne@ihug.co.nz
Answer: John:
I see almost no Rampone horns over here, certainly none of the vintage you describe. I really have no idea. I would suspect the market for one of those is very limited because the brand is uncommon. I will say that the new Rampone horns I have tried are of very good quality, but honestly have very little experience with them.
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Question: I have an old (late 60's) Selmer Bundy Alto Saxaphone serial # 008904 that I would like to get some idea of it's value. Played it form 1970 - 1974, and recently spent $200 replacing all cork & pads. Might you be able to help?
Answer: How much does it weigh? Figure the value of the brass, and that's a realistic answer.....there's no demand for those horns, as you can now buy a far superior new horn for less than $300 on eBay and elsewhere
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Question: Hi Steve,
bought your SG model- tenor, but the neck arrived without octave key. Can you supply me with this part? I would need the golden version.
tanks
L.
Answer: I don't have one, and don't stock parts for horns not sold by our comoany. Go bback to the original seller, Orpheus Music in San Antonio, Texas. If they can't help you, I'll be glad to see what I can do.
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Question: Hi Steve, can you help me to choose the tip opening of the Saxgourmet Blues Blaster Tenor Mouthpiece? Many thans. Best regards.
Nunzio
Answer: Well, it's hard to say what will work best for YOU, but the most popular opening has been .105........
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Question: This is a very good, informative site. I learn something new everytime I visit. And the Florida Tenor MPC I bought from you is OUTSTANDING. In one of your responses you compare the Jin Yin favorably to the LA Sax Big Bell series? I need a 'second' horn for when I'm on the road. How would you rate Jin Yin versus CE Winds?
Answer: I've never played a CE Winds (or don't recall doing so) so I can't offer an opinion. I will tell you that all the Jinyin horns I have played (many of them) are all of good quality and played great.
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Question: As the reed closes onto the mouthpiece a sound wave is created?
This wave then travels into the neck where it plows into the pip and distorts?
How far does the wave travel before it recovers from the pip smash?
As this wave makes the turn in the neck, does it again deform due to the distance difference between the turn inside and outside turn radious?
How much distortion happens when the sound wave runs by each tone hole?
If the material composition and Characteristics influence the sound, is it because of the intrument itself vibrating in a frequency to be heard or does each type of construction material manipulate the sound wave differently?
Answer: Please post your questions on my saxophone acoustics group on Yahoo groups...they require a lengthy explanation which is beyond the scope of this column.
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Question: Dear Steve, I own an older tenor #7 Steve Goodson metal mouthpiece and it's great. I recently purchased a used Saxgourmet #90 Florida tenor mouthpiece and it is thin sounding and very difficult to play in the low registers. Please advise if you could rework it or exchange it and what would be the cost. Thank you David
Answer: Send it to me and let me have a look....it's impossible to say without seeing it
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Question: Forgot to mention that I was looking at Saxgourmet mouthpieces and what you would recommend and the facing as well!
Thanks
Answer: If you like the Otto Link sound, get the Blues Blaster.....try a .105
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Question: I have 1917 Conn New Wonder Alto Sax with original mouthpiece that is very restrictive. I have a tried a new generation Otto Link Tone Master with an 8 facing. The sound is good with the link but I am a casual player and find it difficult to get the lower notes without having to belt them out. I am looking for a recommendation for a mouthpiece and facing that will work well for this sax. I have no preference for metal or rubber, just looking for a recommendation that you think will play well for me.
Answer: Get our Saxgourmet hard rubber alto mouthpiece......it comes in .070, .080, and .090 tip openings
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Question: I wish I'd have known who you are a long time a go because I could have saved me a lot of money. I'm playing a Yani straight soprano and I wanted to know if you make any hard rubber mouthpieces for soprano.
Answer: At this time, all the soprano mouthpieces are made from brass
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Question: hi steve
i am looking to buy a new mouthpiece
and i would like to know if the new super duck is available for tenor.
please let me know
thanks
Ron
Answer: They shipped yesterday.....we should have them late next week
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Question: Hello again. Do you ship in the states only? While i was filling the adress information. There was no option to other countries. Also, for products for sax mutes and reeds, mpcs, how do we choose the reed strenght, tip opening and ect.? Thanks
Answer: click on international
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Question: i have a selmar mark iv saxphone can you tell me what year it is ser. no.315810 pat. 271558 pat. 28461917 it also has brevsgdg 920653 thank you gene
Answer: there is a serial number chart located at www.saxgourmet.com
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Question: I need a neck for an old (The Martin) Bari Sax that I'm Restoring. It would have the Octave on the Neck Itself. The Bari's Serial # is 212968 I can be reached by phone at (509) 444-4140 any day except Wed. or Sun. Do you have any or any Ideas as to How to Proceed.
Thanx Patrick French
Answer: I am not aware of anyone who has Martin bari necks available. They are very long, and I am not aware of any substitutes. You will have to get one custom made, which will be VERY expensive.
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Question: oops, sorry. i forgot to ask this. The blue blasters mpc you have on sale is bar brass. Wouldn't these tarnish very quickly? my teacher told me brass finished mpcs tastes and smells disgusting when it gets old. thanks
Answer: They don't tarnish quickly and are very, very easily cleaned........your teacher is incorrect
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Question: hello. i am have innotation issues with my buescher tt. i was wondering if your saxgourmet alto neck with nodal weight would fit in. thanks
Answer: yes
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Question: Gday Steve, you mention on the "choosing a saxophone case" page that you're developing a heavy weight touring case, dude, thats what i gotta get so the good people of the roadcrew can smash my alto, tenor and bari into the back of a truck REALLY roughly. whats the good oil on these cases? otherwise, what else is out there? Thanks, AB
Answer: We suggest the Anvil brand........I decided not to enter that market
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Question: Hi Steve,
I just bought a Yamaha custom Z EX in black laquer. It comes with a G3 neck that i like better than the Ponzol neck, although I play a Ponzol neck on my Mark VI. I have been playing since age 14 and am now 58, but I just want to play better, you know. I am looking to sound better in the super register. I know you make necks that fit the horn but would you also recommend an enhancer or a pip? Are they the same thing? BTW, I own an old Selmer tenor that was made with a pip. I believe they called it a smoke stack. Thanks.
Answer: Try our Saxgourmet neck. We make one specifically for Yamaha, and the tenor version has a built in enhancer
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Question: Working for the Navy and living in Japan, I just bought a new Selmer Series III Soprano sax via eBay (what was I thinking)! I received the shipped horn in a damaged state, after not being able to play the new horn I had a technician's review of the problem at Ishimori Wind Instrument shop (Tokyo Japan.) http://www.ishimori-co.com/
I was told by the technician that the horn was "bent." After contact with the seller, he told me that it was possible to have bent the horn inserting the neck.
Long story short and my question..."is it really possible to bend a soprano so badly that the keys are touching, not closing and that the horn will leak?" By the way, I was very gentle in inserting the horn's neck, treating the instrument with kid gloves because it was supposedly brand new.
In advance, thanks for your time.
Ted V.
Answer: it is possible, yes
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Question: Hi Steve!
I have been looking at your mouthpieces and debating about which one I want to buy. I'm a saxophone music major at Dixie State College in St. George, Ut. I recently bought a new cannonball tenor sax and love the horn. But I'm still trying to develop my sound. I've played on a Lakey resin mouthpiece that is ok to me, but seems hard to control. Recently I acquired an Otto Link 5*. I just started using Alexander, superial DC reeds in a 3 1/2 strength. I see myself as a fairly aggressive player and am looking for a sound that is going to stand out. I'm debating between your Blues Blaster or the Fat Boy. What do you think?
Answer: Get a Fat Boy................it is ythe more aggressive of the two
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Question: we have a 1961 selmer sax. great condition, 95% laquar, needs one pad on the E. can u tell its value?
Answer: there is a value guide at www.saxgourmet.com be SURE to read the preface!
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Question: HELLO STEVE~
I want buy a neck for my conn 10m tenor sax, is made in 194X, S/N 301191. I want to know "SAXGOURMET CONN TENOR SAX NECK: SILVER PLATE " can with my saxopone?
Answer: That's the one you need
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Question: I have this saxaphone that looks to be sterling silver. It has a stamp on the front that says GG Gonn made in Elkhart, IND. What can you tell me about it? Thank You, Don
Answer: I am not aware that Conn made any solid silver horns. Your instrument is most likely silver PLATED.
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Question: I have a martin bari Troubadour approx. 1933. The high notes are great and the low notes speak well but the second stack notes with octive are terribly out of tune. The stacks are the same heights. I am using a selmer C* vintage mouthpiece with a vandoren 2 1/2 reed (blue box). Any hope of fixing the problem without a trip to the city for a repair tech to look at it? Thanks for your help.
Answer: I've got one of those horns in my collection, and love the quirky mechanism. Mine plays reasonably in tune (for a horn from that era). It's hard to diagnose this sort of problem without seeing and playing it. I'm sorry to tell you but you most likely need to take it to a professional technician who is familiar with vintage instruments. "Familiar with vintage instruments" is the improtant phrase here........a school band shop most likely does not have the expertise.
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Question: I want a new mouth piece for my 1950's Busher Bari. My 1950's GRETSCH MOUTH PIECE, no markins, about 170 opening, dose great for most gigs. Just finished a Christmas proghram at church, I plaid a Chello part on my Busher with the Gretsch, and some of the guys said, man you sound like a chello. When I play a Jazz gig those guy want me to play lowder, 5-4-4-4.
Here is the problem, the new mouth pieces I try want tune all tune too sharp.
Here is the question what mouth piece will tune on my horn.
Answer: Our Low Rider will do a great job for you. We've sold lots of them and everyone has been delighted with the intonation, with no reported problems
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Question: Dear Steve.:
I have looked over your info on C Melody Sax s. I am still not understanding it clearly ( Just My Reception.)
I have a silver C Melody Martin with Gold interior in the Bell Silver exteriior coating, INSIGNIA reading Martin Hand Craft Elkhart Ind. serial # 53397 Low Pitch. I have hand cleaned it and am prepairing to re pad it.
Q?? Once Finished What could be a reasonable price for it in US DOLLARS?
( My guess About $1100) Please advise. I have not been able to decifer your sugested page on pricing.
Thank you Wm. E. J.
Answer: If it's in great cosmetic shape and plays perfectly it's a $500 horn at most.....there is almost NO demand for those, particularly Martins......the demand is for Bueschers and Conns
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Question: Steve:
Do you have any Super 400 altos left in stock?
Answer: Yes, we have three left as of today
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Question: my parents purchased me a fatboy mouthpiece and it is just as you described I will be buying from you in the future
Trevon
Answer: Thanks for your business! I'm glad you are happy, please tell your friends!
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Question: Steve: I have a Selmer Signet Cerca 1992. I t is showing wear /the lacker is being rubed off it in palces down to the brass. I would like to have it refinished. Pnodering about refinishing it in silver. REASON! I have a silver Buescher patin date 1914 # 179315 true tone trade Marked Wtih tirangle tuning fork and bell insignia IN SILVER. The tone quality is mellow and rich. Q?? Will the selmer have a similer tone Quality if refinished in silver? //I use an E bore Mouth piece on the Alto for a mellow tone presently.
Wm.E.J.
Answer: no........the finish has NOTHING to do with sound
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Question: Hi Steve,I want to perchase a neck enhancer for my Martin tenor,whats the best way for me to pay you,plus post etc.
Bernie Leigh
Answer: just order right off the site.....you can use PayPal or any credit card...shipping is figured automatically for you
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Question: I am curious about the enhancer. Where does it fit on the neck, between the neck and body or mouth piece and neck?
Q #2 I have a Selmer Signet purchased in 1992, some of the lac is rubbing off just general use, Approximately / and would it be advisable to; in refinishing it; ask to have it redone in silver. WE in Kitchener have a horn repair shop that specialize in saxes (a family owned firm) What might be a range of pricing that would guide me if I proceeded with re furbishing.
Thank you Wm. E.J.
Answer: We have a video on YouTube that explains how to use the enhancer. It's on our YouTube site "Saxgourmetproducts".
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Question: My otto link tenor is beginning to loose its altissamo range. I am in the range for buying a new mouthpeice. Which of your mid priced metal mouthpeices are best for rock/R&B and how is better than the runyun spoiler, I have tried. Must be sharp and quick in the altissamo range.(cost also)
Thank you
Wayne in Edmonton
Answer: I think the altissimo is the easiest on the Florida....it has the highest baffle
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Question: Hi Steve. Just to let you know that the Florida tenor mouthpiece arrived today. It is without doubt one of the best pieces I've used on my Conn 10M...better than my Link STM. Very free blowing and intonation seems to be improved. Beautifully finished as well! Instills confidence, so much so, that with only two hours rehearsal, I plan on gigging with it tomorrow night and can at last compete with the guitars without blowing my lips away every time! Congratulations on a great product.
Answer: Thanks so much for your kind remarks!
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Question: Thank you so much for the quick response of my first question!
The G# is definitely closing. The horn is in great adjustment.
I had the original pip re-installed into my neck (only) and my subtones came back instantly. They re-installed the power pip and the subtones were gone again. The shop carefully checked all pads and adjustments. I am confident in there work. The power pip is much longer than the original pip that is in my neck. Could this have anything to do with it? Any other suggestions?
Thanks,
Joe
Answer: I suspect that the pip is leaking.....if it is tight, there is no reason whatever that it would cause the problem you describe....the science just doesn't work that way.....
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Question: I am a master saxophone student in CUNY and also I'm a mouthpiece refacer.
I have only four months in NY, if you need some of my services as a mouthpiece refacer it will be a pleasure.
Angel.
Answer: We do an extensive refacing business at our shop. As a matter of policy, we do not send work out. You should order our Mouthpiece Refacing video.
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Question: Hi Steve--
I recently had power pips installed in my SBA tenor. It immediately improved upper register response, but I can no longer sub-tone below c#. Do you have a reccomendation? Thanks-Joe
Answer: There is no reason the pips would have any effect on low C# if they were properly installed. Check the G# key to see if it is opening slightly when you press the low C# key.
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Question: I play a Tenor Keilwerth SX90R and was wondering do you have any necks for that horn. I like the Keilwerth model and sound. I am a fan of Kirk Whalum and always wonder about his neck on the sax if it made the difference
Answer: Yes, we do. The Saxgourmet neck works very well on that model. It improves the response and cleans up the intonation considerably.
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Question: Hi Steve,
I'd love to try your alto neck, will it fit my 182,xxx mark VI? I'm using a reference neck at the moment that I like better then the original mark VI neck. What's your return policy? Thanks.
-Russ Peterson
Concordia College
Moorhead, MN
Answer: Please see our terms of service. Let me know your questions.
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Question: Want you to know the video clips are very helpful. I'm going to purchase the Florida Tenor mouthpiece today. I have played both Alto and Tenor for years but just started taking it serious after about a 5 year hiatus. Chops are still coming back. What opening size would you suggest - 0.90 or 0.105? Thanks
Answer: get a .090 if you are still getting your chops back.....thanks in advance for your order!
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Question: Hi Steve
Recieved the neck and have had modified for the Martin 1939 Comm II Tenor.
Very imressive. Very, very free blowing neck, easy to control and even between registers and increased projection. Much prefer to the original Martin neck. The sound is lighter/brighter than the original Martin neck but after an hour of playing I really liked the tone. Will need to rethink reed choice - to harder reed(I liked the tone of your neck to begin with!)Overall very impressive.
I have a Selmer Alto (black)Super action series II and am definately tempted to try one of your necks on this. What are the copper necks like.
Also, can you recommend books on saxaphone design (out of interest), I have "The Saxaphone is my voice". and both your video's but want to research further.
Thanks for your help. Very good product, will recommend.
Geoff
Answer: I'm glad you're happy. We've sold HUNDREDS of necks this year. I'm using a Saxgourmet solid copper neck with nodal weights on my Voodoo Rex alto, and love the complex tone. This neck (along with several others) is on sale this month!
If there are any books about saxophone design, I have never seen them. I have in my library everything I can find about woodwind acoustics, and a two volume set of saxophone patents. The only thing I have seen written about design are my columns in every issue of The Saxophone Journal. If there is anything else, I don't know about it.
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Question: I'm the farther of a young talented musician. He is wanting a jazz mouthpiece for his tenor sax. He play's his panio in a small restaurant and they have asked him to start brining his sax to play also. What would you recomend as I know nothing about them. He, Dalton, is going to be 14 next month and this will be his gift. I'm thinking the fat boy.... Thank You
Answer: The Fat Boy would be a good choice
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Question: Hello!
Do you have some of your new baritonsaxes in stock???
Best Regards!
Hans
Answer: Yes, they are in stock and immediately avaialable
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Question: Dear Steve:
I won one of your Copper Necks for a Yamaha Tenor, would a neck enhancer noticeably, improve upon the already rich sound?
Thank You
Tony DeWitt
Answer: It won't change the sound but it will quicken the response and even out the timbre throughout the range
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Question: Hi Steve. After careful examination it appears that my bent neck from my dad's 1956 Dolnet Bel-Air is a LARGER diameter than the Selmer and Yanagisawa. It appears to be closer to 28 mms. The neck is TOO large for a Selmer 27.5 mms. What do you suggest I do if I'd like to purchase on of your necks for this horn.
Answer: The Conn neck will work. It's 28.4mm.
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Question: Dear Steve,
I´m playing a silver plated Conn 10M Tenor with the serial no. 312xxx. The neck of my Tenor was equipped with an electric pickup - in the 60ies I think - so there had been an additional bore near the octave vent. This additional bore was soldered and is nearly perfectly closed by the leading european saxdoc in the Netherlands. My setup is an Otto Link NY 7* with Vandoren ZZ or V16 reeds.
Some years ago I tried a Peter Ponzol neck which made it easier to blow and made a more focused tone with a more modern sound. However, that was not what I really wanted from my “Ladyface”. Today the Ponzol neck does excellent work on an SML but on the Ladyface I went back to the original neck.
For me the big advantage of the 10M is the great range of sound from fragile Lester Young to Ben Webster and beyond. Especially in the medium high register you can have this nearly fragile subtle but even strong tone with somewhat like subtones but in the upper register. (Yeah, like Lester Young in his later years, with a tone in great harmony and similarity with Billy Holiday´s voice) – that´s what I don´t want to loose with a new neck.
A friend of mine owns a Ladyface tenor from similar date of built with dark brown lacquer finish and rolled toneholes as well. Compared to mine, this horn has a bit more colorful sound in the upper register. The silver plated one sounds a bit fatter in the lower register. I thought the difference could be caused by the neck, so we tried changing necks on the saxophones, but this didn´t give a clear result.(Another difference between the two horns: the lacquered one has usual metal-resopads, the silverplated horn has toptones)
So here is the question: what would your Conn-neck do with the sound? You wrote the neck enhancer is integrated in your necks – is it removable or not? Some people in the web wrote the opinion, that the main effect is to reduce the chamber of the mpc. But when I´m blowing a Link NY I want the great chamber. A speculation from me: Is it possible that the fragile colorful sound, which I tried to describe above, is induced by turbulences between mpc and neck? And if so, what would your neck enhancer do to this effect?
I´m looking forward to you answer, thank you in advance
keep swingin´
Yours Axel Koch
Answer: We make a neck SPECIFICALLY for the 10M, in both lacquer and swilver plate. It does NOT change the basic sound of the horn, but brings out the beautiful charecteristics, improves response, and corrects intonation problems. The enhancer is built in and is not removable. The people who told you it reduces the size of the chamber have very obviously never seen our played one, since this is not the case. You should ask someone who has actually tried the product themselves! The Neck Enhancer increases mass, reduces turbulence, and increaases velocity, w3hich results in decreased resistance and evens out the response and tone.
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Question: Hey Steve, I just purchased the Fat Boy and I was wondering if it comes with a single screw ligature? Thanks
Answer: the Fat Boy tenor has two screws, the alto Fat Boy has one
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Question: Caro Steve,quale bocchino mi consigli per avere un suono potente, premetto che utilizzo un Mayer6.
Saluti
Answer: Sorry, but you'll have to submit your questions in English
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Question: What's the difference between vintage alto conn's made in mexico or usa?
Answer: Materials and workmanship
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Question: Steve,
just saw Tom Scott down here and he "raved" about the horn he was playing...said you guys were maniacs for great sound. I have a Conn 10m with the double sleeved neck that I adore. Will your necks fit it??
Answer: Sorry, but we don't make necks for any double socket horns at this time. If there was enough demand, we would, but the tooling cost is high, and we would have to be assured of a certain number of sales to justify it.
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Question: Hey Steve its me again. Im bought a soprano sax and should be coming in through the mail. Im a tenor sax player and I was wondering are any major differences between tenor and soprano besides a smaller mouthpiece? Thank You
Answer: Besides the size and the difference of an octave in pitch, the soprano enjoys a reputation for more difficult intonation and response. I don't buy into that, believing that a good soprano plays as easily as any other saxophone.
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Question: Steve, I have a yahama Tenor YYTS52. I'm a complete amature playing for about 5 years. Mostly along with my favorite music. Any way I'd be very intrested in your Florida mouth piece. But I have no clue about the .90 or .105 or .120, I use a 2-1/2 reed. Can I still use my normal reeds? I plat an like blues, rock an allot of soul music. Can you tell me about these diffrent numbers that I could order a mouth peice accordingly/ Thx Pat
Answer: The numbers refer to the tip opening in 1000ths of an inch...A Florida is a good choice for an amateur because it is so easy to play...get a .090 and let me know how you like it. Thanks in advance for your business! Your regular reeds will work just fine.
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Question: Hi Steve!
I'm seeing new LA Sax horns on the market and am wondering if these are similar to the ones they used to sell. I played a bunch of them at NAMM in Anaheim a few years back and was thought they had good horns and were being unfairly labelled as junk because of the crazy colors they came in. Do you think these horns are good for a working professional (mostly alto - and play a Yamaha 82Z)?
Answer: They are in NO WAY the same....different factory, different design, far fewer features....check out our Super 400 model
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Question: Hi Steve again!
Great to hear your have a neck for Martin Comm II 1939 tenor.
Tenon size is Depth 32.8 mm
Diameter 26.9 mm
I can have tenon adjusted locally.
Will purchase ASAP next business day!
Thanks
Geoff
PS I love the look of your Selmer necks with the weights $225?. Any hope one of those could work ?
Answer: Order the Yamaha neck. The tenon will have to be shrunk a very small amount. Let me know it is for your Martin.
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Question: I have a 1952 Conn 10M that I love but it plays sharp with my Jumbo Java mouthpiece. Would one of your replacement necks enable me to use a modern high baffle mouthpiece on the horn and not be sharp?
Do you have a tenor mouthpiece that can make my 10M project more and still play in tune? I have a 12M bari that has the same problem it plays sharp. Thanks, Bill
Answer: Our neck will help considerably...try our new Yellow Moon stainless steel tenor mouthpiece...it has a high baffle and a blended chamber
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Question: Hi Steve
I have a 1939 Martin Committee II Tenor sax needing a new neck. Do you have a tenor sax neck that you recommend such as your saxgoumet necks. Do you make one suitable for this model of Martin
Thanks
Geoff
Answer: Yes we do.......please provide your tenon size
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Question: Do you make a neck enhancer for soprano saxophones. If so, how do I get one?
Thanks for your help.
Michael
Answer: At this time, only alto and tenor models are available.We're working on a soprano and baritone version, and hope to introduce them next year. I'm afraid I have too many projects on my plate right now to give this one priority!
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Question: hi, mr steve, have you some catalogue of your all models of sax alto and prices for me? tank's
Answer: If you are wanting printed catalogs, no, we don't have them. We are a strictly an internet business, and everything we have is on this site. I don't see any need for paper catalogs.
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Question: Hey Steve...I have just bought a Corton Alto Saxophone Amati serial no.
183429 with IL underneath. I started to learn 27 yrs ago, but business commitments soon stopped that! Could you tell me anything about my sax, and recommend a mouthpiece/reeds,etc., as it hasn't one.
Kindest Regards
Paul
Answer: I'm sorry but I ma unfamilar with that particular model
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Question: Steve
What tenor mouthpiece would you recommend for a jazz yamaha tenor 82Z.
I currently play a nice hard rubber mouthpiece tip .105 with a vandoren V16 2.5 reed.
looking for something warm with some punch as well.
Please advise cost plus shipping to UK.
Can you include single screw lig if possible.
Thanks
Peter
Answer: Try the Blues Blaster, or if you prefer a hard rubber, our new Black Mambo. Prices are on the site.
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Question: just wondering what the differences are between the saxgourmet category five tenor is and the 400
Answer: They are entirely different instruments, with a very different bore, necks, keywork, and mechanism. The construction methods used in manufacturing are very different. The Category Five uses a different acoustic concept for the upper octaves.
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Question: Hi Steve,
I am looking for an easy blowing mouthpiece for my tenor. I have been looking at the fat boy after discovering it on E-bay. I had not played in years and have recently picked the horn up again. Which of your mouthpieces would you recommend for me staring out again, and which tip opening would provide the easiest playability for me as I practice to improve?
Thanks,
Alan
Answer: If you're looking for an alto piece, the Voodoo Child is the easiest blowing....for tenor, the Handmade is the easiest blowing, although the Fat Boy is not resistant at all.......get a .070 for alto or a .090 for tenor
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Question: Hi, I am currently on a yamaha yas-23 ( yes I know not a great sax), and was wondering if I should get a better sax, or get a new mouthpiece first. It would be for concert/ jazz band and I would keep the yamaha for marching. Thanks so much.
Answer: Try a new mouthpiece first........
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Question: Steve, I was wondering if straight tenor saxes are the same as normal curved tenor saxes?
Answer: No, you have to change the bore dimensions
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Question: Steve, I play on a Yamaha YTS 62 with a Guardala King mouthpiece. I need a more all around piece that can be a bit bright when needed or dark/mellow at other times. The Guardala is just too bright and edgy, especially in the studio. But I do like the free blowing aspect of it. Which of your pieces and openings would you steer me towards. I don't really care if it is metal or rubber. It's more about the feel and what comes out the end of the horn. Meyer 6's medium chamber seems to be a step in the right direction, but they or so darn inconsistent from piece to piece. Thanks.
Answer: Get the handmade......it's just what you asked for
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Question: Dear Steve, would any of your after market necks fit on a Julius Keilwerth EX90 series III tenor sax?
Answer: I need to know the tenon diameter
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Question: Steve,
Thanks for responding to me about the possibility of a new Saxqourmet Sopranino. If it is not too much trouble, drop me an email in Uzbekistan when they are ready. I will be deployed here for the next two years.
thanks,
Mitch
Answer: When we get the 'nino totally figured out to our satisfaction, trust me, we will let the world know!
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Question: Steve Hi,
I purchased a Saxgourmet model six which I play in a covers band - absolutely love its bright tone - its a fabulous instrument. I have changed mouthpieces over the years and purchased a saxgourmet model 6 (80) which creates a great sound. The only problem is that on occasion it can squeak- my fault I guess. I have tried 2.5 to 4 reeds etc et but it ( or me) will let the sax down at that all important gig solo so I have gone back to the old ebony pieces for gigs. I continue to practise to try and control the mouthpiece, but other than technique is there another mouthpiece that can produce the same tone - any advice either way ? many thanks
Answer: Try our Yellow Moon if you want a bright sound, the Blues Blaster for a more traditional tone
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Question: When will you have pic's of the baritoneon the site? I'm saving up for your bari and I'd like to see what I'm going for.
Thanks
Answer: The production examples are scheduled to arrive on 10/28
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Question: Steve,
What is your opinion of the new P.Mauriat sax line? I have had many saxes in my past - King Super 20 tenor, Buscher 1930's alto, Dave Guardala alto, Yanagisawa curved soprano, LA Sax alto and straight soprano but I stopped playing professional years agao and now have a P.Mauriat for my current soprano. Of course my clarinet is a 1960's Buffet R13. Anyway, I am headed overseas for a few years and want to take a couple of instruments with me. I am in the Air Force and a scientist (got my PhD after I left music). I have enjoyed watching your videos with Derek Nash and am very interested in the sopranino. My P.Mauriat 2400DK curved soprano sounds much like your curved soprano (at least from what I can hear on the video) but there are no sopranino's available from P.M. in the US yet so I am looking at yours. I will be headed to Central Asia on a 24 month deployment in January and sort of wanted to try a horn before buying it. Do you known where there may be one of your sopranino's out there somewhere? I plan to visit my parents before I leave the country and they live in Las Vegas. I know, too much information but from your videos you seem like the kind of person that does not mind listening. I one of the old farts still in the military that they keep sending out there because of my scientific specialty. Okay, enough. Let me know what your opinion is and where I might try out a sopranino.
thanks,
Mitch Fadem
LTC, USAF Reserve
Biomedical Science Officer
Answer: I don't know of any Steve Goodson Model sopranino's available anywhere. That model has been discontinued, and will be replaced by an all new Saxgourmet sopranino next year.
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Question: Steve,
I am interested in your hurri-cane reeds, but am unsure of which strength to buy. Have been plyaing on a #3 fibracell for a while and its a bit soft. Is there a comparison chart available?
Wishing for the day I could afford one of your horns...
Todd
Answer: Get a hard
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Question: Hi Steve , I bought a LA USA Tenor back in 1998 here in the UK, it has a ser. number 231419 can you tell me anything
about it.I carnt compare it as I have not owned anything else. Thanks.
Answer: The LA Sax serial numbers were random, so I can't tell from that. If you'll send some pictures (clear and detailed) I might can tell you something
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Question: I was wondering which mouthpiece has more of a fatter sound (Tenor Sax)? Blues Blaster or Fat Boy
Answer: Blues BlASTER
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Question: HELLO STEVE, WHAT MOUTHPIECE WOULD BE A GOOD MATCH FOR A BUESCHER BIG B ALTO
Answer: If you want a classic Buescher sound, get a Saxgourmet Hard Rubber. For something brighter and more power, get a Voodoo Child
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Question: Hey Steve Ive been playing Tenor Sax for a while now and Ive been wondering what difference does tip openings make? Like whats the difference between .90 and .120
Thank You
Answer: A larger tip opening gives more volume and dynamic range, and makes the lower tones a bit easier. Of course, they are a bit more resistant and a little more difficult to control.
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Question: Just bought the HurriCane reeds (tenor/alto sax). Really good! Altissimo G just comes right out without trying! But I had to buy a Hard to get enough strength, so now I have to take it down a drop. Just want to check before I mess it up: I just take the tip down a bit like a regular reed, correct? Don't touch the vamp or heart, I assume. Please confirm. Thanks!!
Answer: You can adjust the Hurri-Cane reeds in exactly the same fashion and using the very same tools as you would a regular cane reed.
Thanks for your kind remarks. This has been a very successful product for us!
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Question: Hi Steve, Out of all your MPs which one is your very favorite??. Don't tell me all of them. I am thinking about buying the Blues Blaster. I never play with anyone else. I do all solo work and play mostly in my Church and for Weddings. Theo Wanne made me a Fake 5M New York Meyer for my alto and it is the best sounding piece to date for my alto. I cannot seem to find a tenor sax MP that feels right. Most seem like I have to push them and no response. I hope to try this Blues Blaster and who knows maybe its the one. If you think I need a different model for the type of music I play let me know. Thanks John Burkhart
Answer: I'm currently playing a Yellow Moon on tenor and a Voodoo Child on alto.
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Question: Hi, I just bought a Yamaha Tenor for a great price. I was told it is a pro model from the late 60s' the ser. # is 00019. It plays great but needs an overhaul. Can you tell me anything about it?
I once played in a practice room at shop in San Fernando Valley in CA with Jim Morrison. It was in 68 or 69.
Thanks & God bless
Bruce
Answer: What is the model number? It should appear on the body below the serial number
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Question: Hi Steve
Are you Making Tenor Necks for Cannonball Tenors
Thanks
Bob V
954-592-3189
bvjazz@bellsouth.net
Answer: yes
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Question: Hey Steve, i sent an email earlier using your "contact" option, and then I saw your "Ask Steve" link. I apologize if you receive this twice. Long story short, I've been playing for some time now, with a 6 year hiatus in between. I play a Selmer Mark VI tenor which I love, but am still stuck with my student model alto. I need an upgrade desperately, but don't want to spend the thousands of dollars right now. How do you personally feel about the LA SAX Big Lip series that's fairly new. It's an attractive price, and the different lacquered appearances would look nice on stage with my band. If you don't recommend that horn, which direction would you send me for a decent up scale horn for around 1,000? Thanks!
Answer: Given your budget, I would not suggest the LA Sax, there are better horns for the money. Look for a Chateau, a Unison, or a Jinyin. These are all great horns for players on a budget.
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Question: Would you please tell me how much my Buescher 400 series, 1963,fair condition, but plays,alto saxophone is worth?
Thank-you
Answer: There's a value guide located at www.saxgourmet.com.......be sure to read the preface, and deduct the FULL retail cost of all needed repairs to make it perfect
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Question: Dear Steve,
Do you have any good tips on how to begin playing in altissimo?
Answer: Sure........first, learn to play scales and tunes on JUST the mouthpiece, without changing your embrochure. Get a couple of study books, "Saxophone Altissimo" by Bob Luckey, and "Top Tones for Saxophone" by Sigurd Rascher. Practice, then practice some more.
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Question: Dear Steve, I have questions on two horns, both of which deal with flat tones in the upper register from the high B and above. Can that be fixed?
First horn (soprano) - is an Arnaldo Borgani made in Italy probably in the early 1930s or 1920s. There is no serial number, but the inscription is "Premiata Fabbrica, Arnaldo Borgani, Macerata Esportazione Mondiale". Is it worth fixing and can you tell me anything about the horn. I assume it is a B-Flat horn, but is there any chance it is a Concert C horn? How can I tell?
Second horn (Tenor) - H.Couf Royalist, made in Germany, No. 63227. Can the upper register flatness be fixed.
Thanks, Bob 248-681-0777
Answer: Both of those horns are probably not worth a significant investment. The Borgani is most likely hopeless. The Royalist series from Couf was designed for student use, and is quite unlike the Superba series. They're not very good horns.
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Question: Hi Steve, just discovered you and your site so I ordered a fat boy yesterday off you for my LA USA Tenor . Today I realised I didnt spec which opening . To be used for Jazz/Rock & Roll . I bought the LA in 1998 , played 4years just started again still in novice stage. Any advice welcome
regards frank mumby
Answer: Get a .105 or .120
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Question: Dear Steve,
I have an alto sax from my high school days and wanted to know if you could give me an idea of when it was made and and an approximate value. On the bell it says CG Conn Ltd.
Elkhart, IND
USA
the serial info on the back is kind of hard to read buy I think it says:
PA DEC 8 1914
111 99 54
A
M157338
L
Answer: There's a value guide and serial number chart located at www.saxgourmet.com
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Question: DO YOU HAVE A TRY-OUT/RETURN POLICY FOR YOUR PRODUCTS, ESPECIALLY YOUR MOUTHPIECES AND SAXOPHONES?
Answer: See the terms of service and our FAQ
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Question: Hey Steve, is there any chance that you will do another run of the Steve Goodson model horns. I love the alto i have and would be interested in a matching tenor if I could find one.
Answer: If there was enough demand, yes. We'd have to have firm orders for 25 of them.
I rather doubt this would happen, of course, since the Super 400 and Voodoo Rex are much better horns. Our designs evolve over time, we learn as we go along.
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Question: On all Yamaha YTS-23s I've owned, and there have been many, the G5 and G#5 will altissimo far too easily. I'd dismissed this as my own rather weak nerve damaged embouchure but other players have also commented on it. I read somewhere this might be a result of the body octave vent being too large. Any truth to this and would the Power Pip help? Thank you.
Answer: G5? If you can play a G5, I salute you! My range, and the range of everybody I know doesn't extend that high (G4 on a good day, with all the planets in proper alignment), and I have no experience with notes that high in pitch.
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Question: Steve, I have a Selmer mark VI serial # 234029, but according to the Slemer website serial # list this hon would be a Mark VII made in 1975, can you shed some light on this situation? Thanks
Answer: Sure......the Selmer website is wrong. I've owned a 244,000 VI tenor, and have owned a 236,000 VII tenor. There was an overlap in production.
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Question: I have a Selmer Tenor MkVI neck that a hole was drilled and has a receiver for a varitone mic. Can this be removed and the hole be repaired. Will it affect the tone of the neck.
Answer: If done properly, it will have no effect. If done improperly, it will.
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Question: Steve, I have a King Super 20, serial # in the mid 3's with silver neck. Plays well, and nicely in tune, but 3rd octave f# is always 25 to 30 cents flat. D,E and F are right on. Any suggestions. Appreciate the feedback.
Answer: What fingering are you using?
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Question: Steve, I have a King Super 20, serial # in the mid 3's with silver neck. Plays well, and nicely in tune, but 3rd octave f# is always 25 to 30 cents flat. D,E and F are right on. Any suggestions. Appreciate the feedback.
Answer: Those horns are notorious for that sort of thing....I've owned and worked on a bunch of them over the years...about all you can do is get somebody who knows what they are doing to install some tuning crecents into the palm key tone holes.
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Question: Hi, I am an aspiring saxophone playewr and a couple of questions about the saxophone necks you sell, first question: does your handmade copper alto saxophone neck come with your neck enhancement alreday built in or, will I need to purchase it seperate second question: I am considering purchasing a buffet 400 series tenor and was wondering if you know if any of your necks would fit or fit with minor adjustments thank you for your time
Answer: The copper necks do NOT have a built in enhancer, that feature is ONLY on the Saxgourmet series.
Yes, our SAXGOURMET series necks will work great on a Buffet, with minor adjustments
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Question: Hi Steve, I play a Conn 16M with one of your custom necks ( love it ) and a Sugal series IV tenor, with both I use a Guardala King with Fibercell # 2 reeds. Your mothpieces seem to be a good buy. I like the Guradala but am always looking for 'more'. Jr. Walker and King Curtis are my favorites. What do you recommend with my horns? Thanks, Joe
Answer: We've got a new model which should be available next week, the Super Duck, which I think will do just what you want.
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Question: Ref : Mk6 Baritone w/low A.
Power Pips
SG power pips I ordered from MusicMedic sometime last year specific for this horn. I am installing them soon. Curt has kindly refer me to you for information.
Q1. Soft solder OR Hard solder
Q2. Upon inspection- as both looks the same- size and dimension. Does this assume that pips can be applied to either Octaves. Is there a difference in dimension size between the Upper & Lower Octaves?
Q3. Do I need a drill bit to size bigger for this pips to be inserted. If not what size drill bit.
Strap hook Ring
I am ordering one soon. About placement would it be higher or lower on the body.
Thank you for your insight.
Sincerely,
Hutapea H Jeremiah
Answer: What make and model of horn do you have? I need this information to advise you.
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Question: Hi Steve,
What made you decide to use 4 octave vents on the Category 5? Also, what is it about an individual horns design that makes one play easier than another, even of the same brand?
Answer: In the perfect world, a saxophone would have TWELVE octave vents, one for every semi-tone of the chromatic scale. That would be a mechanical nightmare, of course, and is not practical. Most saxophones have only two vents, so there is a considerable amount of compromise. To give a simple answer to a complex subject, by increasing the number of vents to four, we have reduced the amount of compromise by 100%! This makes the upper register MUCH more in tune and responsive.
The answer to your other question is much more complicated, and I'll address it a future article in The Saxophone Journal.
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Question: Hi Steve
I have this Beautiful Vito Leblanc alto sax, I believe it is called the System?
Its in Pristine condition the serial # is 8704A. I am looking to sell < confused on what it is worth? and where to sell it, I would love it to go to someone who really appreciates it! Thanks in advance!
Yvonne
Answer: Those horns are not very common. I have two in my personal collection. I'd say that a perfect one is worth around $1500, deduct for any needed repairs
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Question: hey Steve, looks like i will be down you`re way pretty soon . I did not know wether or not the rock n roll reeds are still in production. If they are i am lokking for 15 boxes for tenor at 1 1/2 strength and a varie lig for metal tenor mouthpiece. please give me an update , chris
Answer: We're not making the Rock and Roll reeds any longer (I've become a convert to synthetic reeds) but I've got some here. I'm not sure what's on hand, I'll have to dig them out. I'm sure I've got an old Varilig around here somewhere. Look forward to seeing you!
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Question: Steve, Bought a King Tempo tenor at a garage sale for $50 but can't seem to find any history on it. It is in very good shape but needs adjustment and some pads. I currently play a Bundy II which I rent(tight for cash). Should I spend the coin to fix the King or should I fill it with cement and use as a boat anchor. Which one of your Saxgourmet mouthpieces would you recommend to bring this beast to life.
Thanks
Lawrie
Answer: Those horns are OK, not great, but OK....try a Blues Blaster
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Question: I have a Conn alto sax that we bought 20 years ago and we just had it completely refurbished. The serial number is N208733. I was thinking of selling it but I don't have any idea how much it is worth. can you help me?
Answer: Please send clear, detailed pictures. I really can't tell you nmuch unless I see it.
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Question: I have a Selmer Mark VI Tenor, #847xx, and had it recently overhauled. Then, I had leaks fixed by Best Instrument Repair in Oakland, CA. Good people there. But, while practicing today, my low C# stopped working. There on the floor was a spring and collar (w/screw). No doubt, it came loose and fell off. Can you e-mail me a photo or sketch to show how it goes back on? This is Saturday and I won't be able to get back to Best until Monday. Thanks.
Answer: I won't be back in my office until Monday myself, so I'd suggest you take it to Best
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Question: I have a Paris Selmer, 22221, which according to your info is a 1936 model. It is perfect, and I haven't used it for 20 years. Richly engraved etc. Not the original case.
You seem to not like eBay as a resource. How might I go about trying to sell the horn and what might be a reasonable price?
Thank you.
Answer: For that sort of horn, you'll reach the most buyers worldwide on eBay...that's what I would do with it....be careful, require payment via bank wire only, and don't ship until the wire has cleared......set your "first bid" at the lowest amount you would take for the horn...don't worry about reserves
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Question: Hi Steve, You just recently posted the question that I had asked about changing the angle of the neck by moving the lever on the altissimo key. I thought i would give you an update on the situation. I ended up taking it over to a friend of mine who is the local horn repair tech. He thought we could bend the lever enough to reposition the angle of the neck, which we did slowly and carefully. We were able to change the angle enough that I can now play the horn comfortably. I'm glad that I did not send the horn back as it turned out to be a sweet playing horn! It's the black nickel one and I love the finish. When I first started practicing with this horn I was playing out of tune and quickly discovered that I no longer needed to compensate for those out of tune notes on my old vintage ------. I still love my old horn, but I never realized how much extra work I was doing just to play it in tune. The biggest regret I have now is that I didn't get the SG tenor too. This horn is way better than anything else I have played in this price range and some that were way more expensive. [$3000 range] Thanks for making a great sounding, yet affordable horn.
Answer: Thanks for your business!
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Question: Hi Steve, I recently got a curved Yanigisawa soprano (0012XXXX) vintage, I believe, early 1980s. I had some work done on it by the local repair tech and (most of) the leaks were tightened up. The really annoying thing left is the sound of C (on the staff) is really stuffy and barely sounds. Any obvious clues what might be causing this? I know looking at it would be more telling, but thought maybe you have run across this before. Thanks for any tips.
Answer: I'd really have to see and play the horn to tell you, but nbe sure the C pad closes well. Is there a difference in the two C fingerings? This would tell me much more....
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Question: If I buy a sopranino mouthpiece from
you, where on your order form does it
let me choose the lay (.045, .055)? also
what is approx delivery?
Al
Answer: Just send us a note on your facing choice......we also inquire on our confirmation.......they're in stock and ship the same day payment clears
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Question: Steve, I purchased an old stencil Tenor with rolled tone holes. I thought it may be a very early Buescher as the number 5478 is stamped on the back. It also has Marlboro stamped on it (looks like belonged to a school or something). The laquer is quite wore so I cannot make out anythihg else on the horn. My theory about the Sax being a very early Buescher is disproved because of the High F key. I don't believe Buescher manufactured horns with rolled tone holes. I am guessing it's a Conn. Would you be able to tell me anything about the horn is I were to email pictures?
Thank You
Tony DeWitt
Answer: I probably can....send them to saxgourmet@cox.net
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Question: i recently purchased a Steve Goodson Model alto from Noteworthy Music. It's a joy to play and to look at. I am presently using a modern Otto Link 5* metal mouthpiece with a 2.5 or 3.0 Vandoren V16 or Rico Royal reed. I'm happy with the nicely centered and full sound, but I would like to know if you have any ideas regarding use of one of your mouthpieces on this horn or any other thoughts on this setup. I am a returning player after a long time away and just getting my chops back.
Thanks for your time.
Answer: Try our hard rubber alto piece to get the most out of that horn. I know you will love the difference!
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Question: Concerning your sopranino mouthpiece, the available tip openings are .045 and .055.
hmmm... I need one, but which tip opening? I play some wide open MP on soprano, Alto, Tnr & Bari. The sopranino came with a small opening MP and very soft reed, easy to play, but high end difficult. I need sopranino reed also, would like to try some #2 & #3 strengths.
Answer: get a .055
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Question: I am curious as to where your saxes are
actually manufactured. I understand that
they represent your own design concepts
but are you actually having someone else
(i.e. Taiwan,or Japan) do the manufacturing to your specs.?
I am a pro player and repairman in Vernon
(B.C., Canada) and a general sax fiend.
Thanks Steve
Answer: Why do you need to know?
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Question: Again me!! i forgot to ask if you sale and ship instruments to my country, because sometimes there`s a great difference between prices in eeuu and Argentina.!please suggest me the best option! Thanks!jorge
Answer: we ship worldwide
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Question: Hi. I`m from Argentina and want to ask you your opinion about alt sax Buffet _Crampon Evette. Is an student/intermiddle, sax, isn`t it?.
I`m learning sax and clarinet and i found your web site FABOLOUS!! thanks a lot. Jorge de Argentina
Answer: It really depends on which model you're talking about.......some are good, some not so good
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Question: Hey Steve,
I am a 57 year old man that is a intermediate sax player that could only wish to play like you.
Anyway I have a 52 yamaha alto and would like to buy a tennor. I noticed
on your other website you have alot of horns for sale.I was wondering if I could come to your location and check out your inventory.I am leaning toward
the super 400. my freinds are all custom z players,so you know what they
have say. I work in laplace so it would
be no problem to go to n.o.
I would love to see a super 400.
Thanks, Clyde
Answer: we're currently re-doing the site with new pictures and details......we should have the changes up next week
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Question: Hi Steve, I purchased a Tenor Saxgourmet VI from Noteworthy Musical but it came without a tenon screw and a neck plug.Can I purchase those from you separately as I cannot get the original seller to provide them
Cheers
Peter
Answer: That's a discontinued model, but I'll see if I can round up a tenon screw for you...any standard tenor neck plug should work fine
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Question: Steve:
I've found a silver-plated Conn for sale at $359.00. Serial # is 74400 which, according to the online lists, puts it around 1920-1922?
So, is this horn reputed to be a good player or is it too early before all the improvements of the next couple decades?
Think I ought to buy this horn and play it?
Thanks for the thoughts!
Chris
Answer: It's too old to be of much use in a modern context
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Question: I found a sax in my shed! I'm a guitar player but would love to learn new instruments. I was wondering if you could tell me what exactly I have? It looks old, it's says made in italy, serial # B3947. It's ingraved on the front" Lakeland Classic". Maybe by the original owner? Thought maybe you could help...Thanks!
Answer: Please send some clear detailed pictures to saxgourmet@cox.net
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Question: I am 58 years old and have played clarnet since 7th grade and tenor sax from 11th. 15 years ago My tenor sax was stolen from my church in a breakin.Haven't relaced it untill 2 years ago. Bought cheap Shill and mexican Conn of ebay. Got what i payed for but was all i could afford. I go to a Apostolic Pentecostal church and we play all styles even jazz and blues. Soon as I can come up with the money I am getting a pro horn. Was lookin the second time at you tenor 400 seris video. With what i have already said which one of your mouth pieces would you suggest I use at church. the horns and setup I am using is really fustrating me because of slow response. Wgat do you suggest to a man on Full disability and limited resourses. thanks
Answer: Try the Fat Boy
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Question: what finishes do your tenor sax come in?
Answer: All our horns come in bright copper plate only
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Question: Hi Steve,
I was wanting to know if you were involved with the design of the LA Sax LA-750AT Earthtone special edition model.
Here is a link to one Noteworthy is selling in their eBay store currently.
http://cgi.ebay.com/LA-SAX-ALTO-SAXOPHONE-EARTHTONE-LIMITED-EDITION_W0QQitemZ130304459566QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=item1e56c0432e&_trksid=p4634.c0.m14.l1262&_trkparms=%7C301%3A1%7C293%3A3%7C294%3A30
I'm also looking at one of the Orpheo models they are selling as well.
thanks,
Mike
Answer: no.....those horns were bought "off the shelf" from Shin Foo Pin
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Question: Hey Steve,
This could be considered a dumb question:
but the way Im understanding it, and I could be wrong, but does the copper tenor neck that you are displaying in that YouTube video fit both Selmers and Yamahas or is there a separate model for each. Im guessing the later as the octave mechanism is so different, but it would be nice as I own both a Mark 6 and a YTS62.
One more thing.....Ive never been happy with things about the YTS62 (tone too bright, hard to play certain notes in tune (Im a tuning freak and most of the players I work with are even worse, so I cant really the Yammy on a gig) and it has some kind of weird harmonic makeup). I bought the thing on ebay for a good price but the neck was mashed up on arrival. Ive gotten the creases in the neck rolled out and playable, but do you think this f.....d up neck could be the cause of this horn's problems? As far as the brightness, would stripping the lacquer do anything or are we dealing purely with cosmetics?
Thanks for reading this,
Take care.
Answer: the necks are different.......stripping the lacquer is a cosmetic procedure only
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Question: I have your two dvds on saxophone repair also many other dvds from various repair men.
My problem that the leaks keep coming back!!!
First I make sure each key closes individualy, the I colse all the keys using vedges, then I give the pads a heat and leave it over night, then I check for the leak between keys that work together and close them.
After a little while the leaks are back!!
What am I doing wrong?
Thanks
Sarkis
Answer: have you leveled the tone holes?
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Question: Hi Steve
I´ve always wondered how to use the "pad saver" properly. I use it every time I finish playing and going to put my sax back in the case, but the question is, after using it to dry the horn, should I leave the pad saver inside or outside the horn? How is the correct dry procedure once finishing playing in order to maintain my sax the better?
Thank you very much.
Answer: YOu should use it to dry out the horn. Do NOT leave it inside the horn
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Question: Hi Steve,
I have been playing the sax for 30+ years, & was hoping you could answer a question for me. I play a '56 &'54 The Martin Tenor & Alto respectively, & a Kohlert Bari. On the Tenor I use a Sugal Super GonzII .110. The sound I get is more like a Dexter Gordon-Kirk Whalum. I am wondering how do guys like Lenny Pickett, & Jr. Walker make a tenor sound the way they do? Is it the mouthpiece? If so, what do you recommend to make that sound? I know you sell mouthpieces, but I haven't ever seen one of the fluted ones anywhere. I am also looking forward to that new Tenor! Finally it sounds like someone is trying to take the horn to the next level w/ some awesome features for Pros. Maybe we won't have to find tricks for intonation - Thanx - Bob
Answer: Thanks for your kind remarks! Try the Fat Boy for the sound you are asking about
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Question: I caught wind of a dicontinued sax by you I believe it was called orpheous. Is it still available and where.
Answer: The Orpheo horns that I designed were last manufactured in 2007...I have no idea where you could find one. I have nothing to do with the horns currently sold as Orpheo on eBay. They are NOT the same
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Question: hai Steve my inglish is bad here is my question is it true that if you don have selmer saxophon you are bad player every one tells my by selmer by selmer stayaway from yamaha.s and others brands .thanks Steve love your playing skills
Answer: Selmer makes some nice saxophones. There are many other brands you should consider.
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Question: Do you have a picture or video on the saxgourmet Curved soprano sax.
And what is your current price
Thx
Joey
Answer: they will be availabl,e in the late summer
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Question: I purchased a Steve Goodson model tenor and it is by far the sweetest horn I've played. Projection like no other, a nice edge or a smooth darkness, depending on whatever you desire. Very nice. My problem is that I would like to use a more compact air airline friendly case but due to the altissimo key, I can't find a case to fit the horn. Any suggestions?
Thanks for making a great horn, Dano
Answer: we'll have a new line of cases later this year
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Question: I have been givev an original selmer serie 22 tenor but it has no crook. Before I spend any repair money I would like to know if it's going to be possible to get a neck and is it financially viable
Answer: I don't know where you would find one....you could have one custom made, which would be very expensive
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Question: Hi Steve ! im looking for a wireless mike for my sax! looked all over web.
could you give some advice where to go ? to buy like a store with a phone number or a web. address i need some help thanks
the Rock phone is
1 870 350 3935
Answer: I tried to call you....no answer
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Question: Hello:
My father recently passed away and I inherited his saxophones. He played them all my life and were his pride and joy.
I need some help in determining their values. Could you please help me? Here are the specs.
All are Selmer Mark VI
Soprano sax Mark VI, model # N. 259732
Alto Sax Mark VI, model # 199660
Tenor Sax Mark VI, model # 72186
Baritone Sax Mark VI, model 80107
Thank you for any help you can give me.
Sincerely, Lisa
Answer: Please send clear, detailed pictures
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Question: hey there mr.G.. just thought i would try out this site again since ive been talking to you off of the sax repair forum.. any way,, just wondering about you with all of that nasty weather in LA. i hope all is well with you and the mrs.oh yea! your puppy too!!i hope you build a water proof vault in that mansion you and sharon are restoring. for all of your exquisite horns.please be safe my bro.P.J.
Answer: Thanks, PJ!!!
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Question: Steve, I know you are a busy man but, I have been playing alto for about three years and enjoy it very much. However I like the sound of the soprano and I am wanting to buy one. Every body I talk to says I should go for a Yamaha or a Selmar but I just can't justify that amount of money. I have seen your Vespro model on the Saxophone Factory site and I'm very interested in it. Would it be suitable for some one of limited ability who is getting on in years but who enjoys playing. I play in a woodwind ensemble and would be playing with the clarinets. Hope you can find time to advise me to buy your sax. Love your website. Martin
Answer: I've got a demo horn (black nickel with silver keys) that I can make you a fine price on. Contact me at saxgourmet@cox.net and give me a daytime phone number and I'll call you
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Question: I play series 111 selmers, and do all my own replacement pads,but I find it almost impossible to get replacement pads thin enough to match the original selmer pads. ive tried the best quality I can get over here but they seem to be much thicker and dont seat properly. i was wondering if your own brand of pads would suit better.
Yours sincerely Jimmy Mat
Answer: You can get the thin pads you need from www.musicmedic.com
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Question: I am hoping you can help me make a decision on a tenor mouthpiece...I have tried many different pieces over the years...Dukoff, Meyer, Ponzol, Link, Berg, Yani, etc... I currently use a Gary Sugal Super Gonz II .110 or a Phil Barone hard rubber 9. I play a '56 The Martin. The sound I get is like a Dexter Gordon, & I am looking for more like a Jr. Walker or Lenny Pickett sound. Thanx for your time - Bob
Answer: Try the Fat Boy. You will be delighted with the results! Get a .105
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Question: Hi Steve,
I have a 1959 MK IV tenor. There is no serial number on the neck. Do you know if this means it's not the originla or did selmer not put it on all the necks?
Cheers
Paul
Answer: The number does not appear on the neck of all Mk VI's
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Question: Hi Steve, Greetings from Louisville, KY. I have an interest in your tenor mouthpieces and my curiosity was peaked after visiting your forum section. One person talked about a three pack he purchased which contained the blues blaster, florida and fat boy. Is this package still available and if so what cost? Thanks
Answer: That was a holiday special....we may do it again in the near future......just watch the site
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Question: Do you have necks for a soprano sax. I noticed that some of the heavy weight musicians have a long neck on their horns. This is what I am looking for. Price range?
Answer: We're working on some soprano necks right now....stay tuned
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Question: How can I get in touch? Yesterday, I went to New Orleans Music Exchange to no avail. Found this address for you on internet. I have a Mark VI that I need to discuss with someone. Can I get an address or phone number?
thanks
Eldridge
Answer: give me a daytime phone number and I'll call you...we see clients by prior appointment only and I'm generally not availble for incoming calls...the choice is that I can spend all day on the phone or I can get some work done!
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Question: Hello Mr. Steve,
I saw a picture of one of you necks and the inside of the tenon looked as though it had a light threading. Is this something you would recommend? If so, what thread size should be used?
Just to remind you I have a 500k+ Buescher 400 Alto. I threaded the mpc end as you suggested and the pips. I found a Morgan 6C and I am pleased with the sound I am getting.
Keep up the good work of educating us dummies.
Best regards,
Joe Petrof
Answer: Yes, it's a good idea for ANY neck....I use a pretty coarse thread, around 18/36
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Question: What is a "power pip", and what does it do?
I have a 1957 Mark VI tenor. What would one do to my horn? Good or bad?
Also, I noted that you offer threaded pips on some of your horns. What does this add?
Answer: It will improve the intonation and response, and will significantly improve the altissimo. All the Power Pips are threaded to reduce hiss.
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Question: I love my saxgourmet saxello but can not keep the low C# key from sticking. I've fussed with the spring tension, cleaned the pad and now keep it in the case with a piece of material with Talc on it. She still sticks. Is it new pad time Thanks, Scotty
Answer: Don't use talc! Clean the top of the tone hole with 1500 grit emery paper and the sticking will stop.
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Question: HI!
I`ve just got one question, what is best of Curved and straight Yanagisawa s991? I`m playing tenor sax today, and shall by myself a soprano, i`m pleased with my yani tenor.
Answer: The best available is the Saxgourmet Saxello
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Question: I am looking at your advertisement in the Saxophone Journal. Which model of tenor sax mouthpiece is the one with "compound baffle with slight rollover", "beak has a pronounced duckbill", "solid brass" and is available in.90 .105 & .120
Thanks
Ron M
Answer: That's the Florida
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Question: Steve,
I'm interested in buying a new neck for my Holton 241 tenor. (241-199-2000)
Will your replacement necks fit this horn?
Thanks,
Sam Hudson
sammy1h@aol.com
Answer: Yes, provided the tenon is 27.5mm as it should be (that's original spec)....your horn is very old, and may not be at original spec
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Question: Steve, I am considering buying a Buffet Super Dynaction tenor that appears doesn't have an original neck. Do you offer one for this or could you if I provided ID of neck tenon?
Thanks,
Bill
Answer:
At this time, no
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Question: steve,
i play tenor and baritone sax in a touring cover band. we play a lot of motown. i currently play a number 8 brilhart metal and .120 bari gold metal, both are off the shelf pieces. i'm very interested in purchasing two of your handmade mouthpieces. which one of your mouthpieces would you recommend for these instruments. your professional opinion would be very helpful.
thanks,greg
Answer: i THINK YOU WILL LIKE THE HANDMADE SERIES.......IT'S PERFECT FOR MOTOWN
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Question: Hi steve!This is Christodoulos Antoniou from Cyprus.I have a Selmer Paris Saxofon BREV.SGDG 920653 M114852 but is only the body,No keys,no any screws.Is that possible to fix it?And how mutch is will cost? Thanks for your attention.
Answer: I don't know where you could get the parts
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Question: Yo Steve,I'd like to get a bari piece;I'm playing a metal Ponzol .110
w/Rigotti 3.5 light/med.reeds on The
Martin bari...jazz,latin,swing...I
probably would go w/the .105 lowrider.
What do you think? You say the pieces
blow easy;great!Should I try a .120?
I don't need to work hard,but need,and
get,a big,full sound...Thanks a lot;I
played out here,SF,w/bassist Sam Price,
from your town...do you know him?I'll
look out for your advice............
Answer: Get a .105......I played with Sam about 15 years ago in an original material rock band......
We've got 'em in stock and ready to go. Your order will ship the same day you place it.
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Question: What facings does the Fat Boy come in, or do I just tell you what I want when I order?
Answer: tip openings are .090, .105, and .120
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Question: Hi : in my repairshop I have an old Dolnet tenor sax and I need to buy for a client 1 saxgourmet maestro start airtigh solid brass pad set.Please inform me if I can buy from you.I would sed you the dimensions pads if is afirmative your answer.
Thanks
Answer: you can buy them from music medic
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Question: I do not see any tip openings on the low rider baritone mouthpiece? Is this mouthpiece made in just one opening, if so what is it?
Answer: .105 and .120
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Question: hey mr. goodson.so when are you going to make vintage sax cases. for l.h.b.k.
Answer: When there's enough demand to pay for the initial tooling
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Question: I am a high school saxophone player and doing my grade 7 jazz this march. I was wondering if the steve goodsen models are suitable for this standard if I needed an upgrade in the next year or so. I currently play a jupiter student and I do not know how versatile your models are. Thanks.
Answer: they are absolutely the most versitle horns on the market. Just look at the features: they are available nowhere else.
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Question: Are you making your Saxgourmet Neck for a MKVI Selmer alto sax ?
Answer: they should be available in around 30 days. We'll also have some solid silver and solid copper necks for alto and tenor.
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Question: Mr Goodson,
Can you, Will you Custom build any sax similar to your "Orpheus Orpheo" Tenor/Sax Gourmet Tenor going down to low "G" pass flat. Going up to High G# key or maybe even A? Thanks for your time. cheers, -Nate
Answer: We can do anything you wish, provided you have the budget for the project
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Question: do you send to israel?
Answer: Yes we do.
We have many customers there
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Question: Will the Alto neck enhancer work on any neck? I play a Sherwood Master (Conn Stencil) for '32/'33.
Thanks!
Answer: Yes, it most certainly will.
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Question: Is there a proper way to store a saxophone when not used for long periods of time?please be as specific as possible thanks
Answer: First, make sure the interior of the horn is completely dry.
Treat all of the pads with VooDoo Pad Juice to prevent drying.
Apply paraffin to the neck cork and heat slightly so it is absorbed
Put a coat of oil on all springs
Completely oil the mechanism with Bourbon Street Key Oil
Clamp the keys down using key clamps
Put several silica Gel packs in the case
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Question: I am renting a Selmer Student Alto Sax and I personally don't like the tone and intonation. The tone is really thin and the scales are uneven. I purchased a Meyer 6M and the tone improved, but not to the level I would like it to. As a High School student I am economically strained and the Selmer is all I could afford at the time. As an innovator is there anything you can think of that can easily improve the instrument without having to permanently remain on the instrument.
Answer: Which model are you using?
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Question: HELLO,I'M DAMIANO AND I'M ITALIAN AND SEND IT TO A COUNTRY IN THE MOLISE, ITALY.I'VE A TENOR SAX Selmer MKVI NY 105XXX Elkhart, which I bought ABOUT 2 YEARS AGO.i HAVE THE PASSION OF REPAIRING THE INSTRUMENTS AND I realized that the SAX is STATE OF METAL clad with I BELIEVE THAT IS NICHEL.IL instrument sound is quite good ......... BUT THAT CAN unfasten METAL AND HOW? THANKS AND APOLOGIES FOR MY ENGLISH
Answer: I never saw an Elkhart version in nickel
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Question: Steve, your old web page used to have half a dozen fantastic audio tracks playing in the background...but your new site does not appear to have them...or am I doing something wrong ?...How do I get to play them again...?
Answer: We've now restored them, by popular demand!
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Question: Have a Selmer Mark VI. The High D is getting sharper. Does the cork pack down and create this problem or is it the operator. I have 20+ years playing and I have been monkeying around with mouth pieces, but kind of out of answers.
Bob
Answer: That's pretty common on VI's.....look on my www.saxgourmet.com site and go to the overhauls section. Click on the photo tour of Steve's personal Mk VI and you'll see how I corrected it.
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Question: hi mr goodson.im honored to be able to e/m you.your a hero in my house.anyway, i love the vintage sound too. and i have a 68 10m.its real brash.i am always looking for that vint.tone.why are the rolled tone holes so much more in demand and better sounding than the newer ones? ive tried several m/ps.and still cant get the sound like i had on my [school loaned] 40.s elkhart beuscher.do you have any sugestions on what m/p to try?? thank you for your very valuable time,mr goodson. P.J.
Answer: P.J.:
There's a school of thought that says that older is better. I don't subscribe to that! There's NO WAY that the rolled tone holes can make any difference, NONE! Try the Blues Blaster mouthpiece on your 10M. Thanks for your question!
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Question: Hey Steve. I have one of your Saxgourmet pieces. Blows pretty nice but the ligature that came with it is all messed up. Screw doesn't work at all. Any replacements available. I like its setup, it just doesn't work so I'm using one from one of my other pieces for now.
Answer: Sure, I'll be glad to send you a replacement. Which mouthpiece do you have?
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Question: Hi Steve
I was left a sax and I was hoping you could give me some info on it. age value such. It is a
CG Conn LTD
PATD DEC 8 1914
PAT APPD FOR
A
M265431A
L
ANY HELP YOU COULD GIVE ME WOULD BE MOST APPRECIATED
THANKS
BOB
Answer: That's a Conn alto made for the North American market. There's a value guide and serial number chart located at www.saxgourmet.com
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Question: What is your policy on "trying" the mouthpiece before purchase. A good mouthpiece is worth its weight in gold but laying out a couple hundred on a maybe is risky. I am interested in the bari piece, what are the tip openings?? thanks, Al
Answer: See the FAQ for policy. The bari piece comes in .105 and .120 tip openings
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Question: hi,
My father left a sax that was his in the 20's (or later)sometime.
It is a Buescher True Tone
serial number 141606 low pitch
license dec 8 1910 (looks like a 10 ? not sure)
Am looking for some help regarding history, value and registration information. I have read many forms on lie and am pretty confused at this point.
Thanks so much.
Mary Parisi-Fien
Answer: There's a value guide and serial number chart on my www.saxgourmet.com site. Be sure to read the preface to the value guide first!
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Question: I just recently inherited my grand fathers alto sax. It's a Selmer..BundyII. Whatever info you know would be appreciated. Thanks
Keith
Answer: That's a student model horn marketed by Selmer USA. It's super common, and not very valuable.
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Question: Hi Steve,
One of my students recently purchased one of your new baris from Marsh Woodwinds in Raleigh. It was on consignment. The sax player from Cravin Melon sold it. Anyway, the horn is great except for excessive airyness on G and G# with the octave key. It is very distracting to the tone. A few different players have tried it, all with the same results. The repair techs at Marsh have concluded that nothing can be done about it's just "the horn". I am dissapointed for my student, becasue it is such a beautiful instrument otherwise.
Answer: I would say you need to find some techs who know how to adjust an octave mechanism! Apparently, the people you are using don't know how to do it! We've NEVER had this complaint before. It should be a very simple adjustment.
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Question: Steve:
I am an instrumental music teacher at The American School of Doha in Doha, Qatar (a peninsula in the oil rich Arabian Gulf).
I've come across a Korean made soprano saxophone under the brand name of Khon. There is an umlaut over the "o" and the branding also states U.S.A.
I played the horn and it felt good in my hands. With my limited knowledge of what to really look for when inspecting an instrument, it seemed quite like other soprano saxes that I have played before.
The asking price is $500. I would like to get your opinion on the instrument.
Thanks a lot!
Mark Seay
Instrumental Music Director
American School of Doha (www.asd.edu.qa)
Answer: Sorry, but I am unfamiliar with that brand. I am also unaware of any saxophone factories in Korea.
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Question: Hello. I am a 50-year old man who has decided to learn to play the saxophone (I'm not getting any younger, am I?). Can you give me some advice? Everything I read says start with an alto, which is fine. But what brand? How much should I expect to pay? Is buying mail order okay? Or is it better to buy from the local music store? Do you carry anything that would be good for my situation? Any help or advice you can give me would be very much appreciated. Thank you.
Answer: There is an article on my blog about buying a saxophone for beginners. There's a link to my blog in the NEWS section of this site.
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Question: i have a vito alto sax model 20006a.
looking to sell but would like more info to be a smarter seller. is there someplace on web i may see what they are how well made, and prices?
Answer: Those are pretty common horns, and pretty well made. I'd say the best one in the world (in absolute perfect condition, needing nothing) is worth $400 at most. Deduct the retail cost of any needed repairs to make it perfect.
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Question: What is tip opening your alto HR mouthpice?
Answer: You can get it in .060,.070,and .075
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Question: Dear Steve,
Back in the seventies I bought a Conn Conqueror 30M from a small music store in Libertyville. At the time I didn't realize that they put a Beuscher neck on it. Recently I decided to sell the Conn and found out that it was made it 1936 and would be worth more if I had a 30M neck for it.Do you know where I might find one? Thanks for your help!! Mary
Answer: I think your only option is going to be have a neck made for your horn. This is likely to be VERY expensive.
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